The policy and practice of music education in England, 2010–2020
Open accessAbstract
Since the introduction of the National Plan for Music Education there have been significant changes in music education within England. Whilst some celebrate figures that report increased access and engagement, many teachers and others continue to have legitimate concerns regarding the quality of the music education on offer in schools and Music Education Hubs. There are concerns that the provision of music education is incoherent and patchy across the country. Many would argue that the opportunity to access high‐quality music education has become a ‘postcode lottery’. There is a sense that the fragmentation of music education as a result of curriculum reforms and the diversity of approaches taken by Music Education Hubs and other bodies has significantly enhanced this incoherence. This article seeks to review the policy and practice of music education in England over the last 10 years. It draws on recent research from various sources and maintains a particular focus on government policy and the consequences of this for the field as a whole. It reflects on how things could be improved in the future. It argues for a clearer focus on a practitioner‐led approach to research and advocacy, in particular one led by the notion of ‘policy as practice’ rather than continuing with the current approach and its intrinsic failings.
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Written from the paper’s full text.
TL;DR
Reviewing music education policy and practice in England from 2010 to 2020, Savage argues that provision became incoherent and patchy—a “postcode lottery”—despite government claims of increased access. The article calls for practitioner-led research and advocacy framed as “policy as practice” rather than the current top-down approach.
Key findings
- The National Curriculum for Music shrank from a 2,270-word statement in 2007 to a current combined total of 594 words: a 209-word statement plus 55 words for Key Stage 1, 130 for Key Stage 2 and 200 for Key Stage 3.
- In University of Sussex research covering over 700 state schools, average Year 8 music hours fell from 20.8 to 17.5 between 2015/16 and the following year; music was compulsory for all Year 9 students in 84% of schools in 2012/13, 67% in 2015/16 and 62% in 2016/17. The EBacc was cited by 59.7% (393) of schools as negatively impacting music provision and uptake, versus 3% citing a positive impact.
- GCSE Music was offered by 79% of schools in 2016/17, down from 85% in 2012/13, leaving 21% of schools where students could not take GCSE Music at all; BTEC Level 2 music offerings fell 70%, from 166 schools in 2012/13 to 50 in 2016/17. Single-teacher music departments rose from 22% to 30%.
- Music Education Hubs—123 established in 2011—saw pupils receiving a weekly instrumental lesson through whole-class teaching for less than one term rise from 24,289 to 35,340, a 42% change over four years, with many programmes reduced to around 10 weeks.
Methods
- Narrative policy review and analysis of music education in England from 2010 to 2020, drawing on recent research, government policy and sector reports rather than collecting new primary data.
- Analysis is framed through Ball’s notions of markets, managerialism and performativity, Kemmis’s “practice architecture” and Schmidt’s “policy as practice.”
- Sources discussed include National Curriculum documents, the National Plan for Music Education, Music Education Hubs data, University of Sussex/ISM research, Musicians’ Union reports and the Zeserson et al. review.
Limitations
- The author states that the original survey presented is constrained by his own assumptions, world view, relationships and personal context as a music teacher, teacher educator, Chair of Trustees of a Music Education Hub and company director.
- The paper states that Music Education Hubs’ returned data are flawed and should be treated sceptically, and that the focus on activity metrics rather than quality and longitudinal progression does not accurately capture lived reality; it also notes that the Zeserson review does not specify how many schools had inconsistent provision.
- Evident from the text: the article is a review/argument relying on secondary sources and sector reports, with no independent empirical validation of the cited figures.
Model-written summary. Check it against the paper before relying on it.
Integrity signals
Registry
Cites
Statistics
Claims the paper makes
3 of 88 cited sources checked · 2 supported · 0 flagged · accuracy not yet measured
- Premisecitation§ Conclusion
The Musicians' Union report (2019) provides extensive evidence that many teachers of music are experiencing feelings of 'reluctant compliance'.
“The Musicians' Union report (Musician's Union, 2019) provides extensive evidence that many teachers of music are experiencing feelings of 'reluctant compliance' (Moore and Clarke, 2016, p. 667).”
Quote in the paperSubstantial claim1 of 2 sources checked- cites Musicians' Union, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Moore and Clarke, 2016 source
- Premisereasoning§ The National Plan for Music Education and Music Education Hubs
The National Plan for Music Education was the government's response to Henley's review.
“The National Plan for Music Education was the government's response.”
Quote in the paperNot a substantial claim - Premisecitation§ Music education in schools
The Inspiring Music for All review found that the place and status of music in schools varied widely across the country.
“The key finding from the research was that the place and status of music in schools varied widely across the country.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
The average number of hours given for music over the year for Year 8 students dropped from 20.8 to 17.5 h between 2015/16 and the following year.
“This led to a significant decrease in the time given for music, particularly between the academic year 2015/16 and the year following, with the average number of hours given for music over the year for Year 8 students dropping from 20.8 to 17.5 h.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
Just 3% of schools considered the EBacc to have had a positive impact on music.
“Conversely, just 3% considered the EBacc to have had a positive impact on music.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Introduction
Constant bickering between different organisations, underpinned by contrasting ideologies, has frustrated policy-makers.
“Constant bickering between different organisations, underpinned by contrasting ideologies about the importance of their particular 'type' of music education, has frustrated policy-makers (Ward, 2019).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Ward, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
An Education Policy Institute report showed a prevailing downturn in the number of entries to arts subjects at Key Stage 4 between 2007 and 2016.
“An Education Policy Institute (EPI) report on entries to arts subjects at Key Stage 4 showed a prevailing downturn in the number of entries to arts subjects between 2007and 2016(EPI, 2017)).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites EPI, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
The number of music departments staffed by a single teacher was up from 22% in 2012/13 to 30% in 2016/17.
“Specifically, the number of music departments staffed by a single teacher was up from 22% in 2012/13 to 30% in 2016/17.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
Evidence from the data showed that the EBacc had a detrimental impact on whether students were able to opt for music when it is offered.
“Evidence from the data showed that the EBacc had a detrimental impact on whether students were able to opt for music when it is offered.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in schools
The reasons for inconsistent quality and reach of music education included negative impacts associated with recent education policy changes.
“The reasons for this were complex and included 'negative impacts associated with recent education policy changes' (Zeserson et al., 2014, pp. 20-31).”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ Music education in schools
With the academisation of many schools and establishment of Free Schools, the notion of a broad and balanced curriculum offer in all state-funded schools has significantly weakened.
“With the 'academisation' of many schools, together with the establishment of Free Schools, this notion of a broad and balanced curriculum offer in all state-funded schools has significantly weakened.”
Quote in the paperSubstantial claim - Premisereasoning§ Music education in secondary schools
Students in the remaining 21% of schools do not have an opportunity to take GCSE Music at all.
“Students in the remaining 21% of schools do not have an opportunity to take GCSE Music at all.”
Quote in the paperNot a substantial claim - Interpretationnone given§ Music education in secondary schools
The introduction of the EBacc has been associated with marginalisation of music education in many schools.
“the introduction of the EBacc and an associated marginalisation of music educa- tion in many schools;”
Quote in the paperNot a substantial claim - Premisecitation§ Music education in secondary schools
59.7% (393) of the schools surveyed highlighted the EBacc specifically as having a negative impact on the provision and uptake of music in the school.
“59.7% (393) of the schools surveyed highlighted the EBacc specifically as having a negative impact on the provision and uptake of music in the school (within and beyond the curriculum).”
Quote in the paperSubstantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
How and when music is taught, and by whom, varies considerably from school to school.
“However, how and when this is done, and by whom, varies considerably from school to school.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Music education in secondary schools
Recent years have seen secondary schools undergo huge changes that have had an adverse impact on the provision of music education.
“In summary, recent years have seen secondary schools undergo huge changes that have had an adverse impact on the provision of music education.”
Quote in the paperSubstantial claim- Rests on an assumption: Secondary schools have experienced significant budget cuts.
- Premisecitation§ Music education in schools
In many other schools, the quality and reach of music education in primary and secondary schools was highly inconsistent.
“In many other schools (the survey does not specify how many), the quality and reach of music education in primary and secondary schools was considered highly inconsistent.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Introduction
The work of those charged with delivery of the curriculum has fundamentally changed through a performativity agenda that prioritises things that can be easily quantified and measured.
“The work of those charged with the 'delivery' of that curriculum has also fundamentally changed, principally through a performativity agenda that prioritises things that can be supposedly easily quantified and measured (Ball, 2003;Cochran Smith et al., 2009).”
Quote in the paperSubstantial claim0 of 2 sources checked- cites Ball, 2003 source
- cites Cochran Smith et al., 2009
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
Of those schools offering GCSE Music, 11% taught the course outside of core curriculum time.
“Of those schools offering GCSE Music, 11% taught the course outside of core cur- riculum time.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationcitation§ The National Plan for Music Education and Music Education Hubs
Even if one takes the data supplied by Music Education Hubs at face value, the challenges faced within their work are only too evident.
“But even if one takes the data supplied by Music Education Hubs at face value, the challenges faced within their work are only too evident.”
Quote in the paperNot a substantial claim - Premisecitation§ Music education in secondary schools
18% of schools reported that not every pupil was able to choose music as an examination subject at Key Stage 4 if they wanted to do so.
“18% of schools reported that not every pupil was able to choose music as an exami- nation subject at Key Stage 4 if they wanted to do so.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisenone given§ The National Plan for Music Education and Music Education Hubs
Following the 2010 election, the government appointed Darren Henley to undertake a review of music education across England.
“Following the election of the coalition government in 2010, the government appointed Darren Henley from the Classic FM radio station to undertake a review of music education across England.”
Quote in the paperNot a substantial claim - Premisecitation§ Music within the National Curriculum in England
The National Curriculum for Music has gradually shrunk from a 2,270-word statement in 2007 to 209 words currently.
“Following on from this in 2007, the Labour Government's revision of the National Curriculum resulted in a 2,270-word statement that represented music's key concepts and processes and wider opportunities (QCA, 2007).Yet the current National Curriculum for Music consists of 209 words (DfE, 2013), 55 words for the Programme of Study for Key Stage 1, 130 words for Key Stage 2 and 200 words for Key”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites QCA, 2007
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites DfE, 2013
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
There has been a 70% reduction in schools offering a BTEC at Level 2, from 166 schools in 2012/13 to 50 schools in 2016/17.
“There has been a 70% reduction in schools offering a BTEC at Level 2, from 166 schools in 2012/13 to 50 schools in 2016/17.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Music education in secondary schools
The number of students taking music qualifications other than GCSE has decreased.
“The number of students taking music qualifications other than GCSE has decreased.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisenone given§ The National Plan for Music Education and Music Education Hubs
The work of Music Education Hubs was underpinned by four core roles set up by Arts Council England.
“The work of Music Education Hubs was underpinned by four core roles that were set up by Arts Council England, the organisation responsible for managing the funding which had been devolved by the Department for Education.”
Quote in the paperNot a substantial claim - Premisecitation§ Music education in secondary schools
The average number of full-time (or equivalent) music staff is declining year-on-year.
“They found that the average number of full-time (or equivalent) music staff is declining year-on-year.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationreasoning§ Introduction
The result of this lack is a lack of a sufficiently cumulative and robust evidence base associated with the value of music education.
“The result has been a lack of a sufficiently cumulative and robust evidence base associated with the value of music education.”
Quote in the paperSubstantial claim - Interpretationown data§ Music education in secondary schools
At Key Stage 4, the imposition of the EBacc has had huge consequences for music education.
“At Key Stage 4, the imposition of the EBacc has had huge consequences for music education.”
Quote in the paperSubstantial claim - Premisereasoning§ Music education in schools
Schools now have legal freedoms to design and implement their own curriculum arrangements.
“Schools now have the legal freedoms to design and implement their own curriculum arrangements.”
Quote in the paperSubstantial claim - Premisecitation§ Music education in secondary schools
Carousel teaching across Key Stage 3 was prevalent.
“Carousel teaching across Key Stage 3 (in which students only study music for one term in rotation with other subjects) was prevalent.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Discussion
Head-teachers are increasingly prioritising funding for 'core' subjects, such as those associated with the EBacc.
“Head-teachers are increasingly prioritising funding for 'core' subjects, such as those associated with the EBacc (Musicians' Union, 2019; Millar, 2019, p. 7).”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites Musicians' Union, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Millar, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationnone given§ The National Plan for Music Education and Music Education Hubs
These changes have taken place alongside the disappearance of music as a National Curriculum subject in many schools.
“As discussed above, these changes have taken place alongside the disappearance of music as a National Curriculum subject in many schools.”
Quote in the paperNot a substantial claim - Interpretationreasoning§ Discussion
The material or economic practices within organisations that facilitate music education, and the individual teachers within these, have shifted considerably in the last 10 years.
“The resultant material or economic practices within organisations that facilitate music education, and the individual teachers within these who provide music education opportunities for their students, have shifted considerably in the last 10 years.”
Quote in the paperSubstantial claim - Interpretationnone given§ Discussion
The restructuring of local authorities and their decrease in funding has meant that their support of schools and traditional music services has weakened.
“Alongside these things, the restructuring of local authorities and their decrease in funding has meant that their support of schools and traditional music services (where they still exist) have weakened.”
Quote in the paperNot a substantial claim - Premisecitation§ The National Plan for Music Education and Music Education Hubs
For many respondents, instrumental teaching programmes had been reduced to around 10 weeks in total.
“For many respondents, these instrumental teaching programmes had been reduced to around 10 weeks in total (Fautley and Whittaker, 2018, p. 15).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Fautley and Whittaker, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Discussion
The funding of music education in England has been greatly reduced.
“Whatever the future of the National Plan for Music Education, the funding of music education in England has been greatly reduced.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites Musicians' Union, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Millar, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ The National Plan for Music Education and Music Education Hubs
The key aims of improving access and inclusion that the National Plan for Music Education aimed to address suffered greatly.
“Strategically, the key aims of improving access and inclusion, that the National Plan for Music Education aimed to address, suffered greatly.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ The National Plan for Music Education and Music Education Hubs
The Zeserson review failed to identify significant improvements.
“The review failed to identify significant improvements.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ Discussion
Many teachers have expressed legitimate concerns regarding the quality of the music education on offer in schools and Music Education Hubs.
“But many teachers have expressed legitimate concerns regarding the quality of the music education on offer in schools and Music Education Hubs (ISM, 2017).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Interpretationnone given§ Conclusion
There is a sharp disjunction between the policy discourse and the lived experiences of those working at the core of music education.
“Yet, the sharp disjunction with the lived experiences of those working at its core are uncovered even within cursory conversations.”
Quote in the paperSubstantial claim - Premisecitation§ The National Plan for Music Education and Music Education Hubs
The 'great opportunity' to thread together the National Curriculum for Music with the National Plan for Music Education appeared not to have been fulfilled.
“The 'great opportunity' to thread together the National Curriculum for Music with the National Plan for Music Education (Zeserson et al., 2014, p. 35) appeared not to have been fulfilled.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Premisecitation§ The National Plan for Music Education and Music Education Hubs
The number of pupils receiving a weekly instrumental lesson (through whole-class teaching) for less than one term has increased significantly, from 24,289 to 35,340; a change of 42% over 4 years.
“The most recent analysis done by Fautley and Whittaker (2018) reveals that the number of pupils receiving a weekly instrumental lesson (through whole-class teaching) for less than one term has increased significantly, from 24,289 to 35,340; a change of 42% over 4 years.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Fautley and Whittaker, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- Classified as probably not a substantial claim. 61
- May combine two claims. 38
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ IntroductionEducation reforms have changed not only the educational system but also those who work within it, resulting in a new 'type' of teacher and a transformation of the meaning and value of education.
“Many have argued that the resulting reforms have changed not only the educational system itself but also those that work within it, resulting in a new 'type' of teacher and a new, 'multi-facetted' transformation of what we understand by the 'meaning and value of education' (Ball, 2018, p. 589).”
Quote in the paperNot a substantial claim1 of 1 sources checked- cites Ball, 2018 source
The passage labeled References (page unavailable) says that commercialisation transforms education systems, re-forms educational subjects, and changes what it means to teach and learn. It also explicitly describes a multi-faceted transformation of education’s meaning and value. It does not specifically identify a new ‘type’ of teacher, and it limits the transformation of education systems to ‘in part and in some places.’ (LLM, conf=0.84)
Experimental — accuracy not yet measured
May combine two claims.
Premisecitation§ ConclusionTeachers find themselves having to do things they do not believe in, yet are attached to prevailing ideologies, and become 'bearers' of those ideas despite initial or ongoing reluctance.
“They find themselves in the situation of having to do things that they do not believe in, yet also are attached to these prevailing ideologies, and essentially becoming the 'bearers' (Moore and Clarke, 2016, p. 668) of those ideas, despite their initial or ongoing reluctance.”
Quote in the paperSubstantial claim1 of 1 sources checked- cites Moore and Clarke, 2016 source
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisenone given§ Music within the National Curriculum in EnglandThe National Plan for Music Education was written by Darren Henley and published in 2011.
“The National Plan for Music Education is one such document, written by Darren Henley and published in 2011.”
Quote in the paperNot a substantial claimMay combine two claims.
Premisecitation§ Music education in secondary schoolsTeachers felt the two most common factors that impacted negatively on students choosing music at Key Stage 4 were the EBacc (57.3%) and changes in options available to students when they selected their GCSE subjects (25.1%).
“Teachers felt the two most common factors that impacted negatively on students choosing music at Key Stage 4 were the EBacc (57.3%) and changes in options available to students when they selected their GCSE subjects (25.1%).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisenone given§ The National Plan for Music Education and Music Education HubsThe establishment of 123 Music Education Hubs was the government's key response to Henley's National Plan for Music Education.
“The establishment of 123 Music Education Hubs was the government's key response to Henley's National Plan for Music Education.”
Quote in the paperNot a substantial claimMay combine two claims.
Premisecitation§ Music education in secondary schoolsThe Cultural Learning Alliance reported a 9% drop in arts subjects at GCSE entry from 2016 to 2017, and a 28% drop from 2010 to 2017.
“The Cultural Learning Alliance (2017) reported a 9% drop in arts subjects at GCSE entry from 2016 to 2017, and a 28% drop from 2010 to 2017.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Cultural Learning Alliance, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S4 (based).
Premisenone given§ Music education in schoolsPrior to reforms instigated by the coalition government from 2010 onwards, schools in England were all required to meet the demands of the National Curriculum for England.
“Prior to reforms instigated by the coalition government from 2010 onwards, schools in England were all required to meet the demands of the National Curriculum for England.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Premisecitation§ Music education in secondary schoolsThe EPI report identified the imposition of the EBacc and Progress 8 accountability measures as central to the general decline.
“As with the University of Sussex research, the report identified the imposition of the EBacc and Progress 8 accountability measures as central to the general decline.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites EPI, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based). May combine two claims.
Premisenone given§ Music education in secondary schoolsThis variation is a consistent finding in many pieces of recent research and is particularly evident with secondary schools.
“This has been a consistent finding in many pieces of recent research and is particularly evident with secondary schools.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S1 (asserted), S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsThere is a common view amongst researchers that the data returned by Music Education Hubs is flawed and findings drawn from it should be treated with some scepticism.
“There is a common view amongst researchers that the data returned by Music Education Hubs is flawed and findings drawn from it should be treated with some scepticism.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites ISM, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
Premisecitation§ Music education in secondary schoolsIn 2012/13, music was compulsory for all Year 9 students in 84% of schools; by 2015/16 this had dropped to 67%; in 2016/17 it decreased to 62%.
“In 2012/13, music was compulsory for all Year 9 students in 84% of schools.By 2015/16 this had dropped to 67%.In 2016/17 it decreased even further to 62%.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S2 (checkable), S4 (based).
Interpretationnone given§ AbstractThe current approach to research and advocacy in music education has intrinsic failings.
“It argues for a clearer focus on a practitioner-led approach to research and advocacy, in particular one led by the notion of 'policy as practice' rather than continuing with the current approach and its intrinsic failings.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ Music education in secondary schoolsThe University of Sussex research examined the situation in over 700 state schools.
“Research conducted by the University of Sussex (ISM, 2017) examined the situation in over 700 state schools.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ IntroductionArguments put forward for music education vary from those related to intrinsic benefits to those that highlight external ones.
“The arguments put forward for music education vary from those related to the intrinsic benefits to those that highlight an ever-increasing list of external ones (Cohen, 2006;Clift et al., 2008;Hallam, 2009).”
Quote in the paperNot a substantial claim0 of 3 sources checked- cites Cohen, 2006
- cites Clift et al., 2008
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Hallam, 2009
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisenone given§ Music education in secondary schoolsMusic has remained a subject within the National Curriculum for England despite diminishing curriculum documentation.
“Despite the rapidly diminishing text in the curriculum documentation itself, music has remained a subject within the National Curriculum for England.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Premisecitation§ The National Plan for Music Education and Music Education HubsThe focus on activity metrics by the Department for Education/Arts Council England in the data returns completed by Hubs, rather than quality of experience and a longitudinal and diverse view of progression and continuation, does not provide an accurate picture of the lived reality of many respondents working in schools and Hubs.
“Respondents also felt that the focus on the activity metrics by the Department for Education/Arts Council England in the data returns completed by Hubs, rather than quality of experience and a longitudinal and diverse view of progression and continuation, does not provide an accurate picture of the lived reality of many of the respondents working in schools and Hubs.(ISM, 2018, p. 11)”
Quote in the paperSubstantial claim0 of 1 sources checked- cites ISM, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S4 (based).
Premisereasoning§ IntroductionThe roles that schools and Music Education Hubs play in the provision of music education are often unclear.
“The roles that schools and Music Education Hubs play in the provision of music education are often unclear, with the specific requirements of a National Curriculum and wider roles and responsibilities set by government agencies such as Arts Council England causing tension, conflict and division.”
Quote in the paperNot a substantial claimMay combine two claims.
Interpretationnone given§ Music education in primary schoolsThe alternative of providing all students with an instrumental music teaching 'opportunity' has proved difficult to implement and results in an incoherent patchwork of provision.
“However, as we will consider below, the alternative of providing all students with an instrumental music teaching 'opportunity' has proved difficult to implement in other ways and result in an incoherent patchwork of provision.”
Quote in the paperNot a substantial claim- Rests on an assumption: The argument advocating generalist primary school teachers teaching music has fallen out of favour in recent years.
Classified as probably not a substantial claim.
Interpretationnone given§ IntroductionThe specific requirements of a National Curriculum and wider roles and responsibilities set by government agencies such as Arts Council England cause tension, conflict and division.
“The roles that schools and Music Education Hubs play in the provision of music education are often unclear, with the specific requirements of a National Curriculum and wider roles and responsibilities set by government agencies such as Arts Council England causing tension, conflict and division.”
Quote in the paperSubstantial claimMay combine two claims.
Interpretationnone given§ Music education in secondary schoolsMusic has been removed from the curriculum of some schools, and class time allocated to it has decreased in many others.
“the removal of music from the curriculum of some schools, and a decrease in the class time allocated to it in many others;”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S4 (based).
Interpretationnone given§ Music education in secondary schoolsThere have been significant reductions in the numbers of students studying GCSE and A Level music qualifications.
“significant reductions in the numbers of students studying GCSE and A Level music qualifications.”
Quote in the paperNot a substantial claimMay combine two claims.
Premisecitation§ Music education in schoolsIn the best cases, music in schools was significantly more inclusive, diverse and better quality than a decade previously.
“In the best cases, music in schools was found to be significantly more inclusive, diverse and better quality that it was a decade previously (Zeserson et al., 2014, p. 16).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ IntroductionThe consequence of a system built on increasing values attached to outputs and efficiencies, as opposed to a broad and balanced curriculum, has been well documented.
“The consequence of a system that has been built on increasing the values attached to outputs and efficiencies seen as important to our economic well-being as country, as opposed to a carefully considered implementation of a broad and balanced curriculum for young people's development, has been well documented (Cochran-Smith et al., 2009;Lewis and Hardy, 2015).”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites Cochran-Smith et al., 2009
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Lewis and Hardy, 2015
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisenone given§ The National Plan for Music Education and Music Education HubsOver the last 8 years, Music Education Hubs have collated information about their work and submitted this to Arts Council England in quarterly returns.
“Over the last 8 years, Music Education Hubs have collated information about their work and submitted this to Arts Council England in their quarterly returns.”
Quote in the paperNot a substantial claimMay combine two claims.
Premisecitation§ IntroductionCurriculum reform in England has been dominated by a narrowing of the curriculum around priority subjects (English, mathematics and the sciences) and a test-based, numbers-driven accountability.
“Alongside the trials and tribulations within the music education community, curriculum reform more generally within England has been dominated by a narrowing of the curriculum around subjects that the government consider to be priority areas (English, mathematics and the sciences), and a test-based, numbers-driven accountability (Anagnostopoulos et al., 2013;Lingard et al., 2013Lingard et al., , 2”
Quote in the paperSubstantial claim0 of 3 sources checkedProbably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ Music education in primary schoolsIn 1998, one in five primary schools in England and Wales had cut down on music education as a direct result of government policy to emphasise core subjects such as numeracy and literacy.
“As long ago as 1998, the Times Educational Supplement reported the 'horrifying findings' of their survey, which showed that one in five primary schools in England and Wales had cut down on music education as a direct result of government policy to emphasise 'core' subjects such as numeracy and literacy.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Times Educational Supplement
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
Premisenone given§ Music education in secondary schoolsThe percentage of schools offering GCSE Music at the start of the 2016/17 academic year was 79%, down from 85% in 2012/13.
“The percentage of schools offering GCSE Music at the start of the 2016/17 academic year was 79% (down from 85% in 2012/13).”
Quote in the paperNot a substantial claimMay combine two claims.
Premisecitation§ Music education in secondary schools39% of respondents reported falling staffing levels for music departments, with only 17% indicating levels had risen.
“39% of respondents reported falling staffing levels for music departments, with only 17% indicating levels had risen.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing), S4 (based). May combine two claims.
Interpretationreasoning§ IntroductionIn recent times, policy-makers have been given an excuse to marginalise music education advocates and press ahead with ill-informed solutions to complex problems.
“In recent times, it has given them an excuse to marginalise what is seen as a noisy and vocal cacophonous group, and press ahead with ill-informed solutions to complex problems.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ Music within the National Curriculum in EnglandMusic has been included as a core subject within the National Curriculum in England since its establishment in 1992.
“Music has been included as a core subject within the National Curriculum in England since its establishment in 1992 (NCC, 1992).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites NCC, 1992
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
Premisecitation§ Music education in secondary schoolsOther changes identified as negatively impacting provision of music education at Key Stage 4 were booster classes (36%), shortened lunchtimes (31%) and fewer extra-curricular opportunities (12%).
“Other changes the researchers identified that impacted negatively on the provision of music education at Key Stage 4 were: booster classes (36%), shortened lunchtimes (31%) and fewer extra-curricular opportunities (12%).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites University of Sussex, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
Premisecitation§ Music education in secondary schoolsAlthough the number of schools not offering any curriculum time to music was quite small (2.4%), timetabling arrangements for music had shifted with dramatic curtailment of time for delivery of music education.
“Although the number of schools not offering any curriculum time to music was quite small (2.4%), the research reported that the timetabling arrangements for music had shifted with the dramatic curtailment of time for the delivery of music education.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisenone given§ Music education in schoolsEducational reforms and the imposition of frameworks such as Progress 8 and the English Baccalaureate have led to significant reorganisation of the curriculum within schools.
“In either case, educational reforms and the imposition of frameworks such as Progress 8 and the English Baccalaureate (EBacc) have led to significant reorganisation of the curriculum within schools.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing).
Premisecitation§ IntroductionThe resulting 'crisis' in music education was predictable.
“The resulting 'crisis' (Masso, 2018) was sadly predictable (Savage, 2018a, p. 215).”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites Masso, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Savage, 2018a
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing).
Interpretationreasoning§ IntroductionCompeting, dissonant voices have left policy-makers bewildered, confused and frustrated.
“Competing, dissonant voices have left policy-makers bewildered, confused and frustrated.”
Quote in the paperNot a substantial claimMay combine two claims.
Premisenone given§ The National Plan for Music Education and Music Education HubsMusic Education Hubs were formed by Arts Council England in 2011 and created in every region with the intention to provide access to high-quality musical experiences for all children.
“Formed by Arts Council England in 2011, they were created in every region with the intention to provide access to high-quality musical experiences for all children.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Premisereasoning§ Music education in schoolsFor 25 years, the National Curriculum provided a coherent development framework for students' progression during compulsory schooling.
“For 25 years, this legal framework had provided a coherent development framework for students' progression during their compulsory schooling.”
Quote in the paperSubstantial claimClassified as probably not a substantial claim.
Interpretationnone given§ IntroductionStudies of music education often lack a closer examination of the organisations that deliver music education programmes, such as schools, Music Education Hubs and private companies.
“However, what is often missing from these studies is a closer examination of the organisations that deliver music education programmes, such as schools, Music Education Hubs and a host of other private companies.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Premisereasoning§ Music education in secondary schoolsIt is a requirement for music to be taught to students within all schools.
“As such, it is requirement for music to be taught to students within all schools.”
Quote in the paperNot a substantial claimMay combine two claims.
Premisenone given§ Music education in secondary schoolsRapid changes to the qualifications framework have occurred, including new specifications for GCSE and A Level examinations and the abolition of AS Levels.
“rapid changes to the qualifications framework (including the introduction of new specifications for GCSE and A Level examinations, and the abolition of AS Levels);”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ Music education in primary schoolsBy 2018, the Director of the Royal College of Music criticised the steady decline of music provision in state primary schools.
“Moving ahead 20 years, one can find pillars of the music education community, such as the Director of the Royal College of Music, criticising the 'steady decline' of music provision in state primary schools (Santry, 2018).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Santry, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsIn 2011, Henley's review called for measures to increase the probability of children receiving an excellent Music Education and decrease the possibility of them receiving a poor one.
“In 2011, Henley's review called for: . . . the need for measures to be taken to increase the probability of children receiving an excellent Music Education and of decreasing the possibility of them receiving a poor one.(DfE and DCMS, 2011, p. 5)”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites DfE and DCMS, 2011
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ Music within the National Curriculum in EnglandThe current National Curriculum for Music consists of 209 words, with 55 words for Key Stage 1, 130 for Key Stage 2, and 200 for Key Stage 3, a combined total of 594 words.
“Yet the current National Curriculum for Music consists of 209 words (DfE, 2013), 55 words for the Programme of Study for Key Stage 1, 130 words for Key Stage 2 and 200 words for Key Stage 3; a combined total of 594 words.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites DfE, 2013
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ The National Plan for Music Education and Music Education HubsThe National Plan for Music Education sets out a vision for music education that gives children from all backgrounds and every part of England the opportunity to learn a musical instrument, make music with others, learn to sing, and progress.
“The National Plan for Music Education sets out a vision for music education that gives children from all backgrounds and every part of England the opportunity to learn a musical instrument; to make music with others; to learn to sing; and to have the opportunity to progress.(Gibb, 2018)”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Gibb, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
Premisecitation§ Music education in secondary schoolsThe least amount of time offered for music via a carousel approach was 25 min for 6 weeks in the year, equating to 2.5 h across the entire academic year.
“The least amount of time offered for music via a carousel approach was 25 min for 6 weeks in the year.This equated to just 2.5 h across the entire academic year.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
Interpretationreasoning§ Music education in secondary schoolsIn many schools, students start their GCSE studies in Year 9 rather than Year 10, resulting in a complete cessation of all subjects outside the student's own GCSE choices at age 13.
“In many schools, students start their GCSE studies in Year 9 rather than in Year 10 (see below).This has resulted in a complete cessation of all subjects that fall outside the student's own GCSE choices at the age of 13.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ The National Plan for Music Education and Music Education HubsMany local authorities used confirmation of three-year funding for Hubs as an excuse to withdraw their investment because they were under pressure to make significant savings.
“Many Local Authorities have used the confirmation of three-year funding for Hubs as an excuse to withdraw their investment as they are under pressure to make significant savings themselves.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsSince 2014, numerous music services have closed or been significantly restructured, resulting in a significant deterioration in teachers' pay, terms and conditions.
“Yet since 2014, numerous music services have closed or been significantly restructured, resulting in a significant deterioration in teachers' pay, terms and conditions.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ The National Plan for Music Education and Music Education HubsThe lack of security paired with the chaotic nature of instrumental teaching services resulted in significant employment fragmentation and an increasing sense of de-professionalisation for Musicians' Union members.
“For individuals, the lack of security paired with the chaotic nature of Music education in England, 2010-2020 9 instrumental teaching services (within Music Education Hubs, music service or other private organisations) resulted in significant employment fragmentation and an increasing sense of de-professionalisation for their members.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsThe Zeserson review was conducted 3 years after the National Plan for Music Education was published and Music Education Hubs established.
“One of the major studies, the Zeserson review discussed previously, was conducted 3 years after the National Plan for Music Education was published and Music Education Hubs established.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S2 (checkable), S4 (based).
Interpretationnone given§ ConclusionGovernment intervention in music education has disempowered music education communities wherever they are located.
“Government intervention in music education has disempowered music education communities wherever they are located.”
Quote in the paperNot a substantial claimMay combine two claims.
Interpretationcitation§ The National Plan for Music Education and Music Education HubsMusic Education Hubs were meant to facilitate partnership but have struggled to deliver it.
“It is this notion of partnership that Music Education Hubs were meant to facilitate but have struggled to deliver.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S2 (checkable).
Interpretationcitation§ ConclusionFollowing Berlant's concept of cruel optimism, there is an obvious cruelty in teachers' lived experience through the deliberate forcing of actions and subjugation of their own belief systems within a powerful and unyielding policy discourse.
“Following Berlant's (2011) concept of cruel optimism, there is an obvious cruelty on teachers' lived experience here, through the deliberate forcing of actions and the subjugation of their own belief systems within a powerful and unyielding policy discourse.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Berlant, 2011 source
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsMusic services made teaching staff redundant and re-engaged them on casual or zero-hour contracts or as self-employed teachers.
“Music services making the entirety of their teaching staff redundant, only to re-en- gage them on casual or zero-hour contracts or as self-employed teachers.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ The National Plan for Music Education and Music Education HubsThere was a lack of investment in teachers' career and professional development.
“A lack of investment in teachers' career and professional development.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsTeachers were given no guarantee of work, no pension, no holiday pay or maternity/paternity pay.
“Teachers being given no guarantee of work, no pension, no holiday pay or mater- nity/paternity pay.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ DiscussionAdvocacy is one among several policy practices central to the constitution of programs, from curriculum to recruitment, pedagogical choices, student engagement, program structure, and diversity and inclusivity policies.
“Advocacy is one within several policy practices that are central to the constitution of our programs, from curriculum to recruitment, to pedagogical choices, student engagement, program structure, and diversity and inclusivity policies, among others.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Schmidt, 2019
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ DiscussionSchmidt argues for 'policy as practice'.
“His research argues for 'policy as practice'.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Schmidt, 2019
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsThe Zeserson review urged all involved in music education to work together more effectively to improve the quality of provision, and to disseminate best and next practice.
“More positively, the review urged all involved in music education to work together more effectively to improve the quality of provision, and to disseminate best and next practice.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Zeserson et al., 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S2 (checkable), S4 (based).
Interpretationnone given§ ConclusionThe current debate is being conducted in an environment influenced by the uncertain status and contested legitimacy of government policy.
“The current debate is being conducted in an environment influenced by the uncertain status and contested legitimacy of government policy.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Interpretationnone given§ DiscussionSince the introduction of the National Plan for Music Education there have been significant changes in music education within England.
“Since the introduction of the National Plan for Music Education there have been significant changes in music education within England.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based). May combine two claims.
Interpretationreasoning§ DiscussionThe creation of Music Education Hubs, new charitable trusts and cooperatives such as the Love Music Trust in Cheshire East can be seen as a positive outcome of this process; there is often increasing dynamism and commitment to music education in these areas compared to services previously offered by the local authority.
“The creation of Music Education Hubs, new charitable trusts and cooperatives such as the Love Music Trust in Cheshire East can be seen as a positive outcome of this process; there is often an increasing dynamism and commitment to music education in these areas compared to the services previously offered by the local authority.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S4 (based).
Interpretationnone given§ ConclusionThe disjunction between policy and practice has decimated music education in many parts of England over recent years.
“Seeking to tell the story of music education from the perspectives of those teaching music in primary schools, secondary schools and Music Education Hubs will help illuminate the disjunction between policy and practice that has decimated music education in many parts of England over recent years.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsMusic education became a 'postcode lottery', with rural areas suffering at the expense of larger towns and cities.
“Music education, according to the report, became a 'postcode lottery', with rural areas suffering at the expense of larger towns and cities (Musicians' Union, 2014, p. 4).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Classified as probably not a substantial claim.
Premisecitation§ DiscussionKemmis's practice architecture theory holds that the intersection of cultural-discursive, social-political and material-economic fields creates working conditions that enable or constrain certain practices.
“His argument is that the intersection or interdependent fields of 'cultural-discursive', 'social-political' and 'material-economic' create a set of 'working conditions' to enable or constrain certain practices.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Kemmis, 2012
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Classified as probably not a substantial claim.
Premisecitation§ DiscussionSchmidt argues that traditional approaches to advocacy, whilst important, are limited and limiting.
“He argues that traditional approaches to advocacy, whilst important, are limited and limiting (Schmidt, 2019, p. 173).”
Quote in the paperSubstantial claim0 of 1 sources checked- cites Schmidt, 2019
Probably not a substantial claim: may not pass S1 (asserted). May combine two claims.
Premisecitation§ DiscussionTeachers argue that access to high-quality music education has become a 'postcode lottery' and that fragmentation of music education due to curriculum reforms and diversity of approaches has significantly enhanced this incoherence.
“These teachers argue that the opportunity to access high-quality music education has become a 'postcode lottery' and that the fragmentation of music education as a result of curriculum reforms and the diversity of approaches taken by Music Education Hubs and other bodies has significantly enhanced this incoherence.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsLocal authorities were losing control and influence over schools, facing increasing financial pressures and cuts to services.
“Furthermore, these changes came at a time when local authorities were themselves placed between a rock and a hard place in terms of losing control and influence over schools within their localities, increasing pressures on their own finances, with resultant cuts to services”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S2 (checkable). May combine two claims.
Premisecitation§ DiscussionPolicy is a manifestation of the individual and frames their participation and action within society.
“Policy, in this argument, is a manifestation of the individual and frames their participation and action within society (Schmidt, 2019, p. 178).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Schmidt, 2019
Probably not a substantial claim: may not pass S4 (based).
Interpretationnone given§ ConclusionThe policy discourse around music education in England is celebratory and patriotic.
“The policy discourse around music education is England is celebratory and patriotic.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ The National Plan for Music Education and Music Education HubsOfsted has noted that the accountability framework that primary and secondary schools currently work under has had a detrimental impact on the provision of National Curriculum arts subjects in many schools.
“Similarly, Ofsted have recently noted that the accountability framework that primary (and secondary) schools currently work under has had a detrimental impact on the provision of National Curriculum arts subjects in many schools (Ofsted, 2018).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Ofsted, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S2 (checkable), S4 (based). May combine two claims.
Interpretationnone given§ ConclusionGovernment intervention has unsuccessfully attempted to influence actions and behaviours in a formalistic manner through identification of key outcomes and has only served to worsen what was already an incoherent and patchy level of provision.
“It has unsuccessfully attempted to influence actions and behaviours in a formalistic manner through the identification of key outcomes and has only served to worsen what was already an incoherent and patchy level of provision.”
Quote in the paperNot a substantial claimMay combine two claims.
Premisecitation§ DiscussionMusic Education Hubs are constantly being told to find alternative funding streams, while school funding has become a national concern.
“Music Education Hubs are constantly being told to find alternative funding streams, while school funding has become a national concern.”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites Musicians' Union, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Millar, 2019
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S4 (based).
Interpretationnone given§ ConclusionThe policy discourse is characterised as one of positive progress and development by many of its powerful actors and agencies.
“It is characterised as one of positive progress and development by many of its powerful actors and agencies.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Premisecitation§ The National Plan for Music Education and Music Education HubsWidespread casualisation resulted in loss of employment rights and other benefits of formal employment.
“Widespread casualisation resulting in the loss of employment rights and other ben- efits of formal employment.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ DiscussionThe field of music education is shaped and entrenched by many historical, cultural and contextual factors that have shaped its discourse over the last 150 years.
“But the field of music education itself is shaped and entrenched by many historical, cultural and contextual factors that have shaped its discourse over the last 150 years (Cox, 1996(Cox, , 2002)).”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites Cox, 1996 source
- cites Cox, 2002
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Probably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ The National Plan for Music Education and Music Education HubsThe Department for Education has noted that there is a 'legitimate concern' about the narrowing of the curriculum.
“The Department for Education itself has noted that there is a 'legitimate concern' about the narrowing of the curriculum in this way (Westminster Education Forum, 2018).”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Westminster Education Forum, 2018
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Classified as probably not a substantial claim.
Interpretationnone given§ ConclusionThere is a deliberate and sustained mechanism within the policy domain to promote possible 'better' solutions to issues being faced today.
“But there is also a deliberate and sustained mechanism within the policy domain to promote possible 'better' solutions to issues being faced today (a 'better'-quality music education, a 'better' partnership, a 'better' more inclusive offer, etc.)-the 'optimism' bit of cruel optimism.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Premisecitation§ The National Plan for Music Education and Music Education HubsThere was an increasing level of control through restrictive employment covenants.
“An increasing level of control through restrictive employment covenants.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites Musicians' Union, 2014
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
Classified as probably not a substantial claim.
Premisecitation§ DiscussionThere are concerns about the incoherent and patchy approach to music education across the country.
“There are also concerns about the incoherent and patchy approach to music education across the country.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites ISM, 2017
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
The paper relies on this without support.
The amount of specialist musical training that a potential primary school teacher receives as part of undergraduate or postgraduate training has diminished significantly in recent years.
“The amount of specialist musical training that a potential primary school teacher receives as part of their undergraduate or postgraduate training has diminished significantly in recent years.”
The paper relies on this without support.
The argument advocating generalist primary school teachers teaching music has fallen out of favour in recent years.
“This argument, advocating generalist primary school teachers teaching music, has fallen out of favour in recent years.”
The paper relies on this without support.
Secondary schools have experienced significant budget cuts.
“significant budget cuts;”
The paper relies on this without support.
The academisation programme resulted in many schools moving away from local authority control, gaining financial independence and setting their own curriculum arrangements.
“The academisation programme resulted in many schools moving away from local authority control, gaining financial independent and setting their own curriculum arrangements.”
The paper relies on this without support.
Schools had complete autonomy in relation to whether they chose to employ staff to teach music within the curriculum, deliver instrumental music lessons as an extra-curricular offer, or decline to do either of these.
“Schools had complete autonomy in relation to whether they chose to employ staff to teach music within the curriculum, deliver instrumental music lessons as an extra-curricular offer, or decline to do either of these.”
The paper relies on this without support.
There was no power given to Music Education Hubs to enforce the four key aims set out for their work by Arts Council England.
“There was no power given to Music Education Hubs to enforce the four key aims set out for their work by Arts Council England.”
The paper relies on this without support.
There have been few independent evaluations of the work of Music Education Hubs.
“There have been few independent evaluations of the work of Music Education Hubs.”
The paper relies on this without support.
Policy-makers will cite 'evidence' to suit their own ends and ignore 'evidence' that does not reinforce their ideological position.
“Policy-makers will cite 'evidence' to suit their own ends and ignore 'evidence' that does not reinforce their ideological position.”
The paper relies on this without support.
The debate about music education, its justification and appropriate delivery model, has raged throughout England over the last 30 years.
“The debate about music education, its justification and appropriate delivery model, has raged throughout England over the last 30 years.”
The paper relies on this without support.
As successive governments have sought to cut funding at a time of perceived austerity, the demand to do more with less has been relentless.
“As successive governments have Music education in England, 2010-2020 11 sought to cut funding at a time of perceived austerity, the demand to do more with less has been relentless.”
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
Each contradiction between two passages listed here was confirmed by an independent check.
Article was reportedly accessed before publication
MinorThe reference dates the article May 13, 2018, but says it was accessed five days earlier.
“Savage, M. (2018b, May 13)”
“(accessed 8 May 2018).”
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- Authors
- Savage, J.
- Affiliations
- Manchester Metropolitan University (GB)
- Corresponding author
- Savage, Jonathan
- ORCID
- Savage, Jonathan
- Venue
- British Educational Research Journal
- Publisher
- Wiley
- Published
- 2020-08-11
- Volume
- 47
- Issue
- 2
- Pages
- 469-483
- ISSN
- 0141-1926 (ISSN-L)
- 1469-3518
- OpenAlex
- W3048398786
- Semantic Scholar
- 34d8901193a9fef520c786e20b3ade7a71f02b89
- Cited by
- 27
- References
- 25
- Citations by year
- 2026: 4 · 2025: 4 · 2024: 2 · 2023: 11 · 2022: 3 · 2021: 3
- FWCI
- 46.32
- Type
- journal article
- Language
- en
- Open access
- hybrid
- doi.org
- Licence
- Locations
- British Educational Research Journal (publishedVersion, cc-by)
- e-space (Manchester Metropolitan University) (acceptedVersion)
- Figshare (submittedVersion, cc-by)
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Education › Music Education and Analysis
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art Education and Development
- Keywords
- music education policy, music education quality, access to music education, curriculum reform, practitioner research, advocacy, England
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