The DOI matches its Crossref record; 3 of the 3 references it cites were found in a registry or an index.
The Emotional Sources of "Chills" Induced by Music
Abstract
Music modifies moods and emotions by interacting with brain mechanisms that remain to be identified. One powerful emotional effect induced by music is a shivery, gooseflesh type of skin sensation (commonly called "chills" or "thrills"), which may reflect the brain's ability to extract specific kinds of emotional meaning from music. A large survey indicated that college-age students typically prefer to label this phenomenon as "chills" rather than "thrills," but many mistakenly believe that happiness in music is more influential in evoking the response than sadness. A series of correlational studies analyzing the subjective experience of chills in groups of students listening to a variety of musical pieces indicated that chills are related to the perceived emotional content of various selections, with much stronger relations to perceived sadness than happiness. As a group, females report feeling more chills than males do. Because feelings of sadness typically arise from the severance of established social bonds, there may exist basic neurochemical similarities between the chilling emotions evoked by music and those engendered by social loss. Further study of the "chill" response should help clarify how music interacts with a specific emotional process of the normal human brain.
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Citations
Cites
Toward a general psychobiological theory of emotions
Panksepp, J. (1982) · Behavioral and Brain Sciences · doi:10.1017/s0140525x00012759 · Cited by 999
Keverne, E. B., Martensz, N. D., & Tuite, B. (1989) · Psychoneuroendocrinology · doi:10.1016/0306-4530(89)90065-6 · Cited by 525
The psychobiology of play: Theoretical and methodological perspectives
Panksepp, J., Siviy, S., & Normansell, L. (1984) · Neuroscience & Biobehavioral Reviews · doi:10.1016/0149-7634(84)90005-8 · Cited by 468
Self-citation
Cited by
Blood, A. J., & Zatorre, R. J. (2001) · Proceedings of the National Academy of Sciences · doi:10.1073/pnas.191355898 · Cited by 2,814
Brain Organization for Music Processing
Peretz, I., & Zatorre, R. J. (2005) · Annual Review of Psychology · doi:10.1146/annurev.psych.56.091103.070225 · Cited by 863
Religion's evolutionary landscape: Counterintuition, commitment, compassion, communion
Atran, S., & Norenzayan, A. (2004) · Behavioral and Brain Sciences · doi:10.1017/s0140525x04000172 · Cited by 759
The Rewarding Aspects of Music Listening Are Related to Degree of Emotional Arousal
Salimpoor, V. N., Benovoy, M., Longo, G., Cooperstock, J. R., & Zatorre, R. J. (2009) · PLoS ONE · doi:10.1371/journal.pone.0007487 · Cited by 641
The psychological functions of music listening
Schäfer, T., Sedlmeier, P., Städtler, C., & Huron, D. (2013) · Frontiers in Psychology · doi:10.3389/fpsyg.2013.00511 · Cited by 637
Metadata
- Authors
- Panksepp, J.
- Venue
- Music Perception
- Publisher
- University of California Press
- Published
- 1995
- Volume
- 13
- Issue
- 2
- Pages
- 171-207
- ISSN
- 0730-7829 (ISSN-L)
- OpenAlex
- W2142036814
- Cited by
- 638
- References
- 3
- FWCI
- 0.21
- Type
- journal article
- Language
- en
- Open access
- closed
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