Scale and contour: Two components of a theory of memory for melodies.

Dowling, W. Jay·1978·Psychological Review

Cites (7)

  1. The magical number seven, plus or minus two: Some limits on our capacity for processing information.
    Miller, George A. · 1994 · Psychological Review
  2. Tonal Consonance and Critical Bandwidth
    Plomp, R., Levelt, W. J. M. · 1965 · The Journal of the Acoustical Society of America
  3. Circularity in Judgments of Relative Pitch
    Shepard, Roger N. · 1964 · The Journal of the Acoustical Society of America
  4. The Relative Operating Characteristic in Psychology: A technique for isolating effects of response bias finds wide use in the study of perception and cognition.
    Swets, John A. · 1973 · Science
  5. Contour, Interval, and Pitch Recognition in Memory for Melodies
    Dowling, W. J., Fujitani, Diane S. · 1971 · The Journal of the Acoustical Society of America
  6. Pitch as a Medium: A New Approach to Psychophysical Scaling
    Attneave, Fred, Olson, Richard K. · 1971 · The American Journal of Psychology
  7. Recognition of Distorted Melodies
    Benjamin W. White · 1960 · The American Journal of Psychology

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Cited by (5)

  1. Stevens' Handbook of Experimental Psychology
    2002 · Wiley eBooks
  2. Auditory imagery: Empirical findings
    Hubbard, Timothy L. · 2010 · Psychological Bulletin
  3. Current advances in the cognitive neuroscience of music
    Levitin, Daniel J., Tirovolas, Anna K. · 2009 · Annals of the New York Academy of Sciences
  4. Vocal mistuning reveals the origin of musical scales
    Pfordresher, Peter Q., Brown, Steven · 2017 · Journal of Cognitive Psychology
  5. Spaced learning and melodic memory
    Katz, Joel J, Wiseheart, Melody · 2025 · Psychology of Music

See all 678

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Cite CoChat for the checks on this page, and the paper for its own findings.

This page
CoChat. (2026). Citation check: Scale and contour: Two components of a theory of memory for melodies. https://app.cochat.ai/papers/10.1037//0033-295x.85.4.341
The paper
Dowling, W. J. (1978). Scale and contour: Two components of a theory of memory for melodies. Psychological Review. https://doi.org/10.1037//0033-295x.85.4.341

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