The DOI matches its Crossref record.
Working Between two Worlds: New Roles for Traditional Thai Dance and Dancers
Open accessAbstract
Thailand’s financial collapse and new constitution in 1997 brought issues of commercialization, education reform, and decentralization to the forefront of arts and culture. The paper focuses on three aspects of the current situation of the traditional arts and artists in Thailand.
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In the citing paper
“classical 'royal' dance-dramas are often seen as highly technical yet rigid, constrained by strict conventions that feel disconnected from contemporary storytelling, while popular folk forms such as Likay are sometimes stigmatised as unsophisticated or vulgar entertainment, viewed as inferior to the 'high art' associated with elite or intellectual theatre (Damrhung, 2005;sompiboon, 2021).”
From Exploring the integration of cultural roots in contemporary Thai actor training using the Delphi method (2025) · cites this paper as Damrhung, 2005
In the citing paper
“classical 'royal' dance-dramas are often seen as highly technical yet rigid, constrained by strict conventions that feel disconnected from contemporary storytelling, while popular folk forms such as Likay are sometimes stigmatised as unsophisticated or vulgar entertainment, viewed as inferior to the 'high art' associated with elite or intellectual theatre (Damrhung, 2005;sompiboon, 2021).”
From Exploring the integration of cultural roots in contemporary Thai actor training using the Delphi method (2025) · cites this paper as Damrhung, 2005
In the citing paper
“Prevailing attitudes among students and teachers continue to deepen the divide between traditional forms and modern theatre in thailand.”
From Exploring the integration of cultural roots in contemporary Thai actor training using the Delphi method (2025) · cites this paper as Damrhung, 2005
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Punpeng, G. (2025) · Cogent Arts & Humanities · doi:10.1080/23311983.2025.2570062 · Cited by 1
“…sometimes stigmatised as unsophisticated or vulgar entertainment, viewed as inferior to the ‘high art’ associated with elite or intellectual theatre (Damrhung, 2005; sompiboon, 2021). these cultural hierarchies have fostered the perception that Western dramatic literature and methodologies are…”
Metadata
- Authors
- Damrhung, P.
- Affiliations
- Chulalongkorn University (TH)
- Corresponding author
- Damrhung, Pornrat
- Venue
- MANUSYA
- Published
- 2005
- Volume
- 8
- Issue
- 2
- Pages
- 44-57
- ISSN
- 0859-9920 (ISSN-L)
- 2665-9077
- OpenAlex
- W2943871541
- Cited by
- 2
- References
- 0
- Citations by year
- 2025: 1 · 2019: 1
- FWCI
- 0.00
- Type
- journal article
- Language
- en
- Open access
- diamond
- doi.org
- Locations
- Manusya Journal of Humanities (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Arts and Performance Studies
- Social Sciences › Cultural Studies › Cultural and Artistic Studies
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Theatre and Performance Studies
- Keywords
- dancers, art education reform, decentralization, new constitution, traditional artists, cultural policy
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How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Working Between two Worlds: New Roles for Traditional Thai Dance and Dancers. https://app.cochat.ai/papers/10.1163/26659077-00802004
- The paper
- Damrhung, P. (2005). Working Between two Worlds: New Roles for Traditional Thai Dance and Dancers. MANUSYA. https://doi.org/10.1163/26659077-00802004
