Facial expressions of emotion are not culturally universal
Open accessAbstract
Since Darwin’s seminal works, the universality of facial expressions of emotion has remained one of the longest standing debates in the biological and social sciences. Briefly stated, the universality hypothesis claims that all humans communicate six basic internal emotional states (happy, surprise, fear, disgust, anger, and sad) using the same facial movements by virtue of their biological and evolutionary origins [Susskind JM, et al. (2008) Nat Neurosci 11:843–850]. Here, we refute this assumed universality. Using a unique computer graphics platform that combines generative grammars [Chomsky N (1965) MIT Press, Cambridge, MA] with visual perception, we accessed the mind’s eye of 30 Western and Eastern culture individuals and reconstructed their mental representations of the six basic facial expressions of emotion. Cross-cultural comparisons of the mental representations challenge universality on two separate counts. First, whereas Westerners represent each of the six basic emotions with a distinct set of facial movements common to the group, Easterners do not. Second, Easterners represent emotional intensity with distinctive dynamic eye activity. By refuting the long-standing universality hypothesis, our data highlight the powerful influence of culture on shaping basic behaviors once considered biologically hardwired. Consequently, our data open a unique nature–nurture debate across broad fields from evolutionary psychology and social neuroscience to social networking via digital avatars.
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Previous research has found that cultural factors influence how people express and perceive emotions particularly on the face, questioning the universality of human emotions.
“Previous research has found that cultural factors influence how people express and perceive emotions particularly on the face, questioning the universality of human emotions (Jack et al., 2012;Nelson & Russell, 2013),”
From Bodily maps of emotions are culturally universal (2020) · cites this paper as Jack et al., 2012
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Should I Be Worried? Worry in Dunhuang Divination
Zhao, L. (2024) · International Journal of Divination and Prognostication · doi:10.1163/25899201-bja10016
- Authors
- Jack, R. E., Garrod, O. G. B., Yu, H., Caldara, R., & Schyns, P. G.
- Affiliations
- University of Glasgow (GB)
- University of Fribourg (CH)
- Venue
- Proceedings of the National Academy of Sciences
- Publisher
- National Academy of Sciences
- Published
- 2012-04-16
- Volume
- 109
- Issue
- 19
- Pages
- 7241-7244
- ISSN
- 0027-8424 (ISSN-L)
- 1091-6490
- PMC
- PMC3358835
- OpenAlex
- W2107114452
- Cited by
- 940
- References
- 2
- Citations by year
- 2026: 70 · 2025: 81 · 2024: 69 · 2023: 78 · 2022: 94 · 2021: 90 · 2020: 75 · 2019: 82 · 2018: 59 · 2017: 47 · 2016: 51 · 2015: 46 · 2014: 53 · 2013: 33 · 2012: 11
- FWCI
- 23.44
- Type
- journal article
- Language
- en
- Open access
- green
- www.ncbi.nlm.nih.gov
- Locations
- Proceedings of the National Academy of Sciences (publishedVersion)
- Europe PMC (PubMed Central) (publishedVersion)
- PubMed Central (publishedVersion)
- PubMed (publishedVersion)
- Funders
- Medical Research Council (MC_G1001214)
- Economic and Social Research Council (ES/E020933/1)
- Topics
- Life Sciences › Neuroscience › Cognitive Neuroscience › Face Recognition and Perception
- Social Sciences › Psychology › Social Psychology › Cultural Differences and Values
- Social Sciences › Psychology › Experimental and Cognitive Psychology › Evolutionary Psychology and Human Behavior
- Keywords
- emotional facial expressions, universality hypothesis, basic emotions, cross-cultural comparison, Eastern and Western cultures, generative grammar, eye movements, emotional intensity, nature versus nurture, cultural influence on behavior, avatars
- MeSH terms
- Cross-Cultural Comparison, Cultural Characteristics, Emotions, Facial Expression, Female, Humans, Male, Models, Psychological, Photic Stimulation, Surveys and Questionnaires, User-Computer Interface, Visual Perception, White People, Asian People, Young Adult
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