Student or educator? Sign up with your school email and get 6 months of Pro free.
Cited by 40

The DOI matches its Crossref record; 25 of the 25 references it cites were found in a registry or an index.

The Sounds of Poetry Viewed as Music

LERDAHL, FRED·2001·Annals of the New York Academy of Sciences

Abstract

A bstract: An extended parallel is developed between musical and prosodic structures, using the author's cognitively oriented music theory and recent work in generative phonology. For illustration, the sounds of a short poem by Robert Frost are treated entirely in musical terms. The poem is assigned a phonological stress grid and then musical grouping and meter. These structures enable a durational realization. Phonological stress also helps assign the poem's normative melodic contour. Finally, the similarities and differences in sound repetition are given hierarchical structure by means of musical prolongational theory. These formal parallels suggest a corresponding realization in brain localization and function. Evidence from the neuropsychological literature is cited in support of this view. The picture emerges that grouping, meter, duration, contour, and timbral similarity are mind/brain systems shared by music and language, whereas linguistic syntax and semantics and musical pitch relations are systems not shared by the two domains.

Overview

The claims and statistics of this paper haven’t been checked yet.

Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.

A few free checks a day · papers already verified open instantly · results are public

Integrity signals

Registry

Crossref · 10.1111/j.1749-6632.2001.tb05743.x

Cites

25 of 25 references verified0 citation errors · 0 not checkable

Statistics

Verification

Claims the paper makes

The claims and statistics of this paper haven’t been checked yet.

Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.

A few free checks a day · papers already verified open instantly · results are public

Claims other papers make about this one

Each is checked against this paper’s own text: does it say what the citing paper says it does?

Self-check

Percentages, sums and reported differences re-computed from the paper’s own numbers.

The self-check needs the paper’s full text.

Citations

Cites

Show all 25 references

Research works printed but not linked: 6

  1. Liberman M., 1977, On stress and linguistic rhythm, Linguistic Inquiry, 8, 249
  2. Chomsky N. & M. Halle. 1968. The Sound Pattern of English 2nd printing. MIT Press. Cambridge MA.
  3. Handel S. 1989. Listening. MIT Press. Cambridge MA.
  4. Halle J., 1994, A generative textsetting model, Curr. Musicol., 55
  5. Peretz I. 2001. Le cerveau musical.InEnciclopedia Einaudi della musica. J.J. Nattiez Ed. In press.
  6. Patel A.D. & I. Peretz. 1997. Is music autonomous from language? A neuropsychological appraisal.InPerception and Cognition of Music. I. Deliége & J. Sloboda Eds. Psychology Press. Hove UK.

Cited by

Metadata

Authors
LERDAHL, F.
Venue
Annals of the New York Academy of Sciences
Publisher
Wiley
Published
2001-06
Volume
930
Issue
1
Pages
337-354
ISSN
  • 0077-8923
  • 1749-6632
Cited by
40
References
25
Language
en

About these checks

Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

Statistics and arithmetic are recomputed, not judged.

Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.

What counts as a claim ›How we measure confidence ›How we check this ›

Are you an author, or do you see a problem with this page? Request a review

Data sources

Bibliographic data: Semantic Scholar, OpenAlex, Crossref.

Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.