The DOI matches its Crossref record; 5 of the 5 references it cites were found in a registry or an index.
The romance of work: Gender and aspirational labour in the digital culture industries
Abstract
Despite widespread interest in the changing technologies, economies and politics of creative labour, much of the recent cultural production scholarship overlooks the social positioning of gender. This article draws upon in-depth interviews with 18 participants in highly feminized sites of digital cultural production (e.g. fashion, beauty and retail) to examine how they articulate and derive value from their passionate activities. I argue that the discourses of authenticity, community building and brand devotion that they draw on are symptomatic of a highly gendered, forward-looking and entrepreneurial enactment of creativity that I term ‘aspirational labour’. Aspirational labourers pursue productive activities that hold the promise of social and economic capital; yet the reward system for these aspirants is highly uneven. Indeed, while a select few may realize their professional goals – namely to get paid doing what they love – this worker ideology obscures problematic constructions of gender and class subjectivities.
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Cites
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Anxiety, panic and self-optimization: Inequalities and the YouTube algorithm
Bishop, S. (2018) · Convergence: The International Journal of Research into New Media Technologies · doi:10.1177/1354856517736978 · Cited by 253
O’Meara, V. (2019) · Social Media + Society · doi:10.1177/2056305119879671 · Cited by 161
Alacovska, A., & Gill, R. (2019) · International Journal of Cultural Studies · doi:10.1177/1367877918821231 · Cited by 101
Kwan, H. (2022) · Critical Sociology · doi:10.1177/08969205221101451 · Cited by 45
Strategic Invisibility: How Creators Manage the Risks and Constraints of Online Hyper(In)Visibility
Stegeman, H. M., Are, C., & Poell, T. (2024) · Social Media + Society · doi:10.1177/20563051241244674 · Cited by 45
The mutual shaping of geomedia and gentrification: The case of alternative tourism apps
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Hvenegaard Rasmussen, C., Rydbeck, K., & Larsen, H. (2022) · doi:10.4324/9781003188834 · Cited by 8
Platform super user: Examining Google Arts & Culture’s cultural production
Berard, B., & Smith, S. E. K. (2026) · Convergence: The International Journal of Research into New Media Technologies · doi:10.1177/13548565251413321
“…have been theorized through content creators in terms of authenticity (Kreling et al., 2022; Pruchniewska, 2018; Tolson, 2010; Van Driel and Dumitrica, 2021), monetization (Houssard et al., 2023; Kopf, 2020), and labour (Duffy, 2016; Duffy et al., 2021; Glatt, 2022; Woodcock and Johnson, 2019).”
Metadata
- Authors
- Duffy, B. E.
- Venue
- International Journal of Cultural Studies
- Publisher
- SAGE Publications
- Published
- 2015-02-25
- Volume
- 19
- Issue
- 4
- Pages
- 441-457
- ISSN
- 1367-8779 (ISSN-L)
- 1460-356X
- OpenAlex
- W2321331814
- Cited by
- 522
- References
- 5
- FWCI
- 59.95
- Type
- journal article
- Language
- en
- Open access
- closed
- Licence
- journals.sagepub.com/page/policies/text-and-data-mining-license (tdm)
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