The DOI matches its Crossref record; 3 of the 3 references it cites were found in a registry or an index.
To See and Be Seen: Celebrity Practice on Twitter
Abstract
Social media technologies let people connect by creating and sharing content. We examine the use of Twitter by famous people to conceptualize celebrity as a practice. On Twitter, celebrity is practiced through the appearance and performance of ‘backstage’ access. Celebrity practitioners reveal what appears to be personal information to create a sense of intimacy between participant and follower, publicly acknowledge fans, and use language and cultural references to create affiliations with followers. Interactions with other celebrity practitioners and personalities give the impression of candid, uncensored looks at the people behind the personas. But the indeterminate ‘authenticity’ of these performances appeals to some audiences, who enjoy the game playing intrinsic to gossip consumption. While celebrity practice is theoretically open to all, it is not an equalizer or democratizing discourse. Indeed, in order to successfully practice celebrity, fans must recognize the power differentials intrinsic to the relationship.
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
Mass Communication and Para-Social Interaction
Horton, D., & Richard Wohl, R. (1956) · Psychiatry · doi:10.1080/00332747.1956.11023049 · Cited by 4,380
Parasocial Interaction: A Review of the Literature and a Model for Future Research
Giles, D. C. (2002) · Media Psychology · doi:10.1207/s1532785xmep0403_04 · Cited by 1,245
New Media, Networking and Phatic Culture
Miller, V. (2008) · Convergence The International Journal of Research into New Media Technologies · doi:10.1177/1354856508094659 · Cited by 444
Research works printed but not linked: 51
- 10.4135/9781452204710 · DOI · Paper page
- Becque S., 2007, Big Damn Fans: Fan Campaigns of Firefly and Veronica Mars
- Beer D., 2009, Sociological Research Online, 14, 10.5153/sro.1878 · DOI
- Bendix R., 1997, Search of Authenticity: The Formation of Folklore Studies
- Blumer H. ( 1962) Society as symbolic interaction. In: Rose AM (ed.) Human Behavior and Social Processes. Boston, MA: Houghton Mifflin, 179-192.
- Boorstin D., 1961, The Image: A Guide to Pseudo-Events in America
- boyd d, 2008, Taken out of Context: American Teen Sociality in Networked Publics
- boyd d, 2010, HICSS, 43
- Braudy L., 1986, The Frenzy of Reknown: Fame and Its History
- Cheng VJ, 2004, Inauthentic: The Anxiety over Culture and Identity
- Cohen N., 2009, When stars Twitter, a ghost may be lurking
- Crawford K. ( 2009) These foolish things: On intimacy and insignificance in mobile media. In: Goggin G and Hjorth L (eds) Mobile Technologies: From Telecommunications to Media. New York: Routledge, 252-265.
- Donath J. ( 1998) Identity and deception in the virtual community . In: Kollock P and Smith M (eds) Communities in Cyberspace. London : Routledge, 29-59.
- 10.1111/j.1083-6101.2007.00394.x · DOI · Paper page
- Dunbar RIM, 1996, Grooming, Gossip, and the Evolution of Language
- Dyer R., 1986, Heavenly Bodies: Film Stars and Society
- Ewan S., 1989, All Consuming Images: The Politics of Style in Contemporary Culture
- 10.1080/10304310802227947 · DOI
- 10.1525/9780520914155 · DOI · Paper page
- Goffman E., 1959, The Presentation of Self in Everyday Life
- 10.1177/0165551506062337 · DOI
- 10.1177/1469540508090086 · DOI · Paper page
- Honeycutt C., Proceedings of the Forty-Second Hawaii International Conference on System Sciences (HICSS-42)
- Jensen J. ( 1992) Fandom as pathology. In: Lewis L (ed.) The Adoring Audience: Fan Culture and Popular Media . New York: Routledge, 9-29.
- Jenkins, 1992, Textual Poachers
- Jenkins, 2006, Convergence Culture
- Jenkins (2006b) Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York: New York University Press.
- Kachka B., 2008, Have we reached the end of book publishing as we know it?
- Kidzworld, 2009, Niley timeline: Nick Jonas and Miley Cyrus relationship 2009
- Knoppner S., 2009, Appetite for Self Destruction: The Spectacular Crash of the Record Industry in the Digital Age
- 10.1177/0893318904270744 · DOI · Paper page
- Lessig L., 2004, Free Culture
- MandyMiley, 2009, Goodbye Twitter
- Marshall PD, 1997, Celebrity and Power: Fame in Contemporary Culture
- Marshall PD, 2006, The Celebrity Culture Reader
- Marwick A., 2010, New Media and Society
- 10.1080/1030431032000180978 · DOI
- Nielsen Company, the, 2009, Nielsens Social Media QuickTake: May 2009
- Quantcast Corporation, 2010, Twitter.com
- Rahman M. ( 2006) Is straight the new queer? David Beckham and the dialectics of celebrity. In: Marshall PD (ed.) The Celebrity Culture Reader. New York: Routledge, 223-228.
- Rojek C., 2001, Celebrity
- Schickel R., 1985, Intimate Strangers: The Culture of Celebrity
- Senft T., 2008, Camgirls: Celebrity and Community in the Age of Social Networks
- Snyder D. ( 2000) Webcam women: Life on your screen. In: Gauntlett D (ed.) Web.Studies: Rewiring Media Studies for the Digital Age. London: Arnold, 68-73.
- Sternbergh A., 2004, Cruise control: The publicist behind the movie star
- Strauss AL, 1993, Continual Permutations of Action
- Thompson C., 2008, New York Times
- Thompson JB, 1995, The Media and Modernity
- Trilling L., 1972, Sincerity and Authenticity, 10.4159/9780674044463 · DOI · Paper page
- 10.4135/9781446279953 · DOI
- Wallenstein A., 2009, Hey, showbiz folks: Check your contract before your next tweet
Cited by
Chung, S., & Cho, H. (2017) · Psychology & Marketing · doi:10.1002/mar.21001 · Cited by 809
Social Media Ethnography: The Digital Researcher in a Messy Web
Postill, J., & Pink, S. (2012) · Media International Australia · doi:10.1177/1329878x1214500114 · Cited by 644
When less is more: the impact of macro and micro social media influencers’ disclosure
Kay, S., Mulcahy, R., & Parkinson, J. (2020) · Journal of Marketing Management · doi:10.1080/0267257x.2020.1718740 · Cited by 508
“Microcelebrity and the Branded Self.”
Senft, T. M. (2013) · A Companion to New Media Dynamics · doi:10.1002/9781118321607.ch22 · Cited by 506
Social media and human need satisfaction: Implications for social media marketing
Zhu, Y.-Q., & Chen, H.-G. (2015) · Business Horizons · doi:10.1016/j.bushor.2015.01.006 · Cited by 437
Metadata
- Authors
- Marwick, A., & boyd, D.
- Venue
- Convergence: The International Journal of Research into New Media Technologies
- Publisher
- SAGE Publications
- Published
- 2011-05
- Volume
- 17
- Issue
- 2
- Pages
- 139-158
- ISSN
- 1354-8565 (ISSN-L)
- 1748-7382
- OpenAlex
- W2110505218
- Cited by
- 1,179
- References
- 3
- FWCI
- 87.03
- Type
- journal article
- Language
- en
- Open access
- closed
- Licence
- journals.sagepub.com/page/policies/text-and-data-mining-license (tdm)
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.