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Region and identity in Dolly Parton’s songwriting
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“The regional aspects of Parton's life writing (Watson 2016) figure her as a representative of Appalachia and, at times, more broadly, the genre of country music.”
From Dolly Parton’s Mythologised Persona, Collective Life Writing, and Building a Home for LGBTQ+ Listeners in Country Music (2022) · cites this paper as Watson 2016
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Cited by
Barker, J. (2022) · Persona Studies · doi:10.21153/psj2022vol8no1art1541 · Cited by 1
Metadata
- Authors
- Watson, J.
- Corresponding author
- Watson, Jada
- ORCID
- Watson, Jada
- Venue
- The Cambridge Companion to the Singer-Songwriter
- Publisher
- Cambridge University Press
- Published
- 2016-02-25
- Pages
- 120-130
- OpenAlex
- W2488869484
- Cited by
- 2
- References
- 231
- Citations by year
- 2022: 2
- FWCI
- 0.00
- Type
- book chapter
- Language
- en
- Open access
- closed
- Locations
- Cambridge University Press eBooks (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Music History and Culture
- Social Sciences › Arts and Humanities › Music › Musicology and Musical Analysis
- Social Sciences › Arts and Humanities › Music › Theater, Performance, and Music History
- Keywords
- Dolly Parton, songwriting, regional identity, regionalism (arts), country music, Southern United States
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