A PRISMA review of expectancy-value theory in music contexts
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In this article, we systematically reviewed the research literature dealing with expectancy-value motivation theory within music contexts. Employing the PRISMA (Preferred Reporting Items for Systematic Reviews and Meta-Analyses) approach, a total of 1,120 records were retrieved and examined, with 110 eventually included in the analyses. Frequencies/percentages were generated for research output in 5-year time periods, type of publication, sampling locations, and methodologies. Summaries of all 110 records were provided; content analyses on topics covered were also conducted. Findings indicated a clear increase in research interest over the past 15 years with quantitative methodologies being twice as prevalent as qualitative approaches. While the vast majority (97.7%) of quantitative research employed self-report questionnaires, the most common form of qualitative data collection was interviews (59.1%). Salient topics covered included students’ expectancy-value beliefs across music and other school subjects, continued music participation, intentions to pursue a career in music, and parental influences.
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The expectancy-value framework has been widely used in educational research to examine students' motivation, learning, and achievement.
“The expectancy-value framework has been widely used in educational research to examine students' motivation, learning, and achievement (Cheng et al., 2020;Sin et al., 2022).”
From An expectancy value theory (EVT) based instrument for measuring student perceptions of generative AI (2023) · cites this paper as Sin et al., 2022
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- Sin, H. X., Tan, L. & McPherson, G. E. (2021). A PRISMA review of expectancy-value theory in music contexts. PSYCHOLOGY OF MUSIC, https://doi.org/10.1177/03057356211024344. Persistent Link: http://hdl.handle.net/11343/277126 File Description: Accepted
Cited by
Sorted by citations
An expectancy value theory (EVT) based instrument for measuring student perceptions of generative AI
Chan, C. K. Y., & Zhou, W. (2023) · Smart Learning Environments · doi:10.1186/s40561-023-00284-4 · Cited by 192 · see citing works
- Authors
- Sin, H. X., Tan, L., & McPherson, G. E.
- Affiliations
- Nanyang Technological University (SG)
- The University of Melbourne (AU)
- Corresponding author
- Sin, Hui Xing
- Venue
- Psychology of Music
- Publisher
- SAGE Publications
- Published
- 2021-06-27
- Volume
- 50
- Issue
- 3
- Pages
- 976-992
- ISSN
- 0305-7356 (ISSN-L)
- 1741-3087
- OpenAlex
- W3173438198
- Cited by
- 24
- References
- 97
- Citations by year
- 2026: 7 · 2025: 5 · 2024: 5 · 2023: 5 · 2022: 2
- FWCI
- 26.69
- Type
- journal article
- Language
- en
- Open access
- green
- hdl.handle.net
- Locations
- Psychology of Music (publishedVersion)
- NIE Digital Repository (National Institute of Education, Nanyang Technological University) (acceptedVersion)
- Minerva Access (University of Melbourne) (submittedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Diverse Music Education Insights
- Social Sciences › Psychology › Experimental and Cognitive Psychology › Education, Achievement, and Giftedness
- Social Sciences › Safety Research › Career Development and Diversity
- Keywords
- expectancy-value theory, music motivation, music participation, parental influence, music education, research trends
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Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
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