Student or educator? Sign up with your school email and get 6 months of Pro free.
CoChat
Sign Up
Cited by 1,179

The DOI matches its Crossref record; 3 of the 3 references it cites were found in a registry or an index.

To See and Be Seen: Celebrity Practice on Twitter

Marwick, Alice, boyd, danah·2011·Convergence: The International Journal of Research into New Media Technologies
DOI 10.1177/1354856510394539
Open this paper in CoChat — free account

Abstract

Social media technologies let people connect by creating and sharing content. We examine the use of Twitter by famous people to conceptualize celebrity as a practice. On Twitter, celebrity is practiced through the appearance and performance of ‘backstage’ access. Celebrity practitioners reveal what appears to be personal information to create a sense of intimacy between participant and follower, publicly acknowledge fans, and use language and cultural references to create affiliations with followers. Interactions with other celebrity practitioners and personalities give the impression of candid, uncensored looks at the people behind the personas. But the indeterminate ‘authenticity’ of these performances appeals to some audiences, who enjoy the game playing intrinsic to gossip consumption. While celebrity practice is theoretically open to all, it is not an equalizer or democratizing discourse. Indeed, in order to successfully practice celebrity, fans must recognize the power differentials intrinsic to the relationship.

Overview

The claims and statistics of this paper haven’t been checked yet.

Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.

A few free checks a day · papers already verified open instantly · results are public

Integrity signals

Registry

Crossref · 10.1177/1354856510394539

Cites

3 of 3 references verified0 citation errors · 0 not checkable

Statistics

Verification

Claims the paper makes

The claims and statistics of this paper haven’t been checked yet.

Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.

A few free checks a day · papers already verified open instantly · results are public

Self-check

Percentages, sums and reported differences re-computed from the paper’s own numbers.

The self-check needs the paper’s full text.

Citations

Cites

Show all 3 references

Research works printed but not linked: 51

  1. 10.4135/9781452204710 · DOI · Paper page
  2. Becque S., 2007, Big Damn Fans: Fan Campaigns of Firefly and Veronica Mars
  3. Beer D., 2009, Sociological Research Online, 14, 10.5153/sro.1878 · DOI
  4. Bendix R., 1997, Search of Authenticity: The Formation of Folklore Studies
  5. Blumer H. ( 1962) Society as symbolic interaction. In: Rose AM (ed.) Human Behavior and Social Processes. Boston, MA: Houghton Mifflin, 179-192.
  6. Boorstin D., 1961, The Image: A Guide to Pseudo-Events in America
  7. boyd d, 2008, Taken out of Context: American Teen Sociality in Networked Publics
  8. boyd d, 2010, HICSS, 43
  9. Braudy L., 1986, The Frenzy of Reknown: Fame and Its History
  10. Cheng VJ, 2004, Inauthentic: The Anxiety over Culture and Identity
  11. Cohen N., 2009, When stars Twitter, a ghost may be lurking
  12. Crawford K. ( 2009) These foolish things: On intimacy and insignificance in mobile media. In: Goggin G and Hjorth L (eds) Mobile Technologies: From Telecommunications to Media. New York: Routledge, 252-265.
  13. Donath J. ( 1998) Identity and deception in the virtual community . In: Kollock P and Smith M (eds) Communities in Cyberspace. London : Routledge, 29-59.
  14. 10.1111/j.1083-6101.2007.00394.x · DOI · Paper page
  15. Dunbar RIM, 1996, Grooming, Gossip, and the Evolution of Language
  16. Dyer R., 1986, Heavenly Bodies: Film Stars and Society
  17. Ewan S., 1989, All Consuming Images: The Politics of Style in Contemporary Culture
  18. 10.1080/10304310802227947 · DOI
  19. 10.1525/9780520914155 · DOI · Paper page
  20. Goffman E., 1959, The Presentation of Self in Everyday Life
  21. 10.1177/0165551506062337 · DOI
  22. 10.1177/1469540508090086 · DOI · Paper page
  23. Honeycutt C., Proceedings of the Forty-Second Hawaii International Conference on System Sciences (HICSS-42)
  24. Jensen J. ( 1992) Fandom as pathology. In: Lewis L (ed.) The Adoring Audience: Fan Culture and Popular Media . New York: Routledge, 9-29.
  25. Jenkins, 1992, Textual Poachers
  26. Jenkins, 2006, Convergence Culture
  27. Jenkins (2006b) Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York: New York University Press.
  28. Kachka B., 2008, Have we reached the end of book publishing as we know it?
  29. Kidzworld, 2009, Niley timeline: Nick Jonas and Miley Cyrus relationship 2009
  30. Knoppner S., 2009, Appetite for Self Destruction: The Spectacular Crash of the Record Industry in the Digital Age
  31. 10.1177/0893318904270744 · DOI · Paper page
  32. Lessig L., 2004, Free Culture
  33. MandyMiley, 2009, Goodbye Twitter
  34. Marshall PD, 1997, Celebrity and Power: Fame in Contemporary Culture
  35. Marshall PD, 2006, The Celebrity Culture Reader
  36. Marwick A., 2010, New Media and Society
  37. 10.1080/1030431032000180978 · DOI
  38. Nielsen Company, the, 2009, Nielsens Social Media QuickTake: May 2009
  39. Quantcast Corporation, 2010, Twitter.com
  40. Rahman M. ( 2006) Is straight the new queer? David Beckham and the dialectics of celebrity. In: Marshall PD (ed.) The Celebrity Culture Reader. New York: Routledge, 223-228.
  41. Rojek C., 2001, Celebrity
  42. Schickel R., 1985, Intimate Strangers: The Culture of Celebrity
  43. Senft T., 2008, Camgirls: Celebrity and Community in the Age of Social Networks
  44. Snyder D. ( 2000) Webcam women: Life on your screen. In: Gauntlett D (ed.) Web.Studies: Rewiring Media Studies for the Digital Age. London: Arnold, 68-73.
  45. Sternbergh A., 2004, Cruise control: The publicist behind the movie star
  46. Strauss AL, 1993, Continual Permutations of Action
  47. Thompson C., 2008, New York Times
  48. Thompson JB, 1995, The Media and Modernity
  49. Trilling L., 1972, Sincerity and Authenticity, 10.4159/9780674044463 · DOI · Paper page
  50. 10.4135/9781446279953 · DOI
  51. Wallenstein A., 2009, Hey, showbiz folks: Check your contract before your next tweet

Cited by

Metadata

Authors
Marwick, A., & boyd, D.
Venue
Convergence: The International Journal of Research into New Media Technologies
Publisher
SAGE Publications
Published
2011-05
Volume
17
Issue
2
Pages
139-158
ISSN
  • 1354-8565 (ISSN-L)
  • 1748-7382
DOI
10.1177/1354856510394539
OpenAlex
W2110505218
Cited by
1,179
References
3
FWCI
87.03
Type
journal article
Language
en
Open access
closed
Licence
journals.sagepub.com/page/policies/text-and-data-mining-license (tdm)

About these checks

Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

Statistics and arithmetic are recomputed, not judged.

Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.

What counts as a claim ›How we measure confidence ›How we check this ›

Are you an author, or do you see a problem with this page? Request a review

Data sources

Bibliographic data: Semantic Scholar, OpenAlex, Crossref.

Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.