The DOI matches its Crossref record; 7 of the 7 references it cites were found in a registry or an index.
Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening
Open accessAbstract
In this article, we provide an up-to-date overview of theory and research concerning expression, perception, and induction of emotion in music. We also provide a critique of this research, noting that previous studies have tended to neglect the social context of music listening. The most likely reason for this neglect, we argue, is that that most research on musical emotion has, implicitly or explicitly, taken the perspective of the musician in understanding responses to music. In contrast, we argue that a promising avenue toward a better understanding of emotional responses to music involves diary and questionnaire studies of how ordinary listeners actually use music in everyday life contexts. Accordingly, we present findings from an exploratory questionnaire study featuring 141 music listeners (between 17 and 74 years of age) that offers some novel insights. The results provide preliminary estimates of the occurrence of various emotions in listening to music, as well as clues to how music is used by listeners in a number of different emotional ways in various life contexts. These results confirm that emotion is strongly related to most people's primary motives for listening to music.
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
Russell, J. A. (1980) · Journal of Personality and Social Psychology · doi:10.1037/h0077714 · Cited by 16,334
An argument for basic emotions
Ekman, P. (1992) · Cognition and Emotion · doi:10.1080/02699939208411068 · Cited by 9,646
Functional neuroanatomy of emotion: A meta-analysis of emotion activation studies in PET and fMRI
Phan, K. L., Wager, T., Taylor, S. F., & Liberzon, I. (2002) · NeuroImage · doi:10.1006/nimg.2002.1087 · Cited by 3,502
Blood, A. J., & Zatorre, R. J. (2001) · Proceedings of the National Academy of Sciences · doi:10.1073/pnas.191355898 · Cited by 2,814
Functional neuroanatomy of emotions: A meta-analysis
MURPHY, F. C., NIMMO-SMITH, I., & LAWRENCE, A. D. (2003) · Cognitive, Affective, & Behavioral Neuroscience · doi:10.3758/cabn.3.3.207 · Cited by 1,135
Blood, A. J., Zatorre, R. J., Bermudez, P., & Evans, A. C. (1999) · Nature Neuroscience · doi:10.1038/7299 · Cited by 1,097
ZATORRE, R. J. (2003) · Annals of the New York Academy of Sciences · doi:10.1196/annals.1284.001 · Cited by 165
Cited by
Emotional responses to music: The need to consider underlying mechanisms
Juslin, P. N., & Västfjäll, D. (2008) · Behavioral and Brain Sciences · doi:10.1017/s0140525x08005293 · Cited by 1,914
Self-citationBrain correlates of music-evoked emotions
Koelsch, S. (2014) · Nature Reviews Neuroscience · doi:10.1038/nrn3666 · Cited by 1,544
Emotions evoked by the sound of music: Characterization, classification, and measurement.
Zentner, M., Grandjean, D., & Scherer, K. R. (2008) · Emotion · doi:10.1037/1528-3542.8.4.494 · Cited by 1,229
From everyday emotions to aesthetic emotions: Towards a unified theory of musical emotions
Juslin, P. N. (2013) · Physics of Life Reviews · doi:10.1016/j.plrev.2013.05.008 · Cited by 763
Self-citationEmotional responses to music: experience, expression, and physiology
Lundqvist, L.-O., Carlsson, F., Hilmersson, P., & Juslin, P. N. (2009) · Psychology of Music · doi:10.1177/0305735607086048 · Cited by 502
Self-citation
Metadata
- Authors
- Juslin, P. N., & Laukka, P.
- Venue
- Journal of New Music Research
- Publisher
- Informa UK Limited
- Published
- 2004-09
- Volume
- 33
- Issue
- 3
- Pages
- 217-238
- ISSN
- 0929-8215 (ISSN-L)
- 1744-5027
- OpenAlex
- W1994477474
- Cited by
- 1,124
- References
- 7
- FWCI
- 1.76
- Type
- journal article
- Language
- en
- Open access
- bronze
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening. https://app.cochat.ai/papers/10.1080/0929821042000317813
- The paper
- Juslin, P. N., & Laukka, P. (2004). Expression, Perception, and Induction of Musical Emotions: A Review and a Questionnaire Study of Everyday Listening. Journal of New Music Research. https://doi.org/10.1080/0929821042000317813
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.