Music education and the well-rounded education provision of the Every Student Succeeds Act: A critical policy analysis
Open accessAbstract
Critical approaches to policy analysis, although common in general education, are rare in arts education literature. By adopting critical approaches, researchers can produce scholarship that will be transformative for policies that impact arts education and for the profession as a whole. In this article, I present a framework that allows researchers to incorporate critical theory into policy analysis. This ideological work can expose sources of power and help reveal the ways in which the targets of policy are complicit in their own domination. Adopting this framework, I examine the well-rounded education provision of the Every Student Succeeds Act of 2015 to better understand the policy's origins, its development, and the potential implications for music education.
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Inequitable access to music classes is compounded by music's subservient role in the broader secondary curriculum.
“inequitable access to music classes are compounded by music's subservient role in the broader secondary curriculum”
From Understanding Participation in Secondary Music Classes: A Literature Review (2020) · cites this paper as Kos, 2017
Despite the addition of music as a core subject in the 2015 Every Student Succeeds Act, music has often been viewed as a secondary subject in American education.
“Despite the addition of music as a core subject in the 2015 Every Student Succeeds Act, music has often been viewed as a secondary subject in American education”
From Understanding Participation in Secondary Music Classes: A Literature Review (2020) · cites this paper as Kos, 2017
Cites
The Impact of No Child Left Behind on Student Achievement
Dee, T. S., & Jacob, B. (2011) · Journal of Policy Analysis and Management · doi:10.1002/pam.20586 · Cited by 487 · see citing works
Exploring the global decline of music education
Aróstegui, J. L. (2016) · Arts Education Policy Review · doi:10.1080/10632913.2015.1007406 · Cited by 133 · see citing works
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Understanding Participation in Secondary Music Classes: A Literature Review
Pendergast, S. (2020) · Update: Applications of Research in Music Education · doi:10.1177/8755123320928479 · Cited by 13 · see citing works
- Authors
- Kos, R. P.
- Affiliations
- Boston University (US)
- Corresponding author
- Kos, Ronald P.
- ORCID
- Kos, Ronald P.
- Venue
- Arts Education Policy Review
- Publisher
- Informa UK Limited
- Published
- 2017-11-30
- Volume
- 119
- Issue
- 4
- Pages
- 204-216
- ISSN
- 1063-2913 (ISSN-L)
- 1940-4395
- OpenAlex
- W2771229321
- Cited by
- 32
- References
- 2
- Citations by year
- 2025: 2 · 2024: 3 · 2023: 3 · 2022: 4 · 2021: 2 · 2020: 11 · 2019: 7
- FWCI
- 79.21
- Type
- journal article
- Language
- en
- Open access
- green
- hdl.handle.net
- Licence
- cc-by-nc-nd
- Locations
- Arts Education Policy Review (publishedVersion)
- OpenBU (Boston University) (submittedVersion, cc-by-nc-nd)
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art Education and Development
- Social Sciences › Sociology and Political Science › Critical Race Theory in Education
- Keywords
- music education, Every Student Succeeds Act, well-rounded education, arts education policy, critical policy analysis, critical theory, power and domination
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