The DOI matches its Crossref record; 25 of the 25 references it cites were found in a registry or an index.
The Sounds of Poetry Viewed as Music
Abstract
A bstract: An extended parallel is developed between musical and prosodic structures, using the author's cognitively oriented music theory and recent work in generative phonology. For illustration, the sounds of a short poem by Robert Frost are treated entirely in musical terms. The poem is assigned a phonological stress grid and then musical grouping and meter. These structures enable a durational realization. Phonological stress also helps assign the poem's normative melodic contour. Finally, the similarities and differences in sound repetition are given hierarchical structure by means of musical prolongational theory. These formal parallels suggest a corresponding realization in brain localization and function. Evidence from the neuropsychological literature is cited in support of this view. The picture emerges that grouping, meter, duration, contour, and timbral similarity are mind/brain systems shared by music and language, whereas linguistic syntax and semantics and musical pitch relations are systems not shared by the two domains.
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“The musilanguage system is thus proposed to have hierarchical phrase organization, an important feature shared between music and speech (Lerdahl and Jackendoff, 1983; Lerdahl, 2001).”
From A Joint Prosodic Origin of Language and Music (2017) · cites this paper as Lerdahl, 2001
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Cites
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Cited by
A Joint Prosodic Origin of Language and Music
Brown, S. (2017) · Frontiers in Psychology · doi:10.3389/fpsyg.2017.01894 · Cited by 132
A musical model of speech rhythm
Brown, S., Pfordresher, P. Q., & Chow, I. (2017) · Psychomusicology: Music, Mind, and Brain · doi:10.1037/pmu0000175 · Cited by 12
Metadata
- Authors
- LERDAHL, F.
- Venue
- Annals of the New York Academy of Sciences
- Publisher
- Wiley
- Published
- 2001-06
- Volume
- 930
- Issue
- 1
- Pages
- 337-354
- ISSN
- 0077-8923
- 1749-6632
- Cited by
- 40
- References
- 25
- Language
- en
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