The DOI matches its Crossref record; 2 of the 2 references it cites were found in a registry or an index.
Systems of articulation, logics of change: Communities and scenes in popular music
Abstract
(1991). Systems of articulation, logics of change: Communities and scenes in popular music. Cultural Studies: Vol. 5, No. 3, pp. 368-388.
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Citations
Cites
La distinction, critique sociale du jugement
Gehin, E., Herpin, N., & Bourdieu, P. (1980) · Revue Française de Sociologie · doi:10.2307/3320934 · Cited by 3,193
There Ain't No Black in the Union Jack
Gilroy, P. (2013) · Routledge eBooks · doi:10.4324/9780203995075 · Cited by 1,752
Cited by
INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE
Hesmondhalgh, D. (1999) · Cultural Studies · doi:10.1080/095023899335365 · Cited by 302
The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production
Born, G. (2010) · Cultural Sociology · doi:10.1177/1749975510368471 · Cited by 296
Music and the materialization of identities
Born, G. (2011) · Journal of Material Culture · doi:10.1177/1359183511424196 · Cited by 290
The social life of musical instruments
Bates, E. (2012) · Ethnomusicology · doi:10.5406/ethnomusicology.56.3.0363 · Cited by 199
Extended Leisure Experiences: A Sociological Conceptualization
Scott, D., & Harmon, J. (2016) · Leisure Sciences · doi:10.1080/01490400.2015.1123126 · Cited by 35
Metadata
- Authors
- Straw, W.
- Venue
- Cultural Studies
- Publisher
- Informa UK Limited
- Published
- 1991-10
- Volume
- 5
- Issue
- 3
- Pages
- 368-388
- ISSN
- 0950-2386 (ISSN-L)
- 1466-4348
- OpenAlex
- W1988462212
- Cited by
- 891
- References
- 2
- FWCI
- 55.54
- Type
- journal article
- Language
- en
- Open access
- closed
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Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.