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Cited by 482

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Authenticity as authentication

Moore, Allan·2002·Popular Music

Abstract

This article argues for the prematurity of any dismissal of the notion of authenticity as meaningful within popular music discourse. It synthesises a range of views as to how authenticity is constructed, and offers a tri-partite typology dependent on asking who, rather than what, is being authenticated. It focuses on rock and folk genres, but also argues that the generic nature of the typology makes it applicable to any other genre wherein listeners are concerned to ask whether a musical utterance can be construed as sincere.

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Metadata

Authors
Moore, A.
Venue
Popular Music
Published
2002-05
Volume
21
Issue
2
Pages
209-223
ISSN
  • 0261-1430 (ISSN-L)
  • 1474-0095
OpenAlex
W2160380483
Cited by
482
References
0
FWCI
10.76
Type
journal article
Language
en
Open access
closed

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CoChat. (2026). Citation check: Authenticity as authentication. https://app.cochat.ai/papers/10.1017/s0261143002002131
The paper
Moore, A. (2002). Authenticity as authentication. Popular Music. https://doi.org/10.1017/s0261143002002131

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Bibliographic data: Semantic Scholar, OpenAlex, Crossref.

Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.