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Prompt specificity and iterative behaviour in text-to-music co-creation: a secondary analysis of interaction logs and a framework for perceived creative control

Zhang, Xian, Pan, Lu·2026·Frontiers in Psychology

Abstract

Introduction: Generative artificial intelligence can lower barriers to musical creation while also shifting consequential decisions away from the user. Methods: This study examines that tension through a secondary analysis of the published PAGURI interaction-log prompt corpus and develops a tentative framework for perceived creative control. The analysable corpus contained 304 text-to-music prompts from 24 participants. Musical specificity was operationalised as explicit instrument and technical-parameter markers; iterative continuity was measured with Jaccard similarity between consecutive prompts and checked against TF-IDF cosine similarity. To avoid pseudoreplication, group comparisons were conducted on participant-level summaries rather than treating 304 prompts as independent cases. Results: Role-derived experience groups differed substantially in mean prompt specificity, H(2) = 10.25, p = 0.006, ε 2 = 0.39, and specificity density, H(2) = 11.52, p = 0.003, ε 2 = 0.45, but not in refinement rate, H(2) = 0.24, p = 0.888. At a descriptive Jaccard threshold of 0.20, 46.8% of consecutive pairs were refinements and 53.2% were restarts; because this classification was threshold-sensitive, continuous similarity remained the primary continuity measure. Prompt specificity did not increase systematically across the session: the mean within-person Spearman correlation was ρ = −0.06, and the distribution of participant-level correlations did not differ significantly from zero, W = 89.0, p = 0.374. Discussion: These findings distinguish the explicit technical-musical information users encode in prompts from the sequential continuity of their prompting behaviour. The paper integrates task structure, system autonomy, model coverage, prior experience, self-efficacy, and psychological ownership into a testable framework for future music-education research. Given the small participant-level sample and role-derived grouping, the empirical findings are exploratory and require confirmation in larger, controlled studies.

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Metadata

Authors
Zhang, X., & Pan, L.
Venue
Frontiers in Psychology
Published
2026-10-21
Volume
17
ISSN
1664-1078
Cited by
0
References
1

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Zhang, X., & Pan, L. (2026). Prompt specificity and iterative behaviour in text-to-music co-creation: a secondary analysis of interaction logs and a framework for perceived creative control. Frontiers in Psychology. https://doi.org/10.3389/fpsyg.2026.1965465

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