Sacred Circle: Symbol of Wholeness in Traditional Persian Art and Architecture
Open accessAbstract
Jung wrote extensively about the archetypal mandala symbol as an expression in many cultures of the centrality and nature of the interplay between human consciousness and divine consciousness. This article investigates-how in Persia, for millennia-the archetypal symbol of the mandala has been widespread in many expressions of the sacred arts. My research outlines the importance of the archetypal mandala symbol in Persian religio-aesthetic history from the first unearthed stone carvings of Persia's ancient foundations until the more recent, breathtakingly marvellous ceilings of traditional Persian architecture today. From the artistic expressions of first religious beliefs of ancient Persia-Mithraism-and through the development of the Zoroastrian faith until the subsequent rise of Christianity and then Islam, Persian sacred art illustrates the Jungian idea that wholeness sought in the journey of individuation is often expressed through archetypal symbols of circles that articulate basic truths about the divine interplay with humanity.
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TL;DR
This article argues that the mandala archetype recurs across Persian sacred art and architecture, from Mithraic and Zoroastrian motifs to Islamic and Sufi architectural decoration, as an expression of wholeness and individuation. It interprets these forms through Jungian analytical psychology and Persian religio-aesthetic history.
Key findings
- The author traces circular and mandala-like motifs through ancient Persian religions: Mithraism, whose roots are dated to the 14th century BCE; Zoroastrian ideas of Farr-e-Izadi, fire, rings, the Faravahar, and Dakhma; and later Islamic and Sufi art and architecture.
- Specific examples include the Sasanid relief of Ardashir-e Babakan from the third century CE receiving a ring, the Bostan Arch relief showing Mithra with Ardashir II and Shapur II, the Sheikh Lotfollah Mosque ceiling, Persian carpets, gardens, and poetry by Hafez and Khayyam.
- The paper reads these motifs as Jungian symbols of the self, the center, and the journey toward wholeness, with Persian sacred art illustrating a movement from square/physical reality toward circle/celestial unity.
- No quantitative outcomes are reported; the findings are historical and interpretive.
Methods
- Conceptual and interpretive essay combining Jungian analytical psychology with Persian art and architectural history.
- Draws on ancient Persian religious texts such as the Avesta, scholarship on Zoroastrianism and Mithraism, Jung’s writings, Persian poetry, and photographs of monuments and artifacts.
- Analysis is thematic and archetypal, focusing on selected visual and literary examples rather than an empirical sample, statistical test, or systematic survey.
Limitations
- The paper states no explicit limitations.
- Evident from the text: the argument covers a very broad temporal and cultural span using selected examples, with no stated criteria for choosing monuments, images, or texts.
- Evident from the text: it relies heavily on secondary sources and interpretive synthesis, and it does not empirically test its archetypal claims.
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Claims the paper makes
0 of 22 cited sources checked · 0 supported · 0 flagged
- Interpretationreasoning
Persian sacred art illustrates the Jungian idea that wholeness sought in the journey of individuation is often expressed through archetypal symbols of circles that articulate basic truths about the divine interplay with humanity.
“From the artistic expressions of first religious beliefs of ancient Persia-Mithraism-and through the development of the Zoroastrian faith until the subsequent rise of Christianity and then Islam, Persian sacred art illustrates the Jungian idea that wholeness sought in the journey of individuation is often expressed through archetypal symbols of circles that articulate basic truths about the divine”
Quote in the paperNot a substantial claim- Rests on an assumption: Visual similarities between circular symbols in different cultures and eras indicate a shared Jungian archetype of wholeness.
- Interpretationnone given
In Persia, for millennia, the archetypal symbol of the mandala has been widespread in many expressions of the sacred arts.
“This article investigates-how in Persia, for millennia-the archetypal symbol of the mandala has been widespread in many expressions of the sacred arts.”
Quote in the paperNot a substantial claim - Interpretationreasoning
In the Persian aesthetic and socio-religious contexts, the repeated patterns of the mandala have stressed the idea of the infinity and timelessness of the divine aspect.
“In the Persian aesthetic and socio-religious contexts, the repeated patterns of the mandala have stressed the idea of the infinity and timelessness of the divine aspect.”
Quote in the paperSubstantial claim - Interpretationcitation
The carefully choreographed exacting proportions in Persian religious architecture are a way to express these ideals in humanity's ongoing search to find the unity and balance between this earth and heavenly, unseen realms.
“The carefully choreographed exacting proportions in Persian religious architecture are a way to express these ideals in humanity's ongoing search to find the unity and balance between this earth and heavenly, unseen realms (Hejazi, 2005).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Hejazi, 2005 source
- Interpretationcitation
In Persian artistic traditions, viewed in a religious context, the symbol of the mandala calls the viewer to seek oneness (annihilation of ego) with the divine light.
“In Persian artistic traditions, viewed in a religious context the symbol of the mandala calls the viewer to seek oneness (annihilation of ego) with the divine light.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Atooni, 2010
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation
Persian mystical traditions have stressed that the Creator invites all who worship to enter into an accessible spiritual path of wisdom and insight, which is discovered through the beauty of geometrical perfection.
“Persian mystical traditions have stressed that the Creator invites all who worship to enter into an accessible spiritual path of wisdom and insight, which is discovered through the beauty of geometrical perfection.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Hejazi, 2005 source
- Interpretationcitation
The depiction of the king with the symbol of Farr suggests their spiritual transformation and readiness for the role of kingship.
“The depiction of the king with the symbol of Farr suggests their spiritual transformation and readiness for the role of kingship (Pileroud, 2019).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Pileroud, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning
In Persia, mandalas have been seen as symbols of the beautiful balance and harmony of the natural world with divine presence and intent.
“In Persia, mandalas have been seen as symbols of the beautiful balance and harmony of the natural world with divine presence and intent.”
Quote in the paperSubstantial claim - Interpretationreasoning
For Persian architects and artists, the frequent use of the mandala has been a way to help worshippers see the profound order of cosmic and eternal laws far beyond human imaginations.
“For Persian architects and artists, the frequent use of the mandala has been a way to help worshippers see the profound order of cosmic and eternal laws far beyond human imaginations.”
Quote in the paperSubstantial claim - Premisecitation
Jung valued the use of mandalas for inner exploration towards increased consciousness.
“Carl Gustav Jung valued the use of mandalas for inner exploration towards increased consciousness.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Jung
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning
Persian poetry represents mandalas as maps useful for one's inward spiritual journey.
“Persian poetry also represents mandalas as maps that are useful for one's inward spiritual journey.”
Quote in the paperNot a substantial claim - Premisecitation
Circular and ring symbols of divine beings of goodness and divine light replete with wings that carry promises of wholeness are contrasted with artistic depictions of evil beings who express the dark triad of evil thoughts, evil deeds and evil words.
“Circular and ring symbols of divine beings of goodness and divine lightreplete with wings that carry promises of wholeness-are contrasted with artistic depictions of evil beings who express the dark triad of evil thoughts, evil deeds and evil words (Fozi, 2014).”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Fozi, 2014 source
- Classified as probably not a substantial claim. 58
- May combine two claims. 16
Classified as probably not a substantial claim.
PremisecitationJung wrote extensively about the archetypal mandala symbol as an expression in many cultures of the centrality and nature of the interplay between human consciousness and divine consciousness.
“Jung wrote extensively about the archetypal mandala symbol as an expression in many cultures of the centrality and nature of the interplay between human consciousness and divine consciousness.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Jung
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationThe mandala symbol can be found in most cultural contexts.
“Jung notes that the mandala symbol can be found in most cultural contexts.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Jung
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationThe term mandala is often translated as sacred circle, which is frequently seen in Vedic, Jain and Buddhist iconography and is usually tied to spirituality practices.
“The term is often translated as “sacred circle” which is frequently seen in Vedic, Jain and Buddhist iconography and is usually tied to spirituality practices.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
InterpretationreasoningThese architectural renderings use geometric patterns to lift the worshipper towards a sacred geometry where change takes place.
“These architectural renderings use geometric patterns to lift the worshipper towards a”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S2 (checkable).
InterpretationreasoningThis way the architect evokes in the worshipper a sense of the celestial in a physical and tangible form.
“This way the architect evokes in the worshipper a sense of the celestial in a physical and tangible form.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenCarpets feature lotus flowers organized into mandalas.
“Carpets feature lotus flowers organized into mandalas.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationAs Donald Harms noted, Jung cited Plotinus as saying that the soul circles around the centre but does not go into the centre as it circumambulates.
“As Donald Harms (2011) noted, Jung cited Plotinus as saying that the soul circles around the centre but does not go into the centre as it”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Harms, 2011 source
Probably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing), S4 (based).
Interpretationnone givenThe universality of the mandala as a symbol of change probably springs from the mathematical fact that it is possible to convert a square into a circle by increasing the number of dimensions from a pentagonal shape to a hexagonal shape and eventually into a circle then reaching to the centre.
“The universality of the mandala as a symbol of change probably springs from the mathematical fact that it is possible to convert a square into a circle by increasing the number of dimensions from a pentagonal shape to a hexagonal shape and, then, eventually into a circle then reaching to the centre.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationA mandala is a circle that is often used to signify the primordial unity between the heavens and the earth.
“A mandala is a circle that is often used to signify the primordial unity between the heavens and the earth.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Jung
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenThe well-known dervishes of many Sufi orders focus on the need to move through circles toward a centre point of Inner Light and spiritual awareness.
“The well-known “dervishes” of many Sufi orders focus on the need to move through circles toward a centre point of Inner Light and spiritual awareness.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationIn the Zen Buddhist tradition there are frequently artistic renderings of circles to show a progression towards a sense of inner completion and wholeness.
“In the Zen Buddhist tradition there are frequently artistic renderings of circles to show a progression towards a sense of inner completion and wholeness or what can be seen as a “progressive harmonization of the spirit” (Chevalier & Gheerbrant, 1996).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Chevalier & Gheerbrant, 1996
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Classified as probably not a substantial claim. May combine two claims.
Interpretationnone givenAll geometric patterns, but especially the mandala, have been used across the ages in symbolic ways and have been given multiple meanings.
“All geometric patterns, but especially the mandala, have been used across the ages in symbolic ways and have been given multiple meanings.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisenone givenJung thought that the use of the mandala was of benefit as it offers a reminder of the divine in physical form.
“Jung thought that the use of the mandala was of benefit as it offers a reminder of the divine in physical form.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationThe mandala became for Jung the most revered image of the self.
“The mandala became for Jung the most revered image of the self (Stein, 2017).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Stein, 2017 source
Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based). May combine two claims.
Premisenone givenWhen a visitor faces the huge mandala artworks in such shrines, they are often fascinated by the intricate patterns and symbols, which draw them into a meditative state of contemplation and self-reflection.
“When the visitor of such shrines faces these huge mandala artworks, they are often fascinated by the intricate patterns and symbols, which draw them into a meditative state of contemplation and self-reflection.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenFor Jung, the mandala evokes the philosophical and psychological development that he described on the theory of the self and humanity's relationship with the divine.
“For Jung, the mandala evokes the philosophical and psychological development that he described on the theory of the self and humanity's relationship with the divine.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenIn Persia, the Sufi tradition is often expressed through dance as well as in architectural and representational ways.
“In Persia, the Sufi tradition is often expressed through dance as well as in architectural and representational ways.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable). May combine two claims.
InterpretationreasoningIn this way, architecture becomes a vehicle to express to the worshipper that order can be found in the midst of disorder and that eternal ideas can be expressed with symbolic forms that enhance symbolic rituals.
“In this way, architecture becomes a vehicle to express to the worshipper that order can be found in the midst of disorder and that eternal ideas can be expressed with symbolic forms that enhance symbolic rituals.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenIn the Persian religion of Mithraism there are frequent representations of mandalas which connect the symbol of the Sun with the god Mithra.
“In the Persian religion of Mithraism there are frequent representations of the mandalas which connect the symbol of the Sun with the god Mithra, who offers food and protection to those who worship his divine covenant.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S4 (based).
Premisenone givenReligious or devotional structures often have elaborate tilings and carvings where the mandala symbol is repeated as a form of ritual prayer.
“These structures often have elaborate tilings and carvings where the mandala symbol is repeated as a form of ritual prayer.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable).
InterpretationreasoningAll of these elements, visual and literal, serve the same task-to empower heart, soul and spirit to live in this physical world.
“All of these elements, visual and literal, serve the same task-to empower heart, soul and spirit to live in this physical world.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing), S4 (based). May combine two claims.
InterpretationreasoningIn our spiritual endeavours, sacred pathways serve as conduits between humanity and the divine realm, providing assistance and guidance.
“In our spiritual endeavours, sacred pathways serve as conduits between humanity and the divine realm, providing assistance and guidance.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Interpretationnone givenIn these depictions, circles usually become progressively deeper and gradually more closed and narrow until they finally arrive at the centre or middle point.
“In these depictions, circles usually become progressively deeper and gradually more closed and narrow until they finally arrive at the centre or middle point.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationHumans, representing the epitome of creation, embark on an ascending journey through the arched ladder of evolution, and by traversing stages and levels of conduct, ultimately reach the realm of righteousness, completing the second half of the circular path.
“Subsequently, humans, who represent the epitome of creation, embark on an ascending journey through the arched ladder of evolution.By traversing various stages and levels of conduct, they ultimately reach the realm of righteousness, marking the completion of the second half of the circular path (Bidabadi, 2007).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Bidabadi, 2007
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
PremisecitationZoroastrian tradition mandates placing deceased bodies into circular open areas called Dakhma or typically atop mountains.
“Zoroastrian tradition mandates to place deceased bodies into circular open areas by the name of “Dakhma” (photo 5) or typically atop mountains (Ahmadi & Mehrafarin, 2020).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Ahmadi & Mehrafarin, 2020
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisenone givenMithra, the divinity of light, makes a covenant with humanity that is symbolized by the circumference of the Sun.
“Mithra-the divinity of light (yazata)-makes a covenant with humanity that is symbolized by the circumference of the Sun.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenThe symbols used to represent Farr in ancient Iranian sites are combined in a mandala, as depicted in photo 1.
“These symbols are combined in a mandala, as depicted in photo 1.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationMandalas are symbols of the cosmic elements and are used as models for certain visualizations, as aids to self-discovery, or as aids for meditation on the transcendental.
“Mandalas are explained as symbols of the cosmic elements.They are used as models for certain visualizations, as aids to self-discovery, or as aids for meditation on the transcendental” (Brauen, 1998, p. 11).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Brauen, 1998
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S4 (based).
Interpretationnone givenSince ancient times, concentric circles have been used in Persian religious art to symbolize the power of the heavenly skies-filled with spiritual forces-in relation to the flat and square realities of the physical earth.
“Since ancient times, concentric circles have been used in Persian religious art to symbolize the power of the heavenly skies-filled with spiritual forces-in relation to the flat and square realities of the physical earth.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S4 (based).
InterpretationreasoningThose who encounter mandalas in sacred spaces in Persia, ancient and modern, are being invited into pathways of wholeness and completion.
“Those who encounter mandalas in sacred spaces in Persia, ancient and modern, are being invited into pathways of wholeness and completion.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationThe journey of individuation is a path to self realization that is often associated with suffering.
“The journey of individuation is a path to self realization that is often associated with suffering.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Jung
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisenone givenThe Faravahar symbol is usually presented as two circles or rings where the middle circle draws the viewer's attention to the ring on the left hand of the devotee.
“The Faravahar symbol is usually presented as two circles (or rings) where the middle circle draws the attention of the viewer to the ring that is on the left hand of the devotee.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing), S4 (based). May combine two claims.
Interpretationnone givenThis image helps the viewer to visually experience the self archetype and to reach a heightened state of enlightened awareness.
“This image helps the viewer to visually experience the self archetype and to reach a heightened state of enlightened awareness.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Interpretationnone givenHafez frequently employed the allegory of the circle.
“As an example, the renowned Persian poet Hafez frequently employed the allegory of the circle.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Interpretationnone givenThe mandala presents an image of balance and invites the observer to see a larger narrative of wholeness and completion.
“The mandala presents an image of balance and invites the observer to see in the swirls and fragments of existence a larger, grander narrative of wholeness and completion.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing). May combine two claims.
PremisecitationSeekers of God need not be afraid of the chaos or uncertainties of life because they can be assured that a divine process is in place that will help them reach their spiritual aspirations.
“Seekers of God need not be afraid of the chaos or the uncertainties of life because they can be assured that a divine process is in place that will help them reach their spiritual aspirations (Atooni, 2010).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Atooni, 2010
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S4 (based).
Interpretationnone givenPersian architects and poets long before Jung also used the mandala to serve as a pathway between the seen and the unseen world, which Jung later conceptualized as the conscious world and the collective unconscious.
“Persian architects and poets long before Jung also used the mandala to serve as a pathway between the seen and the unseen world, which Jung later conceptualized as the conscious world and the collective unconscious.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenIn ancient Persia, the Zoroastrian tradition often displayed representations of mandala symbols when referring to divine glory (Farr-e-Izadi).
“In ancient Persia, the Zoroastrian tradition often displayed representations of mandala symbols when referring to “divine glory” (Farr-e-Izadi) where the divine presence of God confirms its glory through a heavenly light that permeates human darkness (photo 1).”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
InterpretationreasoningThe winged sun disk relates to the wise old man who offers two rings that help in the search for the path towards individuation and wholeness.
“The winged sun disk relates to the wise old man who offers two rings that help in the search for the path towards individuation and wholeness.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationThis circular movement signifies that the Supreme Being undergoes a downward manifestation into matter and human existence, completing half of the circle of perfection.
“This circular movement signifies that the Supreme Being undergoes a downward manifestation into matter and human existence, completing half of the circle of perfection.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Bidabadi, 2007
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationJung remarks that the mandala would express the Deity through its threefold rhythm and the soul through its static quaternity, and its innermost meaning would simply be the union of the soul with God.
“If we hark back to the old Pythagorean idea that the soul is a square, then the mandala would express the Deity through its threefold rhythm and the soul through its static quaternity, the circle divided into four colours.And thus its innermost meaning would simply be the union of the soul with God.(Jung, 1969(Jung, /1973, para. 124) , para. 124)”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Jung, 1969/1973
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisenone givenThe winged circle called the Faravahar or Farre Vashi is meant to represent the presence of the divine.
“This winged circle (called the Faravahar or Farre Vashi) is meant to represent the presence of the divine (photo 4).”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenFor Jung a mandala can represent a pathway into self-understanding and self-awareness.
“For Jung a mandala can represent a pathway into self-understanding and self-awareness.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
PremisecitationThe universe is believed to operate based on an evolutionary and circular process that originates from the Divine and culminates in the Divine.
“The universe is believed to operate based on an evolutionary and circular process that originates from the Divine and culminates in the Divine.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Bidabadi, 2007
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationJoseph Campbell explained that mandalas are a mask of God through which eternity is to be experienced.
“Joseph Campbell explained this function of a mandala in an interview with Bill Moyers when he said that they were”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [1988]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S4 (based).
Premisenone givenThere is frequent use of mandala symbols in architecture that serve religious or devotional purposes.
“Of particular note is the frequent use of mandala symbols in architecture that serve religious or devotional purposes.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
InterpretationcitationIt communicates that in order to reach unity and oneness with God each individual has to move ever closer to the centre in a gradual path.
“It communicates that in order to reach unity and oneness with God each individual has to move ever closer to the centre in a gradual path.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based). May combine two claims.
Premisenone givenThe Sheikh Lotfollah mosque is a prime example of a mandala in Persian mosque architecture, seen as a repository of traditional wisdom and aesthetic advancement.
“A prime example of a mandala in Persian mosque architecture would be the Sheikh Lotfollah mosque which is seen as a repository of traditional wisdom and aesthetic advancement (photo 6).”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S4 (based).
Premisenone givenAfter the advent of the Islamic faith in Persia, circular shapes and mandalas began appearing in mosques and various religious buildings and in religious art from that era.
“After the advent of the Islamic faith in Persia, circular shapes and mandalas began appearing in mosques and various religious buildings and in religious art from that era.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S4 (based).
InterpretationreasoningThese pathways facilitate the connection and interaction between individuals and the transcendent aspects of existence.
“These pathways facilitate the connection and interaction between individuals and the transcendent aspects of existence.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenJung believed that interacting with a mandala provides a useful resource in our search for spiritual experiences.
“Jung believed that interacting with a mandala provides a useful resource in our search for spiritual experiences.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S4 (based).
Interpretationnone givenFor both Persian mystics and Jung the mandala symbol exemplifies the interface between our unconscious longings for spiritual transformation and our tangible, physical efforts.
“For both Persian mystics and Jung the mandala symbol exemplifies the interface between our unconscious longings for spiritual transformation and our tangible, physical efforts.”
Quote in the paperNot a substantial claimMay combine two claims.
InterpretationcitationThe circle holds a prominent role not only in Persian architecture and various art forms but also in Persian literature.
“The circle holds a prominent role not only in Persian architecture and various art forms but also in Persian literature.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone givenSometimes Persian gardens were designed as mandalas.
“Sometimes Persian gardens were designed as mandalas.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S4 (based).
Interpretationnone givenThe high regard for geometric patterns in Persian architecture and in the imagery of Persian mystical writers often favours the mandala image.
“The high regard for geometric patterns in Persian architecture and in the imagery of Persian mystical writers often favours the mandala image.”
Quote in the paperNot a substantial claimMay combine two claims.
PremisereasoningImages of mandalas can be seen throughout Persian culture and religion, in architectural components such as the domes of sacred shrines, and in representational artwork in Persian pottery and carpet design.
“In this way, one can see images of mandalas throughout Persian culture and religion, in architectural components such as the domes of sacred shrines, and in the representational artwork which utilizes the symbol in Persian pottery and carpet design.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisenone givenPersian mosques are often graced with variants of a mandala in the artistry of the ceilings, as are stained-glass designs of some wealthy Persian homes.
“Noticeably, Persian mosques are often graced with variants of a mandala in the artistry of the ceilings; likewise, stained-glass designs of some wealthy Persian homes.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S4 (based).
InterpretationreasoningIn the construction of Persian Zoroastrian temples and even in Persian Muslim mosques and earlier in Persian Christian churches, the symbol of the mandala connotes the way of a journey from the square to the circle.
“In the construction of Persian Zoroastrian temples and even in Persian Muslim mosques and earlier in Persian Christian churches, the symbol of the mandala connotes the way of a”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable).
InterpretationcitationThe process of individuation is a progressive unfolding of an inner journey in the same way that an artist creates and conceives a mandala.
“The process of individuation is a progressive unfolding of an inner journey in the same way that an artist creates and conceives a mandala.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisenone givenA visit to the Sheikh Lotfollah Mosque offers a captivating display of mandalas adorning the walls and columns of the edifice.
“A visit to the Sheikh Lotfollah Mosque offers a captivating display of mandalas adorning the walls and columns of the edifice.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
PremisecitationThe symbol of the mandala served as a tool because a practitioner could enter into the design and trace their way into the centre of the design, which symbolized the inner core or heart of their transformational quest.
“The symbol of the mandala served as a tool because a practitioner could “enter into” the design and trace their way into the centre of the design which symbolized the inner core or heart of their transformational quest.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Jung
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
The paper relies on this without support.
Visual similarities between circular symbols in different cultures and eras indicate a shared Jungian archetype of wholeness.
“From the artistic expressions of first religious beliefs of ancient Persia-Mithraism-and through the development of the Zoroastrian faith until the subsequent rise of Christianity and then Islam, Persian sacred art illustrates the Jungian idea that wholeness sought in the journey of individuation is often expressed through archetypal symbols of circles that articulate basic truths about the divine”
“Jung notes that the mandala symbol can be found in most cultural contexts.”
The paper relies on this without support.
The intent behind Persian architectural mandalas was to make them available for the edification of the entire community rather than only the elite or wealthy class.
“What is significant about this usage is the intent that these mandalas should be available for the edification of the entire community and not simply for the élite or the wealthy class.”
The paper relies on this without support.
The presence of circular motifs in Persian art and architecture is evidence of the mandala archetype.
“In this way, one can see images of mandalas throughout Persian culture and religion, in architectural components such as the domes of sacred shrines, and in the representational artwork which utilizes the symbol in Persian pottery and carpet design.”
Cites
The Archetypes and the Collective Unconscious
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Jung, C. G., & Jaffé, A. (1962) · Medical Entomology and Zoology · Cited by 1,572 · see citing works
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Zoroastrians: Their Religious Beliefs and Practices
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Geometry in nature and Persian architecture
Hejazi, M. (2005) · Building and Environment · doi:10.1016/j.buildenv.2004.11.007 · Cited by 44 · see citing works
Jung, C. G. (1969) · doi:10.1515/9781400879625 · Cited by 28 · see citing works
The Mandala: sacred circle in Tibetan Buddhism
(1997) · Choice Reviews Online · doi:10.5860/choice.35-0689 · Cited by 25 · see citing works
Reclaiming the Faravahar. Zoroastrian Survival in Contemporary Tehran
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The Republic of Plato: An Ideal Commonwealth
Plato, B. C., & Jowett, B. (2009) · Medical Entomology and Zoology · Cited by 19 · see citing works
Where East meets West: in the house of individuation
Stein, M. (2017) · Journal of Analytical Psychology · doi:10.1111/1468-5922.12280 · Cited by 6 · see citing works
Zoroastrian Scholasticism in Late Antiquity: The Pahlavi version of the Yasna Haptaŋhāiti
Zeini, A. (2020) · doi:10.1515/9781474442909 · Cited by 6 · see citing works
The Multi-Dimensional Mandala: A Study in the Interiorization of Sacred Space
Albanese, C. L. (1977) · Numen · doi:10.2307/3269610 · Cited by 6 · see citing works
The Geometry of C. G. Jung’s: <i>Systema Munditotius</i>Mandala
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Combs, A., & Krippner, S. (1996) · Psychological Perspectives · doi:10.1080/00332929608405729 · Cited by 3 · see citing works
Archetype and Individuation Process in Alan Wake (2010) Video Game
Garcia, A. (2023) · Journal of Games Game Art and Gamification · doi:10.21512/jggag.v7i2.8857 · Cited by 2 · see citing works
(2011) · Cited by 1 · see citing works
MITHRAISM ROCK TEMPLE ARCHITECTURE IN IRAN
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(2006) · VTechWorks (Virginia Tech) · Cited by 1 · see citing works
Jowett, B. (n.d.) · The dialogues of Plato: Translated into English with analyses and introductions (Vol 2). · doi:10.1037/11599-001
Flagged first, then by citations
10 of the 29 references couldn’t be matched to a known paper.
Research works printed but not linked: 12
- Ahmadi R., 2020, A research on Zoroastrian Dakhmagozari rituals based on architectural structure study of the Zoroastrian Dakhmas, The Journal of Archaeological Studies, 12, 1
- Akbari C., 1997, Seven secrets of Farvahar
- Avarzamani F., 2019, History and mythology of Mithraism and its evolution in the East and West, Journal of Art & Civilization of the Orient, 6, 39
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Cited by
Sorted by citations
Ghorbani, Z., Farahani, A. S., Khabazkhoob, M., Hosseini, A., & Rassouli, M. (2025) · Journal of Pediatric Nursing · doi:10.1016/j.pedn.2025.04.010 · Cited by 1 · see citing works
Flexible Photonic Devices for Implantable and Wearable Therapeutics
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Representations of Maternity and Diaspora in Shirin Neshat and Sevdaliza
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- Authors
- Darabimanesh, F.
- Affiliations
- Tehran Iran
- Corresponding author
- Darabimanesh, Fariba
- ORCID
- Darabimanesh, Fariba
- Venue
- Journal of Analytical Psychology
- Publisher
- Wiley
- Published
- 2023-09-27
- Volume
- 68
- Issue
- 5
- Pages
- 894-912
- ISSN
- 0021-8774 (ISSN-L)
- 1468-5922
- OpenAlex
- W4387115390
- Cited by
- 3
- References
- 29
- Citations by year
- 2026: 1 · 2025: 2
- FWCI
- 0.89
- Type
- journal article
- Language
- en
- Open access
- hybrid
- doi.org
- Licence
- public-domain
- onlinelibrary.wiley.com/termsAndConditions#vor (vor)
- Locations
- Journal of Analytical Psychology (publishedVersion, public-domain)
- PubMed (publishedVersion)
- Topics
- Social Sciences › Psychology › Social Psychology › Jungian Analytical Psychology
- Social Sciences › Arts and Humanities › General Arts and Humanities › Cultural and Mythological Studies
- Social Sciences › Arts and Humanities › Archeology › Historical, Religious, and Philosophical Studies
- Keywords
- mandala, archetypal symbols, religious art, Persian art, Persian architecture, Jungian archetypes, wholeness, individuation, Mithraism, Zoroastrianism, Islamic art, religious iconography, stone carving
- MeSH terms
- Consciousness, Esthetics, Humans, Individuation
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Claims read by deepseek-v4.1-flash under definition version 3 (extract-v3) on 2026-10-11.
Classified by jev-1.13-20260917 (gold-guideline-v0.2) on 2026-10-11.
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