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Live Concert Performance: An Ecological Approach
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Claims the paper makes
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The cited source says what the claim attributes to it.
In the citing paper
“At the same time, audiences are created in these ecologies, as music organizations bring people together in specific local settings (Behr et al., 2016).”
From Challenges for the future of live music: A review of contemporary developments in the live music sector (2020) · cites this paper as Behr et al., 2016
The cited source says what the claim attributes to it.
In the citing paper
“A healthy live music ecology has performance spaces of different sizes, allowing musicians to gradually build up their career by performing for growing audiences (Terrill et al. 2015;Behr et al. 2016).”
From Challenges for the future of live music: A review of contemporary developments in the live music sector (2020) · cites this paper as Behr et al. 2016
The cited source says what the claim attributes to it.
In the citing paper
“This approach understands live music events as constituted by networks of actors both inside (e.g.bookers) and outside (e.g.regulators) the music industry (Behr et al. 2016).”
From Challenges for the future of live music: A review of contemporary developments in the live music sector (2020) · cites this paper as Behr et al. 2016
The cited source says what the claim attributes to it.
In the citing paper
“Live music ecologies are complex networks of actors in which developments at different levels affect how, where and what kind of concerts can be performed (Behr et al. 2016;Webster et al. 2018).”
From Challenges for the future of live music: A review of contemporary developments in the live music sector (2020) · cites this paper as Behr et al. 2016
Self-check
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Citations
Cites
No references could be resolved yet.
Research works printed but not linked: 29
- Becker Howard S, 1982, Art Worlds
- Behr Adam, 2014, The Cultural Value of Live Music from the Pub to the Stadium: Getting Beyond the Numbers
- Bourdieu Pierre, 1993, The Field of Cultural Production: Essays on Art and Literature
- 10.1093/acprof:oso/9780195151947.001.0001 · DOI · Paper page
- Cloonan Martin, 2012, Creative Industries Journal, 5, 151, 10.1386/cij.5.1-2.151_1 · DOI
- Cooke Chris, 2014, completemusicupdate.com. Complete Music Daily
- Durkheim Émile, 2008, The Elementary Forms of Religious Life
- EKOS, 2014, Music Sector Review: Final Report for Creative Scotland
- Finnegan Ruth, 1989, The Hidden Musicians: Music-Making in an English Town
- Fisher Sarah, 2012, The Cultural Knowledge Ecology: A Discussion Paper on Partnerships between HEIs and Cultural Organizations
- Frith Simon, 2010, IASPM@Journal, 1, 1, 10.5429/2079-3871(2010)v1i1.3en · doi:10.5429/2079-3871(2010)v1i1.3en
- Frith Simon, 2013, The History of Live Music in Britain since 1950, Volume 1, From Dance Hall to the 100 Club: The History of Live Music in Britain 1950–1967
- Frith Simon, 2009, Creativity and Innovation in the Culture Economy, 74, 10.4324/9780203880012-3b · doi:10.4324/9780203880012-3b
- Keogh Brent, 2013, Journal of Music Research Online, 4
- Krebs Charles, 2008, The Ecological World View, 10.1071/9780643098398 · DOI
- Leask David, 2013, Evening Times
- Mean Melissa, 2005, In Concert: Growing NewcastleGateshead as a Music City
- Prior Nick, 2008, Cultural Sociology, 2, 301, 10.1177/1749975508095614 · DOI · Paper page
- SSE Hydro, 2014, TheSSEHydro.com
- SSE Hydro, TheSSEHydro.com
- Smith Alistair, 2009, The Stage
- 10.1080/09502389100490311 · DOI · Paper page
- UK Music, 2013, The Rocktober Report: The Live Music Act: One Year On
- UK Music, 2013, Wish You Were Here
- Webb Peter, 2007, Exploring the Networked Worlds of Popular Music: Milieu Cultures
- Webster Emma, 2011, Diss.
- Webster Emma, 2015, The Arena Concert: Music, Mediation and Mass Entertainment
- Webster Emma, 2013, Live Music Exchange
- Wilson F, 2007, Glaswegian
Cited by
Going spare? Concert tickets, touting and cultural value
Behr, A., & Cloonan, M. (2020) · International Journal of Cultural Policy · doi:10.1080/10286632.2018.1431224 · Cited by 10
Self-citationHoeven, A. V. D., & Hitters, E. (2020) · The Future of Live Music · doi:10.5040/9781501355905.0008 · Cited by 8
Metadata
- Authors
- Behr, A., Brennan, M., Cloonan, M., Frith, S., & Webster, E.
- Venue
- Rock Music Studies
- Publisher
- Informa UK Limited
- Published
- 2016-01-02
- Volume
- 3
- Issue
- 1
- Pages
- 5-23
- ISSN
- 1940-1159
- 1940-1167
- Cited by
- 62
- References
- 0
- Language
- en
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Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
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- This page
- CoChat. (2026). Citation check: Live Concert Performance: An Ecological Approach. https://app.cochat.ai/papers/10.1080/19401159.2015.1125633
- The paper
- Behr, A., Brennan, M., Cloonan, M., Frith, S., & Webster, E. (2016). Live Concert Performance: An Ecological Approach. Rock Music Studies. https://doi.org/10.1080/19401159.2015.1125633
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.
