The DOI matches its Crossref record; 2 of the 2 references it cites were found in a registry or an index.
The Indian Fashion Show
Abstract
Every American knows what an American Indian should look like. It is general American popular culture knowledge. But what most Americans in the 1930s through the 1950s “knew” was not reality, it was an iconic Indian seen through the lens of essentializing American stereotypes. Anthropologists have long considered it part of their moral agenda to replace the cultural misinformation and overgeneralizations that ground stereotypes with culturally accurate information in order to eliminate prejudice, discrimination, and assumptions. This paper constitutes a case study of one anthropologist’s attempts to eliminate entrenched, negative racial, ethnic, and cultural stereotypes about American Indians through stereotype transference, respect for cultural variation, and content eradication, espousing gender as the critical universal commonality that will eliminate discrimination. Frederic Douglas’s innovative living display, the Indian Fashion Show, is embedded within a theoretical discussion of stereotyping as a sociocultural process.
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Studies of the cooptation and manipulation of Native aesthetics for North American clothing and textiles during this period tend to focus on far more visible South Pacific and Southwest/Western regionalisms, with little discussion of the Northwest Coast.
“Studies of the cooptation and manipulation of Native aesthetics for North American clothing and textiles during this period tend to focus on far more visible South Pacific and Southwest/Western regionalisms, with little discussion of the Northwest Coast (e.g., Parezo 1999Parezo , 2007Parezo , 2013;;Kerstein 2003;Parezo and Jones 2009;Jones and Parezo 2010;Stopp 2012, pp. 24-25;Bazylinski 2013;Navr”
From Local Fabric: Mid-Century Modernisms, Textile and Fashion Design, and the Northwest Coast, 1940–1967 (2024) · cites this paper as Parezo 1999
Anthropologist Nancy Parezo notes that almost every outfit in the show, including an 1890s Haida dance shirt as well as Tlingit hats, was adapted for commercial designs.
“Anthropologist Nancy Parezo notes that almost every outfit in the show, including an 1890s Haida dance shirt (then attributed Tlingit by Douglas; DAM cat.no.1951.90) as well as Tlingit hats, was adapted for commercial designs (Parezo and Blomberg 1997, pp. 51, 54;Parezo 1999, pp. 258-59).”
From Local Fabric: Mid-Century Modernisms, Textile and Fashion Design, and the Northwest Coast, 1940–1967 (2024) · cites this paper as Parezo 1999, pp. 258-59
Citations
Cites
Stereotype threat and the intellectual test performance of African Americans.
Steele, C. M., & Aronson, J. (1995) · Journal of Personality and Social Psychology · doi:10.1037/0022-3514.69.5.797 · Cited by 9,020
Nguyen, H.-H. D., & Ryan, A. M. (2008) · Journal of Applied Psychology · doi:10.1037/a0012702 · Cited by 913
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Local Fabric: Mid-Century Modernisms, Textile and Fashion Design, and the Northwest Coast, 1940–1967
Allen, L. J. (2024) · Arts · doi:10.3390/arts13020052 · Cited by 1
Metadata
- Authors
- Parezo, N. J.
- Affiliations
- University of Arizona (US)
- Corresponding author
- Parezo, Nancy J.
- Venue
- Unpacking Culture
- Publisher
- University of California Press
- Published
- 1999-01-30
- Volume
- 69
- Issue
- 3
- Pages
- 243-264
- OpenAlex
- W2399230346
- Cited by
- 2
- References
- 2
- Citations by year
- 2024: 1 · 2018: 1
- FWCI
- 0.00
- Type
- book chapter
- Language
- en
- Open access
- closed
- Locations
- University of California Press eBooks (publishedVersion)
- Journal of Anthropological Research (publishedVersion)
- Topics
- Social Sciences › Anthropology › Indigenous Cultures and History
- Social Sciences › Cultural Studies › Cultural Identity and Representation
- Social Sciences › Anthropology › Anthropology: Ethics, History, Culture
- Keywords
- stereotyping, cultural variation, anthropology of race
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