Representing Reality: Issues and Concepts in Documentary
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
A digitally designed or created image can be subject to infinite manipulation.
“a digitally designed or created image can be subject to infinite manipulation.”
From True Lies: Perceptual Realism, Digital Images, and Film Theory (1996) · cites this paper as [9]
Assumptions about realism in cinema are frequently tied to concepts of indexicality prevailing between the photographic image and its referent.
“Assumptions about realism in the cinema are frequently tied to concepts of indexicality prevailing between the photographic image and its referent.”
From True Lies: Perceptual Realism, Digital Images, and Film Theory (1996) · cites this paper as [6]
Cited by
Sorted by citations
True Lies: Perceptual Realism, Digital Images, and Film Theory
Prince, S. (1996) · Film Quarterly · doi:10.2307/1213468 · Cited by 237 · see citing works
What is interactivity for? The social dimension of web-documentary participation
Nash, K. (2014) · Continuum · doi:10.1080/10304312.2014.893995 · Cited by 52 · see citing works
Pastor, A. (2025) · doi:10.31234/osf.io/zgsej_v2
- Authors
- NICHOLS, B.
- Corresponding author
- NICHOLS, BILL
- Venue
- Indiana University Press eBooks
- Publisher
- Indiana University Press
- Published
- 1992-02-22
- OpenAlex
- W4312980637
- Cited by
- 414
- References
- 0
- Citations by year
- 2026: 18 · 2025: 21 · 2024: 14 · 2023: 45 · 2022: 36 · 2021: 15 · 2020: 48 · 2019: 32 · 2018: 17 · 2017: 12 · 2016: 16 · 2015: 10 · 2014: 12 · 2013: 27 · 2012: 10
- FWCI
- 3.00
- Type
- book
- Language
- en
- Open access
- closed
- Locations
- Indiana University Press eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Philosophy › Cultural Identity and Representation
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Aesthetics, and Perception
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Visual Culture and Art Theory
- Keywords
- representation of reality
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
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