The DOI matches its Crossref record; 22 of the 22 references it cites were found in a registry or an index.
A developmental study of the affective value of tempo and mode in music
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Citations
Cites
An exploratory study of musical emotions and psychophysiology.
Krumhansl, C. L. (1997) · Canadian Journal of Experimental Psychology / Revue canadienne de psychologie expérimentale · doi:10.1037/1196-1961.51.4.336 · Cited by 1,017
Balkwill, L.-L., & Thompson, W. F. (1999) · Music Perception · doi:10.2307/40285811 · Cited by 750
The Emotional Sources of "Chills" Induced by Music
Panksepp, J. (1995) · Music Perception · doi:10.2307/40285693 · Cited by 638
Music and emotion: perceptual determinants, immediacy, and isolation after brain damage
Peretz, I. (1998) · Cognition · doi:10.1016/s0010-0277(98)00043-2 · Cited by 580
Self-citationGabrielsson, A., & Juslin, P. N. (1996) · Psychology of Music · doi:10.1177/0305735696241007 · Cited by 533
The Affective Character of the Major and Minor Modes in Music
Hevner, K. (1935) · The American Journal of Psychology · doi:10.2307/1416710 · Cited by 429
The Affective Value of Pitch and Tempo in Music
Hevner, K. (1937) · The American Journal of Psychology · doi:10.2307/1416385 · Cited by 375
Perception and Cognition of Music
Gottfried, T. L., Deliege, I., & Sloboda, J. (1998) · Notes · doi:10.2307/900181 · Cited by 291
Emotional Communication in Music Performance: A Functionalist Perspective and Some Data
Juslin, P. N. (1997) · Music Perception · doi:10.2307/40285731 · Cited by 284
Perception of the Major/Minor Distinction: IV. Emotional Connotations in Young Children
Kastner, M. P., & Crowder, R. G. (1990) · Music Perception · doi:10.2307/40285496 · Cited by 272
Cited by
Communication of emotions in vocal expression and music performance: different channels, same code?
Juslin, P. N., & Laukka, P. (2003) · Psychological Bulletin · doi:10.1037/0033-2909.129.5.770 · Cited by 1,273
Happy, sad, scary and peaceful musical excerpts for research on emotions
Vieillard, S., Peretz, I., Gosselin, N., Khalfa, S., Gagnon, L., & Bouchard, B. (2008) · Cognition & Emotion · doi:10.1080/02699930701503567 · Cited by 382
Self-citationA Comparison of Acoustic Cues in Music and Speech for Three Dimensions of Affect
Ilie, G., & Thompson, W. F. (2006) · Music Perception · doi:10.1525/mp.2006.23.4.319 · Cited by 355
The Role of Structure in the Musical Expression of Emotions
Gabrielsson, A., & Lindström, E. (2010) · Handbook of Music and Emotion: Theory, Research, Applications · doi:10.1093/acprof:oso/9780199230143.003.0014 · Cited by 290
Role of tempo entrainment in psychophysiological differentiation of happy and sad music?
Khalfa, S., Roy, M., Rainville, P., Dalla Bella, S., & Peretz, I. (2008) · International Journal of Psychophysiology · doi:10.1016/j.ijpsycho.2007.12.001 · Cited by 277
Self-citation
Metadata
- Authors
- Dalla Bella, S., Peretz, I., Rousseau, L., & Gosselin, N.
- Venue
- Cognition
- Publisher
- Elsevier BV
- Published
- 2001-07
- Volume
- 80
- Issue
- 3
- Pages
- B1-B10
- ISSN
- 0010-0277 (ISSN-L)
- OpenAlex
- W1974044992
- Cited by
- 447
- References
- 22
- FWCI
- 1.67
- Type
- journal article
- Language
- en
- Open access
- closed
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- CoChat. (2026). Citation check: A developmental study of the affective value of tempo and mode in music. https://app.cochat.ai/papers/10.1016/s0010-0277(00)00136-0
- The paper
- Dalla Bella, S., Peretz, I., Rousseau, L., & Gosselin, N. (2001). A developmental study of the affective value of tempo and mode in music. Cognition. https://doi.org/10.1016/s0010-0277(00)00136-0
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.
