Authority and Orality in the Mahāyāna
Abstract
The Mahāyāna sūtras, acknowledged by scholars to have been composed centuries after the death of the Buddha, almost invariably begin with the stock phrase, “thus did I hear,” thereby maintaining the conceit of orality. The paper explores the role of this orality as it figures in strategies of authority for the Mahāyāna sūtras in Indian Buddhism. The paper considers at some length recent scholarship (notably that of Richard Gombrich) on the question of when Buddhist texts were first written down, in light of the widely read but highly problematic theories of orality put forth by Walter Ong and Jack Goody. The paper next compares the positions on speech (and by extension, orality) in the Mīmāmsaka view of the Vedas and in the Buddhist view of the word of the Buddha. Although Buddhist scholastics devoted a great deal of energy to attacking the Mīmāmsaka position of the eternal nature of the Vedas as sound and although scholars have tended to regard the Hindu and Buddhist positions as antithetical, there are significant unacknowledged affinities between the Mīmāmsaka and Buddhist positions which help explain why the Mahāyāna sūtras begin, “thus did I hear.” The paper concludes with a discussion of the possible significance of writing in the rise of the diverse association of cults of the book which we have come to call the Mahāyāna.
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Such texts with the opening "at one time" are often found in other places in the canon, meaning that the editors of these texts acknowledged that they had already been formulated and accepted by tradition when the Saṃyutta was reaching its final form.
“While the opening “at one time” could mark cases in which the setting is not the backdrop of Sāvatthi,29 such texts are often found in other places in the canon, meaning that the editors of these texts acknowledged that they had already been formulated and accepted by tradition when the Saṃyutta was reaching its final form.30”
From Performing the Buddha’s Word: The Role of the Bhāṇaka (2024) · cites this paper as [30]
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- Authors
- Lopez, D.
- Affiliations
- University of Michigan (US)
- Corresponding author
- Lopez, Donald
- Venue
- Numen
- Publisher
- Walter de Gruyter GmbH
- Published
- 1995
- Volume
- 42
- Issue
- 1
- Pages
- 21-47
- ISSN
- 0029-5973 (ISSN-L)
- 1568-5276
- OpenAlex
- W2012249605
- Cited by
- 13
- References
- 0
- Citations by year
- 2024: 2 · 2021: 1 · 2018: 1 · 2017: 1 · 2015: 1 · 2014: 2
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Numen (publishedVersion)
- Deep Blue (University of Michigan) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › Religious studies › Indian and Buddhist Studies
- Social Sciences › Arts and Humanities › Philosophy › Study and Philosophy of Religion
- Social Sciences › Arts and Humanities › Religious studies › Biblical Studies and Interpretation
- Keywords
- Mahayana sutras, orality, authority, Indian Buddhism, Vedas, Walter Ong, Jack Goody, orality and writing, textual composition
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