Remix: Making art and commerce thrive in the hybrid economy
Open accessAbstract
Lessig highlights the newest cultural war being waged on those who create and consume art. Arguing that we reject a copyright system that criminalizes the value of protecting art, he offers an inspiring vision of the post-war world where opportunities await those who view art as a resource to be shared openly rather than a commodity to be hoarded.
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Within the Sharing Economy, consumer protections are reduced because platforms offer direct and largely unmediated interaction between individuals who have never met.
“Within the SE, such protections are reduced [5], as SE platforms offer direct and largely unmediated interaction between individuals who have never met before neither offline nor online [1,3].”
From Digital Identity: The effect of trust and reputation information on user judgement in the Sharing Economy (2018) · cites this paper as [1]
Cited by
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van Laar, E., van Deursen, A. J. A. M., van Dijk, J. A. G. M., & de Haan, J. (2020) · Sage Open · doi:10.1177/2158244019900176 · Cited by 927 · see citing works
Boudreau, K. J. (2012) · Organization Science · doi:10.1287/orsc.1110.0678 · Cited by 676 · see citing works
Sharing Versus Pseudo-Sharing in Web 2.0
Belk, R. (2014) · The Anthropologist · doi:10.1080/09720073.2014.11891518 · Cited by 622 · see citing works
Barrett, M., Oborn, E., & Orlikowski, W. (2016) · Information Systems Research · doi:10.1287/isre.2016.0648 · Cited by 269 · see citing works
Copy, transform, combine: Exploring the remix as a form of innovation
Flath, C. M., Friesike, S., Wirth, M., & Thiesse, F. (2017) · Journal of Information Technology · doi:10.1057/s41265-017-0043-9 · Cited by 96 · see citing works
Chan, T.-W., Looi, C.-K., Chen, W., Wong, L.-H., Chang, B., Liao, C. C. Y., Cheng, H., Chen, Z.-H., Liu, C.-C., Kong, S.-C., et al. (2018) · Journal of Computers in Education · doi:10.1007/s40692-018-0122-0 · Cited by 73 · see citing works
- Authors
- Lessig, L.
- Corresponding author
- Lessig, Lawrence
- ORCID
- Lessig, Lawrence
- Venue
- Bloomsbury Academic eBooks
- Publisher
- Bloomsbury Academic
- Published
- 2008
- OpenAlex
- W4242911310
- Cited by
- 1,081
- References
- 0
- Citations by year
- 2026: 51 · 2025: 49 · 2024: 49 · 2023: 48 · 2022: 44 · 2021: 53 · 2020: 65 · 2019: 122 · 2018: 60 · 2017: 74 · 2016: 58 · 2015: 53 · 2014: 82 · 2013: 89 · 2012: 68
- FWCI
- 55.20
- Type
- book
- Language
- en
- Open access
- hybrid
- doi.org
- Licence
- Locations
- Bloomsbury Academic eBooks (publishedVersion, cc-by-nc)
- Directory of Open access Books (OAPEN Foundation) (submittedVersion, cc-by)
- Topics
- Social Sciences › Business, Management and Accounting › Marketing › Copyright and Intellectual Property
- Social Sciences › Political Science and International Relations › Intellectual Property Rights and Media
- Social Sciences › Law › Intellectual Property Law
- Keywords
- copyright, remix culture, open access, cultural property, intellectual property, art as commodity, culture wars, Lawrence Lessig
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Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
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