Plagiarisms, Authorships, and the Academic Death Penalty

Abstract

n composition studies, most published discussions of student plagiarism proceed from the assumption that plagiarism occurs as a result of one of two possible motivations: an absence of ethics or an ignorance of citation conventions.Some students don't appreciate academic textual values and therefore deliberately submit work that is not their own; others don't understand academic citation conventions and therefore plagiarize inadvertently.Both of these are negative interpretations, postulating an absence-of either ethics or knowledge-in the plagiarist.A few recent studies, though, identify positive motivations for patchwriting, a textual strategy that has traditionally been classified as plagiarism.Patchwriting involves "copying from a source text and then deleting some words, altering grammatical structures, or plugging in one-for-one synonym-substitutes" (Howard 233).Describing the textual strategies of Tanya, a student who in traditional pedagogy might be labeled "remedial," Glynda Hull and Mike Rose celebrate her patchwriting as a valuable stage toward becoming an authoritative academic writer: "we depend upon membership in a community for our language, our voices, our very arguments.We forget that we, like Tanya, continually appropriate each other's language to establish group membership, to grow, and to define ourselves in new ways, and that such appropriation is a fundamental part of language use, even as the appearance of our texts belies it" (152).These and other studies describe patchwriting as a pedagogical opportunity, not a juridical problem.They recommend that teachers treat it as an important transitional strategy in the student's progress toward membership in a discourse community.To treat it negatively, as a "problem" to be "cured" or punished, would Rebecca Moore Howard, an