The DOI matches its Crossref record; 2 of the 2 references it cites were found in a registry or an index.
Post‐feminism and popular culture
Abstract
This article presents a series of possible conceptual frames for engaging with what has come to be known as post‐feminism. It understands post‐feminism to refer to an active process by which femini...
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
Visual Pleasure and Narrative Cinema
Mulvey, L. (1975) · Screen · doi:10.1093/screen/16.3.6 · Cited by 8,680 · cited 1×
“…feminism into account by showing it to be a thing of the past, by provocatively “enacting sexism” while at the same time playing with those debates in film theory about women as the object of the gaze (Laura Mulvey 1975) and even with female desire (Rosalind Coward 1984; Teresa de Lauretis 1988).”
BackgroundIndividualization: Institutionalized Individualism and its Social and Political Consequences
Beck, U., & Beck-Gernsheim, E. (2002) · doi:10.4135/9781446218693 · Cited by 3,529
Research works printed but not linked: 23
- arnot madeleine david miriam weiner gaby (1999)Closing the Gender GapPolity Press, Cambridge
- bauman zygmunt (2000)Liquid ModernityPolity Press, Cambridge
- bauman zygmunt (2001)The Individualised SocietyPolity Press, Cambridge
- beck ulrich giddens anthony lash scott (1994)Reflexive ModernizationPolity Press, Cambridge
- brown wendy, 1997, Differences: A Journal of Feminist Cultural Studies, 9, pp. 79–102
- brunsdon charlotte, 2004, Cinema Journal
- budgeon shelley, 2001, European Journal of Women's Studies, 8, pp. 7–28
- butler judith, 1992, Feminists Theorise the Political
- butler judith (2000)Antigone's Claim: Kinship Between Life and DeathColumbia University Press, New York
- de lauretis teresa (1988)Technologies of Gender: Essays on Theory Film and FictionIndiana University Press, Bloomington, IN · DOI
- giddens anthony (1991)Modernity and Self IdentityPolity Press, Cambridge
- giddens anthony (1995)Beyond Left and RightPolity Press, Cambridge
- giddens anthony (1998)The Third WayPolity Press, Cambridge
- gill rosalind, 2003, Feminist Media Studies, 3, pp. 100–106
- 10.4324/9780203168332 · DOI · Paper page
- mcrobbie angela, 2003, Feminist Review, 73
- mohanty chandra t., 1995, The Postcolonial Studies reader
- mulvey laura, 1975, Screen, 16, pp. 6–18
- rose nikolas (2000)Powers of FreedomCambridge University Press, Cambridge
- spivak gayatri, 1988, Marxism and the Interpretation of Culture, pp. 271–317
- spivak gayatri (1999)A Critique of Postcolonial ReasonHarvard University Press, Cambridge, MA · DOI · Paper page
- stuart andrea, 1990, Identity
- trinh t. minha (1989)Woman Native OtherIndiana University Press, Bloomington, IN
Cited by
Postfeminist media culture: Elements of a sensibility
Gill, R. (2007) · European Journal of Cultural Studies · doi:10.1177/1367549407075898 · Cited by 2,302
Ringrose, J., & Walkerdine, V. (2008) · Feminist Media Studies · doi:10.1080/14680770802217279 · Cited by 278
(Re)Imagining Intersectional Democracy from Black Feminism to Hashtag Activism
Jackson, S. J. (2016) · Women's Studies in Communication · doi:10.1080/07491409.2016.1226654 · Cited by 159
The personal is global political: The antifeminist backlash in the United Nations
Cupać, J., & Ebetürk, I. (2020) · The British Journal of Politics and International Relations · doi:10.1177/1369148120948733 · Cited by 105
Metadata
- Authors
- McRobbie, A.
- Venue
- Feminist Media Studies
- Publisher
- Informa UK Limited
- Published
- 2004-11
- Volume
- 4
- Issue
- 3
- Pages
- 255-264
- ISSN
- 1468-0777 (ISSN-L)
- 1471-5902
- OpenAlex
- W2076141598
- Cited by
- 1,314
- References
- 2
- FWCI
- 33.77
- Type
- journal article
- Language
- en
- Open access
- closed
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Post‐feminism and popular culture. https://app.cochat.ai/papers/10.1080/1468077042000309937
- The paper
- McRobbie, A. (2004). Post‐feminism and popular culture. Feminist Media Studies. https://doi.org/10.1080/1468077042000309937
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.
