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The policy and practice of music education in England, 2010–2020

Open access
Savage, Jonathan·2021·British Educational Research Journal

Abstract

Since the introduction of the National Plan for Music Education there have been significant changes in music education within England. Whilst some celebrate figures that report increased access and engagement, many teachers and others continue to have legitimate concerns regarding the quality of the music education on offer in schools and Music Education Hubs. There are concerns that the provision of music education is incoherent and patchy across the country. Many would argue that the opportunity to access high‐quality music education has become a ‘postcode lottery’. There is a sense that the fragmentation of music education as a result of curriculum reforms and the diversity of approaches taken by Music Education Hubs and other bodies has significantly enhanced this incoherence. This article seeks to review the policy and practice of music education in England over the last 10 years. It draws on recent research from various sources and maintains a particular focus on government policy and the consequences of this for the field as a whole. It reflects on how things could be improved in the future. It argues for a clearer focus on a practitioner‐led approach to research and advocacy, in particular one led by the notion of ‘policy as practice’ rather than continuing with the current approach and its intrinsic failings.

AI snapshot

Written from the paper’s full text.

TL;DR

Reviewing music education policy and practice in England from 2010 to 2020, Savage argues that provision became incoherent and patchy—a “postcode lottery”—despite government claims of increased access. The article calls for practitioner-led research and advocacy framed as “policy as practice” rather than the current top-down approach.

Key findings

  • The National Curriculum for Music shrank from a 2,270-word statement in 2007 to a current combined total of 594 words: a 209-word statement plus 55 words for Key Stage 1, 130 for Key Stage 2 and 200 for Key Stage 3.
  • In University of Sussex research covering over 700 state schools, average Year 8 music hours fell from 20.8 to 17.5 between 2015/16 and the following year; music was compulsory for all Year 9 students in 84% of schools in 2012/13, 67% in 2015/16 and 62% in 2016/17. The EBacc was cited by 59.7% (393) of schools as negatively impacting music provision and uptake, versus 3% citing a positive impact.
  • GCSE Music was offered by 79% of schools in 2016/17, down from 85% in 2012/13, leaving 21% of schools where students could not take GCSE Music at all; BTEC Level 2 music offerings fell 70%, from 166 schools in 2012/13 to 50 in 2016/17. Single-teacher music departments rose from 22% to 30%.
  • Music Education Hubs—123 established in 2011—saw pupils receiving a weekly instrumental lesson through whole-class teaching for less than one term rise from 24,289 to 35,340, a 42% change over four years, with many programmes reduced to around 10 weeks.

Methods

  • Narrative policy review and analysis of music education in England from 2010 to 2020, drawing on recent research, government policy and sector reports rather than collecting new primary data.
  • Analysis is framed through Ball’s notions of markets, managerialism and performativity, Kemmis’s “practice architecture” and Schmidt’s “policy as practice.”
  • Sources discussed include National Curriculum documents, the National Plan for Music Education, Music Education Hubs data, University of Sussex/ISM research, Musicians’ Union reports and the Zeserson et al. review.

Limitations

  • The author states that the original survey presented is constrained by his own assumptions, world view, relationships and personal context as a music teacher, teacher educator, Chair of Trustees of a Music Education Hub and company director.
  • The paper states that Music Education Hubs’ returned data are flawed and should be treated sceptically, and that the focus on activity metrics rather than quality and longitudinal progression does not accurately capture lived reality; it also notes that the Zeserson review does not specify how many schools had inconsistent provision.
  • Evident from the text: the article is a review/argument relying on secondary sources and sector reports, with no independent empirical validation of the cited figures.

Model-written summary. Check it against the paper before relying on it.

Integrity signals

Registry

Crossref · 10.1002/berj.3672

Cites

29 of 29 references verified0 citation errors · 0 not checkable

Statistics

Nothing to recompute.

Claims the paper makes

3 of 88 cited sources checked · 2 supported · 0 flagged · accuracy not yet measured

  • Premisecitation
    § Conclusion

    The Musicians' Union report (2019) provides extensive evidence that many teachers of music are experiencing feelings of 'reluctant compliance'.

    “The Musicians' Union report (Musician's Union, 2019) provides extensive evidence that many teachers of music are experiencing feelings of 'reluctant compliance' (Moore and Clarke, 2016, p. 667).”
    Quote in the paperSubstantial claim1 of 2 sources checked
    • cites Musicians' Union, 2019

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

    • cites Moore and Clarke, 2016 source
  • Premisereasoning
    § The National Plan for Music Education and Music Education Hubs

    The National Plan for Music Education was the government's response to Henley's review.

    “The National Plan for Music Education was the government's response.”
    Quote in the paperNot a substantial claim
  • Premisecitation
    § Music education in schools

    The Inspiring Music for All review found that the place and status of music in schools varied widely across the country.

    “The key finding from the research was that the place and status of music in schools varied widely across the country.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites Zeserson et al., 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Premisecitation
    § Music education in secondary schools

    The average number of hours given for music over the year for Year 8 students dropped from 20.8 to 17.5 h between 2015/16 and the following year.

    “This led to a significant decrease in the time given for music, particularly between the academic year 2015/16 and the year following, with the average number of hours given for music over the year for Year 8 students dropping from 20.8 to 17.5 h.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Premisecitation
    § Music education in secondary schools

    Just 3% of schools considered the EBacc to have had a positive impact on music.

    “Conversely, just 3% considered the EBacc to have had a positive impact on music.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Classified as probably not a substantial claim. 61
  • May combine two claims. 38
  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § Introduction

    Education reforms have changed not only the educational system but also those who work within it, resulting in a new 'type' of teacher and a transformation of the meaning and value of education.

    “Many have argued that the resulting reforms have changed not only the educational system itself but also those that work within it, resulting in a new 'type' of teacher and a new, 'multi-facetted' transformation of what we understand by the 'meaning and value of education' (Ball, 2018, p. 589).”
    Quote in the paperNot a substantial claim1 of 1 sources checked
    • cites Ball, 2018 source

      The passage labeled References (page unavailable) says that commercialisation transforms education systems, re-forms educational subjects, and changes what it means to teach and learn. It also explicitly describes a multi-faceted transformation of education’s meaning and value. It does not specifically identify a new ‘type’ of teacher, and it limits the transformation of education systems to ‘in part and in some places.’ (LLM, conf=0.84)

      Experimental — accuracy not yet measured
  • May combine two claims.

    Premisecitation
    § Conclusion

    Teachers find themselves having to do things they do not believe in, yet are attached to prevailing ideologies, and become 'bearers' of those ideas despite initial or ongoing reluctance.

    “They find themselves in the situation of having to do things that they do not believe in, yet also are attached to these prevailing ideologies, and essentially becoming the 'bearers' (Moore and Clarke, 2016, p. 668) of those ideas, despite their initial or ongoing reluctance.”
    Quote in the paperSubstantial claim1 of 1 sources checked
    • cites Moore and Clarke, 2016 source
  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisenone given
    § Music within the National Curriculum in England

    The National Plan for Music Education was written by Darren Henley and published in 2011.

    “The National Plan for Music Education is one such document, written by Darren Henley and published in 2011.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisecitation
    § Music education in secondary schools

    Teachers felt the two most common factors that impacted negatively on students choosing music at Key Stage 4 were the EBacc (57.3%) and changes in options available to students when they selected their GCSE subjects (25.1%).

    “Teachers felt the two most common factors that impacted negatively on students choosing music at Key Stage 4 were the EBacc (57.3%) and changes in options available to students when they selected their GCSE subjects (25.1%).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites University of Sussex, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisenone given
    § The National Plan for Music Education and Music Education Hubs

    The establishment of 123 Music Education Hubs was the government's key response to Henley's National Plan for Music Education.

    “The establishment of 123 Music Education Hubs was the government's key response to Henley's National Plan for Music Education.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisecitation
    § Music education in secondary schools

    The Cultural Learning Alliance reported a 9% drop in arts subjects at GCSE entry from 2016 to 2017, and a 28% drop from 2010 to 2017.

    “The Cultural Learning Alliance (2017) reported a 9% drop in arts subjects at GCSE entry from 2016 to 2017, and a 28% drop from 2010 to 2017.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Cultural Learning Alliance, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S4 (based).

    Premisenone given
    § Music education in schools

    Prior to reforms instigated by the coalition government from 2010 onwards, schools in England were all required to meet the demands of the National Curriculum for England.

    “Prior to reforms instigated by the coalition government from 2010 onwards, schools in England were all required to meet the demands of the National Curriculum for England.”
    Quote in the paperNot a substantial claim
  • Classified as probably not a substantial claim.

    Premisecitation
    § Music education in secondary schools

    The EPI report identified the imposition of the EBacc and Progress 8 accountability measures as central to the general decline.

    “As with the University of Sussex research, the report identified the imposition of the EBacc and Progress 8 accountability measures as central to the general decline.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites EPI, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based). May combine two claims.

    Premisenone given
    § Music education in secondary schools

    This variation is a consistent finding in many pieces of recent research and is particularly evident with secondary schools.

    “This has been a consistent finding in many pieces of recent research and is particularly evident with secondary schools.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S1 (asserted), S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    There is a common view amongst researchers that the data returned by Music Education Hubs is flawed and findings drawn from it should be treated with some scepticism.

    “There is a common view amongst researchers that the data returned by Music Education Hubs is flawed and findings drawn from it should be treated with some scepticism.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites ISM, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • May combine two claims.

    Premisecitation
    § Music education in secondary schools

    In 2012/13, music was compulsory for all Year 9 students in 84% of schools; by 2015/16 this had dropped to 67%; in 2016/17 it decreased to 62%.

    “In 2012/13, music was compulsory for all Year 9 students in 84% of schools.By 2015/16 this had dropped to 67%.In 2016/17 it decreased even further to 62%.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S2 (checkable), S4 (based).

    Interpretationnone given
    § Abstract

    The current approach to research and advocacy in music education has intrinsic failings.

    “It argues for a clearer focus on a practitioner-led approach to research and advocacy, in particular one led by the notion of 'policy as practice' rather than continuing with the current approach and its intrinsic failings.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Music education in secondary schools

    The University of Sussex research examined the situation in over 700 state schools.

    “Research conducted by the University of Sussex (ISM, 2017) examined the situation in over 700 state schools.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Introduction

    Arguments put forward for music education vary from those related to intrinsic benefits to those that highlight external ones.

    “The arguments put forward for music education vary from those related to the intrinsic benefits to those that highlight an ever-increasing list of external ones (Cohen, 2006;Clift et al., 2008;Hallam, 2009).”
    Quote in the paperNot a substantial claim0 of 3 sources checked
    • cites Cohen, 2006
    • cites Clift et al., 2008

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

    • cites Hallam, 2009

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisenone given
    § Music education in secondary schools

    Music has remained a subject within the National Curriculum for England despite diminishing curriculum documentation.

    “Despite the rapidly diminishing text in the curriculum documentation itself, music has remained a subject within the National Curriculum for England.”
    Quote in the paperNot a substantial claim
  • Classified as probably not a substantial claim.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    The focus on activity metrics by the Department for Education/Arts Council England in the data returns completed by Hubs, rather than quality of experience and a longitudinal and diverse view of progression and continuation, does not provide an accurate picture of the lived reality of many respondents working in schools and Hubs.

    “Respondents also felt that the focus on the activity metrics by the Department for Education/Arts Council England in the data returns completed by Hubs, rather than quality of experience and a longitudinal and diverse view of progression and continuation, does not provide an accurate picture of the lived reality of many of the respondents working in schools and Hubs.(ISM, 2018, p. 11)”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites ISM, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S4 (based).

    Premisereasoning
    § Introduction

    The roles that schools and Music Education Hubs play in the provision of music education are often unclear.

    “The roles that schools and Music Education Hubs play in the provision of music education are often unclear, with the specific requirements of a National Curriculum and wider roles and responsibilities set by government agencies such as Arts Council England causing tension, conflict and division.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Interpretationnone given
    § Music education in primary schools

    The alternative of providing all students with an instrumental music teaching 'opportunity' has proved difficult to implement and results in an incoherent patchwork of provision.

    “However, as we will consider below, the alternative of providing all students with an instrumental music teaching 'opportunity' has proved difficult to implement in other ways and result in an incoherent patchwork of provision.”
    Quote in the paperNot a substantial claim
    • Rests on an assumption: The argument advocating generalist primary school teachers teaching music has fallen out of favour in recent years.
  • Classified as probably not a substantial claim.

    Interpretationnone given
    § Introduction

    The specific requirements of a National Curriculum and wider roles and responsibilities set by government agencies such as Arts Council England cause tension, conflict and division.

    “The roles that schools and Music Education Hubs play in the provision of music education are often unclear, with the specific requirements of a National Curriculum and wider roles and responsibilities set by government agencies such as Arts Council England causing tension, conflict and division.”
    Quote in the paperSubstantial claim
  • May combine two claims.

    Interpretationnone given
    § Music education in secondary schools

    Music has been removed from the curriculum of some schools, and class time allocated to it has decreased in many others.

    “the removal of music from the curriculum of some schools, and a decrease in the class time allocated to it in many others;”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim: may not pass S4 (based).

    Interpretationnone given
    § Music education in secondary schools

    There have been significant reductions in the numbers of students studying GCSE and A Level music qualifications.

    “significant reductions in the numbers of students studying GCSE and A Level music qualifications.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisecitation
    § Music education in schools

    In the best cases, music in schools was significantly more inclusive, diverse and better quality than a decade previously.

    “In the best cases, music in schools was found to be significantly more inclusive, diverse and better quality that it was a decade previously (Zeserson et al., 2014, p. 16).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Zeserson et al., 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Introduction

    The consequence of a system built on increasing values attached to outputs and efficiencies, as opposed to a broad and balanced curriculum, has been well documented.

    “The consequence of a system that has been built on increasing the values attached to outputs and efficiencies seen as important to our economic well-being as country, as opposed to a carefully considered implementation of a broad and balanced curriculum for young people's development, has been well documented (Cochran-Smith et al., 2009;Lewis and Hardy, 2015).”
    Quote in the paperNot a substantial claim0 of 2 sources checked
    • cites Cochran-Smith et al., 2009

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

    • cites Lewis and Hardy, 2015

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisenone given
    § The National Plan for Music Education and Music Education Hubs

    Over the last 8 years, Music Education Hubs have collated information about their work and submitted this to Arts Council England in quarterly returns.

    “Over the last 8 years, Music Education Hubs have collated information about their work and submitted this to Arts Council England in their quarterly returns.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisecitation
    § Introduction

    Curriculum reform in England has been dominated by a narrowing of the curriculum around priority subjects (English, mathematics and the sciences) and a test-based, numbers-driven accountability.

    “Alongside the trials and tribulations within the music education community, curriculum reform more generally within England has been dominated by a narrowing of the curriculum around subjects that the government consider to be priority areas (English, mathematics and the sciences), and a test-based, numbers-driven accountability (Anagnostopoulos et al., 2013;Lingard et al., 2013Lingard et al., , 2”
    Quote in the paperSubstantial claim0 of 3 sources checked
    • cites Anagnostopoulos et al., 2013

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

    • cites Lingard et al., 2013 source
    • cites Lingard et al., 2015 source
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Music education in primary schools

    In 1998, one in five primary schools in England and Wales had cut down on music education as a direct result of government policy to emphasise core subjects such as numeracy and literacy.

    “As long ago as 1998, the Times Educational Supplement reported the 'horrifying findings' of their survey, which showed that one in five primary schools in England and Wales had cut down on music education as a direct result of government policy to emphasise 'core' subjects such as numeracy and literacy.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Times Educational Supplement

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • May combine two claims.

    Premisenone given
    § Music education in secondary schools

    The percentage of schools offering GCSE Music at the start of the 2016/17 academic year was 79%, down from 85% in 2012/13.

    “The percentage of schools offering GCSE Music at the start of the 2016/17 academic year was 79% (down from 85% in 2012/13).”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisecitation
    § Music education in secondary schools

    39% of respondents reported falling staffing levels for music departments, with only 17% indicating levels had risen.

    “39% of respondents reported falling staffing levels for music departments, with only 17% indicating levels had risen.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites University of Sussex, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing), S4 (based). May combine two claims.

    Interpretationreasoning
    § Introduction

    In recent times, policy-makers have been given an excuse to marginalise music education advocates and press ahead with ill-informed solutions to complex problems.

    “In recent times, it has given them an excuse to marginalise what is seen as a noisy and vocal cacophonous group, and press ahead with ill-informed solutions to complex problems.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Music within the National Curriculum in England

    Music has been included as a core subject within the National Curriculum in England since its establishment in 1992.

    “Music has been included as a core subject within the National Curriculum in England since its establishment in 1992 (NCC, 1992).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites NCC, 1992

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • May combine two claims.

    Premisecitation
    § Music education in secondary schools

    Other changes identified as negatively impacting provision of music education at Key Stage 4 were booster classes (36%), shortened lunchtimes (31%) and fewer extra-curricular opportunities (12%).

    “Other changes the researchers identified that impacted negatively on the provision of music education at Key Stage 4 were: booster classes (36%), shortened lunchtimes (31%) and fewer extra-curricular opportunities (12%).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites University of Sussex, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • May combine two claims.

    Premisecitation
    § Music education in secondary schools

    Although the number of schools not offering any curriculum time to music was quite small (2.4%), timetabling arrangements for music had shifted with dramatic curtailment of time for delivery of music education.

    “Although the number of schools not offering any curriculum time to music was quite small (2.4%), the research reported that the timetabling arrangements for music had shifted with the dramatic curtailment of time for the delivery of music education.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based).

    Premisenone given
    § Music education in schools

    Educational reforms and the imposition of frameworks such as Progress 8 and the English Baccalaureate have led to significant reorganisation of the curriculum within schools.

    “In either case, educational reforms and the imposition of frameworks such as Progress 8 and the English Baccalaureate (EBacc) have led to significant reorganisation of the curriculum within schools.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing).

    Premisecitation
    § Introduction

    The resulting 'crisis' in music education was predictable.

    “The resulting 'crisis' (Masso, 2018) was sadly predictable (Savage, 2018a, p. 215).”
    Quote in the paperNot a substantial claim0 of 2 sources checked
    • cites Masso, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

    • cites Savage, 2018a

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing).

    Interpretationreasoning
    § Introduction

    Competing, dissonant voices have left policy-makers bewildered, confused and frustrated.

    “Competing, dissonant voices have left policy-makers bewildered, confused and frustrated.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisenone given
    § The National Plan for Music Education and Music Education Hubs

    Music Education Hubs were formed by Arts Council England in 2011 and created in every region with the intention to provide access to high-quality musical experiences for all children.

    “Formed by Arts Council England in 2011, they were created in every region with the intention to provide access to high-quality musical experiences for all children.”
    Quote in the paperNot a substantial claim
  • Classified as probably not a substantial claim.

    Premisereasoning
    § Music education in schools

    For 25 years, the National Curriculum provided a coherent development framework for students' progression during compulsory schooling.

    “For 25 years, this legal framework had provided a coherent development framework for students' progression during their compulsory schooling.”
    Quote in the paperSubstantial claim
  • Classified as probably not a substantial claim.

    Interpretationnone given
    § Introduction

    Studies of music education often lack a closer examination of the organisations that deliver music education programmes, such as schools, Music Education Hubs and private companies.

    “However, what is often missing from these studies is a closer examination of the organisations that deliver music education programmes, such as schools, Music Education Hubs and a host of other private companies.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based).

    Premisereasoning
    § Music education in secondary schools

    It is a requirement for music to be taught to students within all schools.

    “As such, it is requirement for music to be taught to students within all schools.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisenone given
    § Music education in secondary schools

    Rapid changes to the qualifications framework have occurred, including new specifications for GCSE and A Level examinations and the abolition of AS Levels.

    “rapid changes to the qualifications framework (including the introduction of new specifications for GCSE and A Level examinations, and the abolition of AS Levels);”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Music education in primary schools

    By 2018, the Director of the Royal College of Music criticised the steady decline of music provision in state primary schools.

    “Moving ahead 20 years, one can find pillars of the music education community, such as the Director of the Royal College of Music, criticising the 'steady decline' of music provision in state primary schools (Santry, 2018).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Santry, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    In 2011, Henley's review called for measures to increase the probability of children receiving an excellent Music Education and decrease the possibility of them receiving a poor one.

    “In 2011, Henley's review called for: . . . the need for measures to be taken to increase the probability of children receiving an excellent Music Education and of decreasing the possibility of them receiving a poor one.(DfE and DCMS, 2011, p. 5)”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites DfE and DCMS, 2011

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § Music within the National Curriculum in England

    The current National Curriculum for Music consists of 209 words, with 55 words for Key Stage 1, 130 for Key Stage 2, and 200 for Key Stage 3, a combined total of 594 words.

    “Yet the current National Curriculum for Music consists of 209 words (DfE, 2013), 55 words for the Programme of Study for Key Stage 1, 130 words for Key Stage 2 and 200 words for Key Stage 3; a combined total of 594 words.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites DfE, 2013

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    The National Plan for Music Education sets out a vision for music education that gives children from all backgrounds and every part of England the opportunity to learn a musical instrument, make music with others, learn to sing, and progress.

    “The National Plan for Music Education sets out a vision for music education that gives children from all backgrounds and every part of England the opportunity to learn a musical instrument; to make music with others; to learn to sing; and to have the opportunity to progress.(Gibb, 2018)”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Gibb, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • May combine two claims.

    Premisecitation
    § Music education in secondary schools

    The least amount of time offered for music via a carousel approach was 25 min for 6 weeks in the year, equating to 2.5 h across the entire academic year.

    “The least amount of time offered for music via a carousel approach was 25 min for 6 weeks in the year.This equated to just 2.5 h across the entire academic year.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • May combine two claims.

    Interpretationreasoning
    § Music education in secondary schools

    In many schools, students start their GCSE studies in Year 9 rather than Year 10, resulting in a complete cessation of all subjects outside the student's own GCSE choices at age 13.

    “In many schools, students start their GCSE studies in Year 9 rather than in Year 10 (see below).This has resulted in a complete cessation of all subjects that fall outside the student's own GCSE choices at the age of 13.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Many local authorities used confirmation of three-year funding for Hubs as an excuse to withdraw their investment because they were under pressure to make significant savings.

    “Many Local Authorities have used the confirmation of three-year funding for Hubs as an excuse to withdraw their investment as they are under pressure to make significant savings themselves.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Since 2014, numerous music services have closed or been significantly restructured, resulting in a significant deterioration in teachers' pay, terms and conditions.

    “Yet since 2014, numerous music services have closed or been significantly restructured, resulting in a significant deterioration in teachers' pay, terms and conditions.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    The lack of security paired with the chaotic nature of instrumental teaching services resulted in significant employment fragmentation and an increasing sense of de-professionalisation for Musicians' Union members.

    “For individuals, the lack of security paired with the chaotic nature of Music education in England, 2010-2020 9 instrumental teaching services (within Music Education Hubs, music service or other private organisations) resulted in significant employment fragmentation and an increasing sense of de-professionalisation for their members.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    The Zeserson review was conducted 3 years after the National Plan for Music Education was published and Music Education Hubs established.

    “One of the major studies, the Zeserson review discussed previously, was conducted 3 years after the National Plan for Music Education was published and Music Education Hubs established.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Zeserson et al., 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S2 (checkable), S4 (based).

    Interpretationnone given
    § Conclusion

    Government intervention in music education has disempowered music education communities wherever they are located.

    “Government intervention in music education has disempowered music education communities wherever they are located.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Interpretationcitation
    § The National Plan for Music Education and Music Education Hubs

    Music Education Hubs were meant to facilitate partnership but have struggled to deliver it.

    “It is this notion of partnership that Music Education Hubs were meant to facilitate but have struggled to deliver.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim: may not pass S2 (checkable).

    Interpretationcitation
    § Conclusion

    Following Berlant's concept of cruel optimism, there is an obvious cruelty in teachers' lived experience through the deliberate forcing of actions and subjugation of their own belief systems within a powerful and unyielding policy discourse.

    “Following Berlant's (2011) concept of cruel optimism, there is an obvious cruelty on teachers' lived experience here, through the deliberate forcing of actions and the subjugation of their own belief systems within a powerful and unyielding policy discourse.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Berlant, 2011 source
  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Music services made teaching staff redundant and re-engaged them on casual or zero-hour contracts or as self-employed teachers.

    “Music services making the entirety of their teaching staff redundant, only to re-en- gage them on casual or zero-hour contracts or as self-employed teachers.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    There was a lack of investment in teachers' career and professional development.

    “A lack of investment in teachers' career and professional development.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Teachers were given no guarantee of work, no pension, no holiday pay or maternity/paternity pay.

    “Teachers being given no guarantee of work, no pension, no holiday pay or mater- nity/paternity pay.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Discussion

    Advocacy is one among several policy practices central to the constitution of programs, from curriculum to recruitment, pedagogical choices, student engagement, program structure, and diversity and inclusivity policies.

    “Advocacy is one within several policy practices that are central to the constitution of our programs, from curriculum to recruitment, to pedagogical choices, student engagement, program structure, and diversity and inclusivity policies, among others.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Schmidt, 2019
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Discussion

    Schmidt argues for 'policy as practice'.

    “His research argues for 'policy as practice'.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Schmidt, 2019
  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    The Zeserson review urged all involved in music education to work together more effectively to improve the quality of provision, and to disseminate best and next practice.

    “More positively, the review urged all involved in music education to work together more effectively to improve the quality of provision, and to disseminate best and next practice.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Zeserson et al., 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S2 (checkable), S4 (based).

    Interpretationnone given
    § Conclusion

    The current debate is being conducted in an environment influenced by the uncertain status and contested legitimacy of government policy.

    “The current debate is being conducted in an environment influenced by the uncertain status and contested legitimacy of government policy.”
    Quote in the paperNot a substantial claim
  • Classified as probably not a substantial claim.

    Interpretationnone given
    § Discussion

    Since the introduction of the National Plan for Music Education there have been significant changes in music education within England.

    “Since the introduction of the National Plan for Music Education there have been significant changes in music education within England.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based). May combine two claims.

    Interpretationreasoning
    § Discussion

    The creation of Music Education Hubs, new charitable trusts and cooperatives such as the Love Music Trust in Cheshire East can be seen as a positive outcome of this process; there is often increasing dynamism and commitment to music education in these areas compared to services previously offered by the local authority.

    “The creation of Music Education Hubs, new charitable trusts and cooperatives such as the Love Music Trust in Cheshire East can be seen as a positive outcome of this process; there is often an increasing dynamism and commitment to music education in these areas compared to the services previously offered by the local authority.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S4 (based).

    Interpretationnone given
    § Conclusion

    The disjunction between policy and practice has decimated music education in many parts of England over recent years.

    “Seeking to tell the story of music education from the perspectives of those teaching music in primary schools, secondary schools and Music Education Hubs will help illuminate the disjunction between policy and practice that has decimated music education in many parts of England over recent years.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Music education became a 'postcode lottery', with rural areas suffering at the expense of larger towns and cities.

    “Music education, according to the report, became a 'postcode lottery', with rural areas suffering at the expense of larger towns and cities (Musicians' Union, 2014, p. 4).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Classified as probably not a substantial claim.

    Premisecitation
    § Discussion

    Kemmis's practice architecture theory holds that the intersection of cultural-discursive, social-political and material-economic fields creates working conditions that enable or constrain certain practices.

    “His argument is that the intersection or interdependent fields of 'cultural-discursive', 'social-political' and 'material-economic' create a set of 'working conditions' to enable or constrain certain practices.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites Kemmis, 2012

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Classified as probably not a substantial claim.

    Premisecitation
    § Discussion

    Schmidt argues that traditional approaches to advocacy, whilst important, are limited and limiting.

    “He argues that traditional approaches to advocacy, whilst important, are limited and limiting (Schmidt, 2019, p. 173).”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites Schmidt, 2019
  • Probably not a substantial claim: may not pass S1 (asserted). May combine two claims.

    Premisecitation
    § Discussion

    Teachers argue that access to high-quality music education has become a 'postcode lottery' and that fragmentation of music education due to curriculum reforms and diversity of approaches has significantly enhanced this incoherence.

    “These teachers argue that the opportunity to access high-quality music education has become a 'postcode lottery' and that the fragmentation of music education as a result of curriculum reforms and the diversity of approaches taken by Music Education Hubs and other bodies has significantly enhanced this incoherence.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Local authorities were losing control and influence over schools, facing increasing financial pressures and cuts to services.

    “Furthermore, these changes came at a time when local authorities were themselves placed between a rock and a hard place in terms of losing control and influence over schools within their localities, increasing pressures on their own finances, with resultant cuts to services”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S2 (checkable). May combine two claims.

    Premisecitation
    § Discussion

    Policy is a manifestation of the individual and frames their participation and action within society.

    “Policy, in this argument, is a manifestation of the individual and frames their participation and action within society (Schmidt, 2019, p. 178).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Schmidt, 2019
  • Probably not a substantial claim: may not pass S4 (based).

    Interpretationnone given
    § Conclusion

    The policy discourse around music education in England is celebratory and patriotic.

    “The policy discourse around music education is England is celebratory and patriotic.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Ofsted has noted that the accountability framework that primary and secondary schools currently work under has had a detrimental impact on the provision of National Curriculum arts subjects in many schools.

    “Similarly, Ofsted have recently noted that the accountability framework that primary (and secondary) schools currently work under has had a detrimental impact on the provision of National Curriculum arts subjects in many schools (Ofsted, 2018).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Ofsted, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S2 (checkable), S4 (based). May combine two claims.

    Interpretationnone given
    § Conclusion

    Government intervention has unsuccessfully attempted to influence actions and behaviours in a formalistic manner through identification of key outcomes and has only served to worsen what was already an incoherent and patchy level of provision.

    “It has unsuccessfully attempted to influence actions and behaviours in a formalistic manner through the identification of key outcomes and has only served to worsen what was already an incoherent and patchy level of provision.”
    Quote in the paperNot a substantial claim
  • May combine two claims.

    Premisecitation
    § Discussion

    Music Education Hubs are constantly being told to find alternative funding streams, while school funding has become a national concern.

    “Music Education Hubs are constantly being told to find alternative funding streams, while school funding has become a national concern.”
    Quote in the paperNot a substantial claim0 of 2 sources checked
    • cites Musicians' Union, 2019

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

    • cites Millar, 2019

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S4 (based).

    Interpretationnone given
    § Conclusion

    The policy discourse is characterised as one of positive progress and development by many of its powerful actors and agencies.

    “It is characterised as one of positive progress and development by many of its powerful actors and agencies.”
    Quote in the paperNot a substantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    Widespread casualisation resulted in loss of employment rights and other benefits of formal employment.

    “Widespread casualisation resulting in the loss of employment rights and other ben- efits of formal employment.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § Discussion

    The field of music education is shaped and entrenched by many historical, cultural and contextual factors that have shaped its discourse over the last 150 years.

    “But the field of music education itself is shaped and entrenched by many historical, cultural and contextual factors that have shaped its discourse over the last 150 years (Cox, 1996(Cox, , 2002)).”
    Quote in the paperNot a substantial claim0 of 2 sources checked
    • cites Cox, 1996 source
    • cites Cox, 2002

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    The Department for Education has noted that there is a 'legitimate concern' about the narrowing of the curriculum.

    “The Department for Education itself has noted that there is a 'legitimate concern' about the narrowing of the curriculum in this way (Westminster Education Forum, 2018).”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Westminster Education Forum, 2018

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Classified as probably not a substantial claim.

    Interpretationnone given
    § Conclusion

    There is a deliberate and sustained mechanism within the policy domain to promote possible 'better' solutions to issues being faced today.

    “But there is also a deliberate and sustained mechanism within the policy domain to promote possible 'better' solutions to issues being faced today (a 'better'-quality music education, a 'better' partnership, a 'better' more inclusive offer, etc.)-the 'optimism' bit of cruel optimism.”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim: may not pass S3 (load-bearing).

    Premisecitation
    § The National Plan for Music Education and Music Education Hubs

    There was an increasing level of control through restrictive employment covenants.

    “An increasing level of control through restrictive employment covenants.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites Musicians' Union, 2014

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Classified as probably not a substantial claim.

    Premisecitation
    § Discussion

    There are concerns about the incoherent and patchy approach to music education across the country.

    “There are also concerns about the incoherent and patchy approach to music education across the country.”
    Quote in the paperSubstantial claim0 of 1 sources checked
    • cites ISM, 2017

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

80 of 80
  • The paper relies on this without support.

    The amount of specialist musical training that a potential primary school teacher receives as part of undergraduate or postgraduate training has diminished significantly in recent years.

    “The amount of specialist musical training that a potential primary school teacher receives as part of their undergraduate or postgraduate training has diminished significantly in recent years.”
  • The paper relies on this without support.

    The argument advocating generalist primary school teachers teaching music has fallen out of favour in recent years.

    “This argument, advocating generalist primary school teachers teaching music, has fallen out of favour in recent years.”
  • The paper relies on this without support.

    Secondary schools have experienced significant budget cuts.

    “significant budget cuts;”
  • The paper relies on this without support.

    The academisation programme resulted in many schools moving away from local authority control, gaining financial independence and setting their own curriculum arrangements.

    “The academisation programme resulted in many schools moving away from local authority control, gaining financial independent and setting their own curriculum arrangements.”
  • The paper relies on this without support.

    Schools had complete autonomy in relation to whether they chose to employ staff to teach music within the curriculum, deliver instrumental music lessons as an extra-curricular offer, or decline to do either of these.

    “Schools had complete autonomy in relation to whether they chose to employ staff to teach music within the curriculum, deliver instrumental music lessons as an extra-curricular offer, or decline to do either of these.”
  • The paper relies on this without support.

    There was no power given to Music Education Hubs to enforce the four key aims set out for their work by Arts Council England.

    “There was no power given to Music Education Hubs to enforce the four key aims set out for their work by Arts Council England.”
  • The paper relies on this without support.

    There have been few independent evaluations of the work of Music Education Hubs.

    “There have been few independent evaluations of the work of Music Education Hubs.”
  • The paper relies on this without support.

    Policy-makers will cite 'evidence' to suit their own ends and ignore 'evidence' that does not reinforce their ideological position.

    “Policy-makers will cite 'evidence' to suit their own ends and ignore 'evidence' that does not reinforce their ideological position.”
  • The paper relies on this without support.

    The debate about music education, its justification and appropriate delivery model, has raged throughout England over the last 30 years.

    “The debate about music education, its justification and appropriate delivery model, has raged throughout England over the last 30 years.”
  • The paper relies on this without support.

    As successive governments have sought to cut funding at a time of perceived austerity, the demand to do more with less has been relentless.

    “As successive governments have Music education in England, 2010-2020 11 sought to cut funding at a time of perceived austerity, the demand to do more with less has been relentless.”
10 of 10

Self-check

Percentages, sums and reported differences re-computed from the paper’s own numbers.

Each contradiction between two passages listed here was confirmed by an independent check.

  • Article was reportedly accessed before publication

    Minor

    The reference dates the article May 13, 2018, but says it was accessed five days earlier.

1 of 1

Cites

Flagged first, then by citations

Research works printed but not linked: 18

  1. Clift S., 2008, A systematic mapping and review of non‐clinical research on singing and health
  2. Cultural Learning Alliance, 2017, GCSE results announced today see a continuing free fall in arts subject entries
  3. DfE, 2013, National Curriculum in England: Music programmes of study
  4. DfE and DCMS, 2011, The importance of music – a national plan for music education
  5. Fautley M., 2018, Key data on Music Education Hubs 2017
  6. Gibb N., 2018, Music: Education: Written question – 120514
  7. Hallam S., 2009, The power of music
  8. ISM, 2018, Consultation on the future of music education: Results of the Incorporated Society of Musicians’ (ISM) surveys conducted over summer 2018
  9. Mills J., 2005, Music in the school
  10. Musicians’ Union, 2014, Music Education Hubs: The real picture so far
  11. Musicians’ Union, 2019, State of play: A review of music education in England, 2019
  12. Ofsted, 2018, HMCI commentary: Curriculum and the new education inspection framework
  13. QCA, 1999, Music: The National Curriculum for England
  14. QCA, 2007, Music programme of study for Key Stages 1–3 and attainment targets
  15. Santry C., 2018, Royal College director attacks ‘steady decline’ of music in state schools
  16. University of Sussex, 2018, Changes in secondary music curriculum provision over time, 2016–2018: Summary of the research by Dr Ally Daubney and Duncan Mackrill
  17. Westminster Education Forum, 2018, Developing the curriculum at secondary level: Design, improving outcomes, and assessing the impact of the EBacc
  18. Zeserson K., 2014, Inspiring Music for All: Next steps in improvement, integration and innovation

Cited by

Sorted by citations

Authors
Savage, J.
Affiliations
Manchester Metropolitan University (GB)
Corresponding author
Savage, Jonathan
Venue
British Educational Research Journal
Publisher
Wiley
Published
2020-08-11
Volume
47
Issue
2
Pages
469-483
ISSN
  • 0141-1926 (ISSN-L)
  • 1469-3518
OpenAlex
W3048398786
Cited by
27
References
25
Citations by year
2026: 4 · 2025: 4 · 2024: 2 · 2023: 11 · 2022: 3 · 2021: 3
FWCI
46.32
Type
journal article
Language
en
Open access
Locations
  • British Educational Research Journal (publishedVersion, cc-by)
  • e-space (Manchester Metropolitan University) (acceptedVersion)
  • Figshare (submittedVersion, cc-by)
Topics
  • Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
  • Social Sciences › Education › Music Education and Analysis
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art Education and Development
Keywords
music education policy, music education quality, access to music education, curriculum reform, practitioner research, advocacy, England

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Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.

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