JAO TSUNG-I (RAO ZONGYI) 饒宗頤 (1917–2018)

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Volume 8 of Jao's collected works includes his book Dunhuang qu, which Paul Demiéville translated into French and published in 1971.

“Volume 8 is a collection of Jao’s works on Dunhuang studies, and perhaps most importantly includes his book on musical transcripts, Dunhuang qu 敦煌曲 (The Music of Dunhuang).This was translated into French by Paul Demiéville and published in 1971.”

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Jao's Yidai zhenbu renwu tongkao gathers and examines 142 names of Shang oracle-bone diviners and classifies the topics on which they divined.

“It collects and studies 142 names of Shang oracle bone diviners and provides a typology of the subjects about which they made divinations.”

Classified as probably not a substantial claim. May combine two claims.

Jao proposed that Shang divination combined bones and milfoil, and that diviners and scribes belonged to separate professional groups.

“Other important points in this work are Jao’s hypotheses that Shang divination used bones and milfoil together in combination, and that diviners and scribes were two different groups of professionals”

Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

Volume 6 of Jao's collected works contains four book-length articles on historical studies, including 'Guoshi shang zhi Zhengtonglun' and 'Shixue luncong'.

“Volume 6 collects Jao’s four book-length articles on historical studies.These are “Guoshi shang zhi Zhengtonglun” 國史上之正統論 (Discourse on legitimacy in Chinese history), “Shixue luncong” 史學論叢 (Papers on historical studies), “Nanfang minzuxue luncong” 南方民族學論 叢 (Papers on ethnical studies of Southern China), “Jiulong yu Songji shiliao” 九龍與宋季史料 (Kowloon and historical materials of the Late Song).”

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Volume 4 of Jao's collected works includes inscriptions on bronze chime bells from the tomb of Marquis Yi of Zeng, which bear names of musical tones and pitches.

“Volume 4 of Rao Zongyi ershi shiji xueshu wenji collects three books on classical studies, and includes the inscriptions cast on the bronze chime bells found in the tomb of Marquis Yi of Zeng, which contain the names of musical tones and pitches.”

Probably not a substantial claim: may not pass S3 (load-bearing).

The first juan of Jao's collected works, 'Shisu' (Origins of History), contains thirty-five articles on early Chinese myth and origins.

“The first juan is titled “Shisu” 史溯 (Origins of History) and comprises thirty-five important articles on early Chinese myth and origins.”

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Jao and Zeng Xiantong proposed that the tone and pitch names used in Zeng may have come from a tradition distinct from that of Chu.

“Jao and Zeng Xiantong examined the inscriptions in detail and formed a hypothesis that the names of these tones and pitches used in the state of Zeng might have been from a tradition that was different from the state of Chu.”

May combine two claims.

Jao's book and study on the Xiang'er Laozi received positive scholarly attention and provoked heated debate about early Tianshi Dao history and the textual history of the Daode jing.

“His book and study drew positive scholarly attention and led to a heated discussion about the early history of “Tianshi Dao” 天師道 (Celestial Master School) and the textual history of Daode jing道德經.”

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Volume 5 of Jao's collected works includes a study of the Xiang'er commentary and recension of the Laozi held in the British Museum and a study of siddham in Sanskrit manuscripts.

“Volume 5 has five lengthy articles that explore the origins of Buddhism and Taoism, and includes a study of the Xiang'er 想爾 commentary and recension of the Laozi preserved in the British Museum, as well as a study of the siddhām in Sanskrit manuscripts.”

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Jao's evidential method, sanchong zhengjufa, draws on received and excavated sources as well as material culture and is a cornerstone of his scholarship.

“His evidential method, using received and excavated sources in addition to material culture (sanchong zhengjufa 三重證據法), is a cornerstone of his craft and can be witnessed throughout scholarship.”

Probably not a substantial claim: may not pass S3 (load-bearing).

Volume 7 of Jao's collected works consists of three books, including Zhongwai guanxishi lunji, Xinjiapo gushiji, and Xing-Ma huawen beike xinian.

“Volume 7 consists of three books: Zhongwai guanxishi lunji 中外關係 史論集 (Papers on Sino-foreign relations), Xinjiapo gushiji 新加坡古事記 (The ancient historical records of Singapore), and Xing-Ma huawen beike xinian”