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The Invention of Culture
Abstract
The Invention of Culture, one of the most important works in symbolic anthropology in recent years, argues that culture is not a given that shapes the lives of the people who share it. Rather, it is people who shape their culture by constantly manipulating conventional symbols taken from a variety of everchanging codes to create new meanings. Wagner sees culture arising from the dialectic between the individual and the social world; his analysis is situated in the relation between invention and convention, innovation and control, meaning and context. Finally, the author points out that the symbolization processes that generate the construction of meaning in culture are the same as those that anthropologists use to invent the cultures they study.
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Cited by
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Gershon, I. (2011) · Current Anthropology · doi:10.1086/660866 · Cited by 616
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The Culture for Open Innovation Dynamics
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Between Reproduction and Freedom: Morality, Value, and Radical Cultural Change
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CHOO 1, S. (2004) · Journal of Intercultural Studies · doi:10.1080/0725686042000315722 · Cited by 53
Definitive evidence, from Cuban gods
Holbraad, M. (2008) · Journal of the Royal Anthropological Institute · doi:10.1111/j.1467-9655.2008.00495.x · Cited by 36
Contemporary Cosmologies, Critical Reimaginings
Abramson, A., & Holbraad, M. (2012) · Religion and Society · doi:10.3167/arrs.2012.030103 · Cited by 12
Metadata
- Authors
- Wagner, R., & Ingold, T.
- Venue
- University of Chicago Press eBooks
- Publisher
- University of Chicago Press
- Published
- 2016
- OpenAlex
- W1574115731
- Cited by
- 612
- References
- 0
- FWCI
- 23.69
- Type
- book
- Language
- en
- Open access
- closed
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Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.