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Cited by 4Architecture, Design, and Social HistoryFashion and Cultural TextilesCultural and Historical Studies

The DOI matches its Crossref record; 8 of the 8 references it cites were found in a registry or an index; 3 of the 7 sources its claims cite were checked for support.

An Interior-Architecture Concept for Fashion-Accessory-Interior: Transforming Space from Body to Transformable Fashion Interior

Open access
Trisno, Rudy, Lianto, Fermanto, Choandi, Mieke·2020·International Journal of Engineering Research and Technology
DOI 10.37624/ijert/13.11.2020.3262-3265
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Abstract

Interior architecture is known as the art of construction of the word "scientific" in 1560. The connection with millennial style in fashion to interior-architecture contacts through "Transforming Space from Body to Transformable Fashion Interior" has never been studied. The results of this study are a novelty. This research method is an experimental method by considering: 1) Searching for deep structure at fashion, architecture, and interior; 2) Similarities between fashion, architecture, and interior. This study concluded that clothes that can be two-color versions could use for women or men, then with the same clothes, can be a backpack bag and a push bag. The last transformation is a rack for hanging clothes as a fashion-architecture-interior. The findings and objectives of this study are the transformations of clothes for the millennials into fashion-architecture-interior.

Overview

AI snapshot

Written from the paper’s full text.

TL;DR

The paper proposes a conceptual interior-architecture approach in which garments and accessories can shift between wearable items and interior objects, using dualism and hybridity as design ideas. It argues that one piece can become clothing, a bag, or a hanging rack, aimed at millennial mobile lifestyles.

Key findings

  • The authors conclude that dualism—a contradictory coexistence of two different objects—can link fashion, architecture, and interior design into a hybrid product.
  • The transformation sequence shown in Figure 2 moves from a black clothing version to a green clothing version, then to multi-gender clothing, a backpack, a push bag, and finally a clothes-hanging rack.
  • They identify shared traits between fashion and interior architecture: composition, orientation to the human body, intellectual objecthood, material/tectonic character, and capacity to change people; differences include scale/proportion, dominant elements, and patterns/structures.
  • No quantitative outcomes or performance measures are reported.

Methods

  • The paper describes an experimental method combined with constructivist theoretical study; it searches for deep structures and similarities across fashion, architecture, and interior.
  • It uses a case study of transformable fashion, moving from body-worn clothing to a fashion bag and then to an interior-architecture object, with a suspension/connection system described for conversion.
  • Analysis is qualitative/conceptual, supported by etymological discussion and figure-based design outcomes; no sample, participants, or statistical analysis are stated.

Limitations

  • The paper does not state limitations explicitly. (stated)
  • Evident from the text: the work is conceptual/design-led and lacks empirical testing, user studies, or quantitative evaluation of the proposed transformations. (evident)
  • Evident: claims about millennial preferences and market needs are supported by cited literature rather than primary data collected in this study. (evident)

Model-written summary. Check it against the paper before relying on it.

Integrity signals

Registry

Crossref · 10.37624/ijert/13.11.2020.3262-3265

Cites

8 of 8 references verified0 citation errors · 0 not checkable

Statistics

Nothing to recompute.

Verification

Claims the paper makes

3 of 7 cited sources checked · 0 supported · 0 flagged · accuracy not yet measured

  • Premisecitation

    Millennials tend to be always ready to work on mobile to keep up with the powerful exploration of their youth.

    “Millennials tend to be always ready to work on mobile to keep up with the powerful exploration of their youth [3].”
    Quote in the paperSubstantial claim1 of 1 sources checked
    • cites [3] 3. B. Olga, D. D. David, G. S. Dhameeth, S. Adam and S. Elliott, "The Millennials: Insights to Brand Behavior for Brand Management Strategies," Journal of Management and Strategy, vol. 9, no. 3, pp. 1-17, 20 June 2018. source

      Section 2.1 (page not specified) describes millennials as comfortable with technology and looking for adventure. It does not say they are always ready to work on mobile devices or that doing so serves their exploration of youth. (LLM, conf=0.78)

      Experimental — accuracy not yet measured
  • Premisecitation

    The millennial generation wants an alternative space that can accommodate many different functions, arrangements, and systems than before.

    “The millennial generation wants an alternative space that can accommodate many different functions, arrangements, and systems than before.”
    Quote in the paperSubstantial claim1 of 1 sources checked
    • cites [3] 3. B. Olga, D. D. David, G. S. Dhameeth, S. Adam and S. Elliott, "The Millennials: Insights to Brand Behavior for Brand Management Strategies," Journal of Management and Strategy, vol. 9, no. 3, pp. 1-17, 20 June 2018. source

      Section 2.1 (page unavailable) discusses millennials’ preferences for job control and flexible work schedules, but does not say they want an alternative space accommodating different functions, arrangements, and systems. Searches for “alternative space” and multifunctional workplace arrangements found no passage addressing that claim. (LLM, conf=0.72)

      Experimental — accuracy not yet measured
  • Findingreasoning

    This new creation is transforming space from the body to a transformable fashion bag.

    “This new creation is transforming space from the body to a transformable fashion bag (Figure 2).”
    Quote in the paperSubstantial claim
  • Findingreasoning

    Architecture-interior, fashion, and accessories are combined into a hybrid.

    “Architecture-interior, fashion, and accessories are combined into a hybrid.”
    • Also stated in: § 4. CONCLUSION · plain
      “Architecture-interior, fashion, and accessories are combined into a hybrid.”
    Quote in the paperSubstantial claim
  • Findingreasoning

    Fashion in the form of bags can be transformed into architectural-interior.

    “Fashion in the form of bags can then also be transformed into architectural-interior (Figure 2).”
    Quote in the paperSubstantial claim
  • Probably not a substantial claim. 9
  • It may state two separate claims as one. 5

  • Probably not a substantial claim. The paper’s conclusions may not depend on it. It may state two separate claims as one.

    Premisecitation

    Millennial generation children are practical, instant, multitask, adventurous, and have different desires from baby boomers.

    “Millennial generation children are practical, instant, multitask, adventurous, and have different desires from baby boomers [2,3].”
    Quote in the paperNot a substantial claim1 of 2 sources checked
    • cites [2] 2. C. Barton, L. Koslow, J. Fromm and C. Egan, "Millennial Passions: Food, Fashion and Friends," BCG Perspective, The Boston Consulting Group, Inc, Boston, 2012.

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

    • cites [3] 3. B. Olga, D. D. David, G. S. Dhameeth, S. Adam and S. Elliott, "The Millennials: Insights to Brand Behavior for Brand Management Strategies," Journal of Management and Strategy, vol. 9, no. 3, pp. 1-17, 20 June 2018. source

      Section 2.1 describes millennials as having realistic expectations, being cost-conscious, and looking for adventure. Section 2.2 reports a difference from Boomers in sensitivity to prestigious clothing. The paper does not describe millennials as multitasking or generally “instant,” and the specific comparison does not establish that their desires broadly differ from Boomers'. Page numbers were not supplied in our copy. (LLM, conf=0.85)

      Experimental — accuracy not yet measured

  • Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.

    Findingnone given

    This novelty is the dualism of converting space from the body to a fashion bag and a changeable interior.

    “This novelty is the dualism of converting space from the body to a fashion bag and a changeable interior (Figure 1).”
    Quote in the paperNot a substantial claim

  • Probably not a substantial claim. The paper may give no reason why it holds.

    Findingnone given

    The design functions as transforming space from body to transformable fashion bag.

    “But this design functions as transforming space from body to transformable fashion bag.”
    Quote in the paperNot a substantial claim

  • Probably not a substantial claim. The paper may give no reason why it holds.

    Findingnone given

    These bags can be flexibly converted into backpacks, tote bags, clothes, coats, architectural-interior (hangers) using a contact suspension system.

    “These bags can be flexibly converted into backpacks, tote bags, clothes, coats, architectural-interior (hangers) using a contact suspension system.”
    Quote in the paperNot a substantial claim

  • Probably not a substantial claim. It may be too vague to check against evidence.

    Premisecitation

    Dualism as a concept is a contradictory symbiosis between two different objects.

    “According to the above argument, dualism as a concept is a contradictory symbiosis between two different objects [19].”
    • Also stated in: § 4. CONCLUSION · plain
      “Dualism as a concept is a contradictory symbiosis between two different objects.”
    Quote in the paperNot a substantial claim0 of 1 sources checked
    • cites [19] 19. K. Kurokawa, Books and Thesis "Philosophy of Symbiosis", London: Academy Editions, 1994.

      Couldn’t be matched to a paper in Crossref, so it can’t be checked.

  • Probably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds. It may state two separate claims as one.

    Interpretationnone given

    Fashion and interior-architecture are spatial forms with similarities: efforts to compose; the human body as a design orientation; intellectual objects; materials and tectonics to display a character; change people.

    “Both fashion and interior-architecture are spatial forms with similarities; 1) efforts to compose; 2) the human body as a design orientation; 3) intellectual objects; 4) materials and tectonics to display a character; 5) change people.”
    Quote in the paperNot a substantial claim

  • Probably not a substantial claim. The paper may give no reason why it holds. It may state two separate claims as one.

    Interpretationnone given

    The difference between fashion and interior-architecture lies in: the scale and proportion of the room; the dominant elements forming objects; patterns and structures.

    “While the difference between the two lies in; 1) the scale and proportion of the room; 2) the dominant elements forming objects; 3) patterns and structures.”
    Quote in the paperNot a substantial claim

  • Probably not a substantial claim. It may be too vague to check against evidence. It may state two separate claims as one.

    Interpretationreasoning

    Dualism represented a contrasting picture of an object, both as a fashion article and an object of fashion interior-architecture while showing the symbiosis between fashion and fashion interior-architecture.

    “Dualism represented a contrasting picture of an object, both as a fashion article and an object of fashion interior-architecture while showing the symbiosis between fashion and fashion interior-architecture.”
    Quote in the paperNot a substantial claim

  • Probably not a substantial claim. It may be too vague to check against evidence. The paper may give no reason why it holds.

    Interpretationreasoning

    The design is not only a complementary design or an imitation of the realization of interior-architecture, which is often superficial.

    “So this designer is not only a complementary design or also an imitation of the realization of interior-architecture, which is often superficial.”
    Quote in the paperNot a substantial claim
9 of 9

  • The paper relies on this without support.

    The concept phenomenon of fashion architecture, specifically in terms of interior-architecture, has not been realized in a real way to be applied in everyday life.

    “The concept phenomenon of fashion architecture, specifically in terms of interior-architecture, has not been realized in a real way to be applied in everyday life.”

  • The paper relies on this without support.

    Previous research tends to focus solely on the relationship between interior-architecture patterns and fashion design.

    “Previous research tends to focus solely on the relationship between interior-architecture patterns and fashion design.”
2 of 2

Citations

Cites

Flagged first, then by citations

Research works printed but not linked: 8

  1. [5]5. S. Ertas and T. Samlioglu, "Architecture Education and Fashion Design: 'Fashion -Reject Studio' in International Architecture Students Meeting," Procedia Social and Behavioural Sciences, vol. 182, pp. 149-154, 2015.
  2. [6]6. R. Trisno, F. Lianto and M. Choandi, "Re-Defining Fashion Architecture: An Etymological Investigation Towards the Hybrid of Fashion Architecture," International Journal of Civil Engineering and Technology, vol. 10, no. 10, pp. 259-268, 2019.
  3. [7]7. F. Lianto, R. Trisno and D. Husien, "A Portable Architecture with an Interior Fashion Concept," International Journal of Engineering Research and Technology, vol. 12, no. 12, pp. 2126-2132, 2019.
  4. [8]8. S. O. Rathi, R. J. Laddha and S. R. Bhuskade, "Self Sustainable Portable Structure," International Journal of Engineering Science and Computing, vol. 7, no. 8, pp. 14718-14720, August 2017.
  5. [11]11. A. Hedayat, The Thesis of the Institute of Graduate Studies and Research, Master of Science in Architecture, Cyprus: Eastern Mediterranean University, 2012.
  6. [13]13. B. I. Farahat, "The Interrelationship between Fashion and Architecture," Al-Azhar University Engineering Journal, vol. 9, no. 6, pp. 1-17, 2014.
  7. [16]16. S. Chen, "Toward Multiple Conceptions of the Human- Nature Relationship: The 'Human-Nature Unity, International Journal of Engineering Research and Technology. ISSN 0974-3154, Volume 13, Number 11 (2020), pp. 3262-3265 © International Research Publication House. https://dx.doi.org/10.37624/IJERT/13.11.2020.3262-3265 3265 Frame in a Chinese Village," International Journal of Communication, vol. 11, pp. 4481-4498, 2017.
  8. [19]19. K. Kurokawa, Books and Thesis "Philosophy of Symbiosis", London: Academy Editions, 1994.

Cited by

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Related

Metadata

Authors
Trisno, R., Lianto, F., & Choandi, M.
Affiliations
Tarumanagara University (ID)
ORCID
Venue
International Journal of Engineering Research and Technology
Publisher
International Research Publication House
Published
2020-11-30
Volume
13
Issue
11
Pages
3262
ISSN
0974-3154 (ISSN-L)
DOI
10.37624/ijert/13.11.2020.3262-3265
OpenAlex
W4385778383
Cited by
4
References
8
Citations by year
2024: 1 · 2023: 1 · 2021: 1 · 2020: 1
FWCI
5.79
Type
journal article
Language
en
Open access
Locations
International Journal of Engineering Research and Technology (publishedVersion)
Funders
  • Direktorat Riset dan Pengabdian Masyarakat
  • Direktorat Jenderal Penguatan Riset dan Pengembangan
Topics
  • Physical Sciences › Engineering › Architecture › Architecture, Design, and Social History
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Fashion and Cultural Textiles
  • Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Cultural and Historical Studies
Keywords
interior architecture, fashion accessories

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