Postfeminist media culture: Elements of a sensibility
Open accessAbstract
The notion of postfeminism has become one of the most important in the lexicon of feminist cultural an alysis. Yet there is little agreement about what postfeminism is. This article argues that postfeminism is best understood as a distinctive sensibility, made up of a number of interrelated themes. These include the notion that femininity is a bodily property; the shift from objectification to subjectification; an emphasis upon self-surveillance, monitoring and self-discipline; a focus on individualism, choice and empowerment; the dominance of a makeover paradigm; and a resurgence of ideas about natural sexual difference. Each of these is explored in some detail, with examples from contemporary Anglo-American media. It is precisely the patterned articulation of these ideas that constitutes a postfeminist sensibility. The article concludes with a discussion of the connection between this sensibility and contemporary neoliberalism.
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
The bourgeois reference to spendthrift chicks is reminiscent of the 'post-feminist masquerade' critiqued by Western feminist scholars.
“The bourgeois reference to spendthrift chicks is reminiscent of the 'post-feminist masquerade' that feminist scholars in the West have critiqued (Gill 2007, McRobbie 2007, 2009, Ringrose and Walkerdine 2008, Banet-Weiser 2012).”
From Patriarchal capitalism with Chinese characteristics: gendered discourse of 'Double Eleven' shopping festival (2017) · cites this paper as Gill 2007
Cited by
Sorted by citations
Teen girls, sexual double standards and ‘sexting’: Gendered value in digital image exchange
Ringrose, J., Harvey, L., Gill, R., & Livingstone, S. (2013) · Feminist Theory · doi:10.1177/1464700113499853 · Cited by 618 · see citing works
Self-citationFrom degendering to (re)gendering the self: Chinese youth negotiating modern womanhood
Liu, F. (2014) · Gender and Education · doi:10.1080/09540253.2013.860432 · Cited by 161 · see citing works
Meng, B., & Huang, Y. (2017) · Cultural Studies · doi:10.1080/09502386.2017.1328517 · Cited by 92 · see citing works
Race and Genre in the Use of Sexual Objectification in Female Artists' Music Videos
Frisby, C. M., & Aubrey, J. S. (2012) · Howard Journal of Communications · doi:10.1080/10646175.2012.641880 · Cited by 88 · see citing works
“Do I Look Like My Selfie?”: Filters and the Digital-Forensic Gaze
Lavrence, C., & Cambre, C. (2020) · Social Media + Society · doi:10.1177/2056305120955182 · Cited by 72 · see citing works
“Woman” on the move: mobile subjectivities after intersectionality
B. Calás, M., Ou, H., & Smircich, L. (2013) · Equality, Diversity and Inclusion: An International Journal · doi:10.1108/edi-05-2012-0037 · Cited by 63 · see citing works
‘A male dominance kind of vibe’: Approaching unsolicited dick pics as sexism
Amundsen, R. (2021) · New Media & Society · doi:10.1177/1461444820907025 · Cited by 55 · see citing works
Charteris, J., Gregory, S., & Masters, Y. (2018) · Gender and Education · doi:10.1080/09540253.2016.1188198 · Cited by 48 · see citing works
López-Gil, J. F., Chen, S., Jiménez-López, E., Abellán-Huerta, J., Herrera-Gutiérrez, E., Royo, J. M. P., Mesas, A. E., & Tárraga-López, P. J. (2024) · International Journal of Mental Health and Addiction · doi:10.1007/s11469-023-01081-3 · Cited by 20 · see citing works
Lewthwaite, M., & LaMarre, A. (2022) · Appetite · doi:10.1016/j.appet.2022.105938 · Cited by 20 · see citing works
Rasmussen, P. K. B., & Søndergaard, D. M. (2022) · MedieKultur. Journal of Media and Communication Research · doi:10.7146/mediekultur.v37i71.125300 · Cited by 7 · see citing works
- Authors
- Gill, R.
- Affiliations
- London School of Economics and Political Science (GB)
- Corresponding author
- Gill, Rosalind
- ORCID
- Gill, Rosalind
- Venue
- European Journal of Cultural Studies
- Publisher
- SAGE Publications
- Published
- 2007-05
- Volume
- 10
- Issue
- 2
- Pages
- 147-166
- ISSN
- 1367-5494 (ISSN-L)
- 1460-3551
- OpenAlex
- W2100153433
- Cited by
- 2,302
- References
- 0
- Citations by year
- 2026: 225 · 2025: 201 · 2024: 197 · 2023: 179 · 2022: 187 · 2021: 200 · 2020: 177 · 2019: 141 · 2018: 142 · 2017: 157 · 2016: 125 · 2015: 95 · 2014: 89 · 2013: 53 · 2012: 58
- FWCI
- 32.24
- Type
- journal article
- Language
- en
- Open access
- green
- eprints.lse.ac.uk
- Locations
- European Journal of Cultural Studies (publishedVersion)
- Goldsmiths Research Online (acceptedVersion)
- Open Research Online - ORO (The Open University) (acceptedVersion)
- London School of Economics and Political Science Research Online (London School of Economics and Political Science) (submittedVersion)
- London School of Economics and Political Science Theses Online (London School of Economics and Political Science) (submittedVersion)
- HAL (submittedVersion, other-oa)
- Social Science Open Access Repository (GESIS – Leibniz Institute for the Social Sciences) (submittedVersion)
- Trinity's Access to Research Output (TARA) (Trinity College Dublin) (submittedVersion, other-oa)
- Topics
- Social Sciences › Gender Studies › Gender, Feminism, and Media
- Social Sciences › Gender Studies › Gender and Feminist Studies
- Social Sciences › Gender Studies › Media, Gender, and Advertising
- Keywords
- postfeminism, self-surveillance, self-control, individualism, empowerment, sexual difference, neoliberalism, media culture
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review