The DOI matches its Crossref record; 41 of the 41 references it cites were found in a registry or an index.
Looking for work in creative industries policy
Abstract
In this article, we first outline and account for the utopian description of work in much UK creative industries discourse. We then offer a contrasting assessment that shows how creative workplaces are marked significantly by insecurity, inequality and exploitation (including self‐exploitation). In the third part, we examine recent developments in UK policy discourse, exposing a reluctance to recognize or engage with these manifest problems of creative labour. The article concludes by suggesting that this absence reflects something of the focus and limitations of creative industries policies in the current period, where government initiative appears increasingly driven by a narrowly focused skills and employability agenda, one that seeks to disavow problems of labour markets and bring greater discipline to those (relatively) autonomous institutions that generate creative workers, as part of the wider purpose of producing a more integrated and governable ‘creative economy’.
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
The Managed Heart: Commercialization of Human Feeling
Tropman, J. E., & Hochschild, A. R. (1984) · Journal of Policy Analysis and Management · doi:10.2307/3324333 · Cited by 8,746
McGregor, D. M. (1985) · Readings and Exercises in Organizational Behavior · doi:10.1016/b978-0-12-054752-4.50008-7 · Cited by 4,850
The Rise of the Creative Class
Florida, R. L. (2002) · Cited by 4,537
The Managed Heart: Commercialization of Human Feeling
Spelman, D. H., & Hochschild, A. R. (1985) · The Academy of Management Review · doi:10.2307/257986 · Cited by 3,352
The Social Psychology of Creativity
Amabile, T. M. (1983) · Springer eBooks · doi:10.1007/978-1-4612-5533-8 · Cited by 3,164
Boltanski, L., & Chiapello, E. (2005) · International Journal of Politics, Culture, and Society · doi:10.1007/s10767-006-9006-9 · Cited by 2,557
Creative industries: contracts between art and commerce
(2000) · Choice Reviews Online · doi:10.5860/choice.38-1661 · Cited by 1,957
The Creative Economy: How People Make Money From Ideas
Howkins, J. (2001) · Cited by 1,913
Engineering Culture: Control and Commitment in a High-Tech Corporation.
Ditomaso, N., & Kunda, G. (1995) · Social Forces · doi:10.2307/2580658 · Cited by 1,374
Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems
Hirsch, P. M. (1972) · American Journal of Sociology · doi:10.1086/225192 · Cited by 1,333
Cited by
Creative and cultural work without filters: Covid-19 and exposed precarity in the creative economy
Comunian, R., & England, L. (2020) · Cultural Trends · doi:10.1080/09548963.2020.1770577 · Cited by 348
Gill, R. (2014) · Social Politics: International Studies in Gender, State & Society · doi:10.1093/sp/jxu016 · Cited by 294
Triangular love–hate: management and control in creative crowdworking
Schörpf, P., Flecker, J., Schönauer, A., & Eichmann, H. (2017) · New Technology, Work and Employment · doi:10.1111/ntwe.12080 · Cited by 137
“Boundaryless” in the creative economy: assessing freelancing on Upwork
Popiel, P. (2017) · Critical Studies in Media Communication · doi:10.1080/15295036.2017.1282618 · Cited by 104
Alacovska, A., & Gill, R. (2019) · International Journal of Cultural Studies · doi:10.1177/1367877918821231 · Cited by 101
Metadata
- Authors
- Banks, M., & Hesmondhalgh, D.
- Venue
- International Journal of Cultural Policy
- Publisher
- Informa UK Limited
- Published
- 2009-11
- Volume
- 15
- Issue
- 4
- Pages
- 415-430
- ISSN
- 1028-6632 (ISSN-L)
- 1477-2833
- OpenAlex
- W2024813611
- Cited by
- 340
- References
- 41
- FWCI
- 31.92
- Type
- journal article
- Language
- en
- Open access
- closed
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: Looking for work in creative industries policy. https://app.cochat.ai/papers/10.1080/10286630902923323
- The paper
- Banks, M., & Hesmondhalgh, D. (2009). Looking for work in creative industries policy. International Journal of Cultural Policy. https://doi.org/10.1080/10286630902923323
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.