Life-like communication agent-emotion sensing character "MIC" and feeling session character "MUSE"
Abstract
Why do people, regardless of age or gender, have an affinity for objects manifested in the human form? From the earthen figures of ancient times to mechanical dolls, teddy bears and robots, is it not true that man has conceived such objects in his imagination, then formed attachments and transferred emotions to them? In this paper, we address the issues of communication and esthetics of artificial life that possess this "human form" in modern society, both from artistic and engineering standpoints. An example is presented in which emotions are interpreted from human voices and emotional responses are triggered within the interactive setting of "MIC & MUSE". MIC is a cute male child who is an emotion communication character. MUSE is a goddess; she has the capability of musical communication.
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Existing expression analyzers perform a singular classification of the examined expression into one of the basic emotion categories proposed by Ekman and Friesen.
“In general, the existing expression analyzers perform a singular classification of the examined expression into one of the basic emotion categories proposed by Ekman and Friesen [20].”
From Automatic analysis of facial expressions: the state of the art (2000) · cites this paper as [20]
Cites
Markel, J. D., & Gray, A. H. (1976) · Communication and cybernetics · doi:10.1007/978-3-642-66286-7 · Cited by 2,258 · see citing works
PITCH VARIATIONS AND EMOTION IN SPEECH
Mozziconacci, J. L. (1995) · Cited by 45 · see citing works
McGilloway, S., Cowie, R., & Douglas‐Cowie, E. (1995) · Research Portal (Queen's University Belfast) · Cited by 25 · see citing works
Network Neuro-Baby with robotics hand
Tosa, N., Hashimoto, H., Sezaki, K., et al. (1995) · Advances in human factors/ergonomics · doi:10.1016/s0921-2647(06)80014-6 · Cited by 13 · see citing works
Self-citationPitch variations and emotions in speech
Mozziconacci, S. J. L., Elenius, K., & Branderud, P. (1995) · TU/e Research Portal · Cited by 12 · see citing works
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Automatic analysis of facial expressions: the state of the art
Pantie, M., & Rothkrantz, L. J. M. (2000) · IEEE Transactions on Pattern Analysis and Machine Intelligence · doi:10.1109/34.895976 · Cited by 1,778 · see citing works
Lee, S., Lee, N., & Sah, Y. J. (2020) · International Journal of Human–Computer Interaction · doi:10.1080/10447318.2019.1699748 · Cited by 204 · see citing works
Media in performance: Interactive spaces for dance, theater, circus, and museum exhibits
Sparacino, F., Davenport, G., & Pentland, A. (2000) · IBM Systems Journal · doi:10.1147/sj.393.0479 · Cited by 92 · see citing works
Toward the creation of a new medium for the multimedia era
Nakatsu, R. (1998) · Proceedings of the IEEE · doi:10.1109/5.664273 · Cited by 14 · see citing works
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- Authors
- Tosa, N., & Nakatsu, R.
- Affiliations
- Advanced Telecommunications Research Institute International (JP)
- ORCID
- Venue
- Proceedings of the Third IEEE International Conference on Multimedia Computing and Systems
- Publisher
- IEEE Comput. Soc. Press
- Published
- 2002-12-23
- Pages
- 12-19
- OpenAlex
- W2131911005
- Cited by
- 76
- References
- 5
- Citations by year
- 2024: 1 · 2023: 1 · 2019: 2 · 2018: 2 · 2016: 1 · 2015: 3 · 2014: 1 · 2013: 1 · 2012: 3
- FWCI
- 11.25
- Type
- conference paper
- Language
- en
- Open access
- closed
- Locations
- IEEE International Conference on Multimedia Computing and Systems (ICMCS) (publishedVersion)
- Topics
- Social Sciences › Psychology › Social Psychology › Social Robot Interaction and HRI
- Social Sciences › Psychology › Experimental and Cognitive Psychology › Emotion and Mood Recognition
- Physical Sciences › Computer Science › Human-Computer Interaction › Innovative Human-Technology Interaction
- Keywords
- emotion sensing, humanoid robots, voice emotion recognition, emotional interaction, communication agents, robot aesthetics, musical communication, anthropomorphism
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