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Cited by 104Music Technology and Sound StudiesTactile and Sensory InteractionsInnovative Human-Technology Interaction

Touching the audience: musical haptic wearables for augmented and participatory live music performances

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Turchet, Luca, West, Travis, Wanderley, Marcelo M.·2021·Personal and Ubiquitous Computing
DOI 10.1007/s00779-020-01395-2
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  • Augmenting the audience experience through additional sensory channels such as visuals or haptics can help reestablish the causal link by increasing the transparency of the interaction.

    “Augmenting the audience experience through additional sensory channels (e.g., visuals [33] or haptics [34]) can help reestablish such a link by increasing the transparency of the interaction.”

    From Hands-Free Accessible Digital Musical Instruments: Conceptual Framework, Challenges, and Perspectives (2020) · cites this paper as [34]

    Section 4 proposes that haptic feedback tied to performers’ controls could help audiences understand musical expression, and Section 4.4 reports that participants tended to relate vibrations to performers’ actions. But Section 4.4 does not establish that haptics restored the gesture–sound causal link: it says the missing cause-and-effect connection between haptics and audio may have limited the benefit. The citation supports the proposed approach, not the claimed mechanism as a demonstrated result. (LLM, conf=0.83)

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Cited by

Sorted by citations

Authors
Turchet, L., West, T., & Wanderley, M. M.
Affiliations
  • University of Trento (IT)
  • McGill University (CA)
Corresponding author
Turchet, Luca
ORCID
Venue
Personal and Ubiquitous Computing
Publisher
Springer Science and Business Media LLC
Published
2020-03-24
Volume
25
Issue
4
Pages
749-769
ISSN
  • 1617-4909 (ISSN-L)
  • 1617-4917
DOI
10.1007/s00779-020-01395-2
OpenAlex
W3013018332
Cited by
104
References
5
Citations by year
2026: 7 · 2025: 18 · 2024: 26 · 2023: 22 · 2022: 19 · 2021: 9 · 2020: 3
FWCI
5.15
Type
journal article
Language
en
Open access
Licence
Locations
  • Personal and Ubiquitous Computing (publishedVersion)
  • Iris (University of Trento) (submittedVersion, other-oa)
Funders
  • H2020 Marie Skłodowska-Curie Actions (749561)
  • Natural Sciences and Engineering Research Council of Canada (Discovery Grant)
Topics
  • Physical Sciences › Computer Science › Computer Vision and Pattern Recognition › Music Technology and Sound Studies
  • Life Sciences › Neuroscience › Cognitive Neuroscience › Tactile and Sensory Interactions
  • Physical Sciences › Computer Science › Human-Computer Interaction › Innovative Human-Technology Interaction
Keywords
vibrotactile feedback, live music performance, audience engagement, participatory music, armband, electronic music, gesture tracking, personalization

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