The DOI matches its Crossref record; 41 of the 41 references it cites were found in a registry or an index.
“Having it All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers
Open accessAbstract
Against the backdrop of the widespread individualization of the creative workforce, various genres of social media production have emerged from the traditionally feminine domains of fashion, beauty, domesticity, and craft. Fashion blogging, in particular, is considered one of the most commercially successful and publicly visible forms of digital cultural production. To explore how fashion bloggers represent their branded personae as enterprising feminine subjects, we conducted a qualitative analysis of the textual ( n = 38 author narratives) and visual ( n = 760 Instagram images) content published by leading fashion bloggers; we supplement this with in-depth interviews with eight full-time fashion/beauty bloggers. Through this data, we show how top-ranked bloggers depict the ideal of “having it all” through three interrelated tropes: the destiny of passionate work, staging the glam life, and carefully curated social sharing. Together, these tropes articulate a form of entrepreneurial femininity that draws upon post-feminist sensibilities and the contemporary logic of self-branding. We argue, however, that this socially mediated version of self-enterprise obscures the labor, discipline, and capital necessary to emulate these standards, while deploying the unshakable myth that women should work through and for consumption. We conclude by addressing how these findings are symptomatic of a digital media economy marked by the persistence of social inequalities of gender, race, class, and more.
Overview
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Integrity signals
Registry
Cites
Statistics
Verification
Claims the paper makes
The claims and statistics of this paper haven’t been checked yet.
Run the check — free, no account needed. It reads the open-access text and checks the sources it cites.
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
The self-check needs the paper’s full text.
Citations
Cites
The Managed Heart: Commercialization of Human Feeling
Tropman, J. E., & Hochschild, A. R. (1984) · Journal of Policy Analysis and Management · doi:10.2307/3324333 · Cited by 8,746
I tweet honestly, I tweet passionately: Twitter users, context collapse, and the imagined audience
Marwick, A. E., & boyd, D. (2011) · New Media & Society · doi:10.1177/1461444810365313 · Cited by 4,612
The Managed Heart: Commercialization of Human Feeling
Hochschild, A. R. (2012) · doi:10.1525/9780520951853 · Cited by 3,236
Postfeminist media culture: Elements of a sensibility
Gill, R. (2007) · European Journal of Cultural Studies · doi:10.1177/1367549407075898 · Cited by 2,302
Cold Intimacies: The Making of Emotional Capitalism
Illouz, E. (2007) · Cited by 1,646
Post‐feminism and popular culture
McRobbie, A. (2004) · Feminist Media Studies · doi:10.1080/1468077042000309937 · Cited by 1,314
Creative Labour: Media Work in Three Cultural Industries
Raley, G. (2012) · Contemporary Sociology: A Journal of Reviews · doi:10.1177/0094306111430635t · Cited by 715
Authentic™: The Politics of Ambivalence in a Brand Culture
Banet‐Weiser, S. (2012) · London School of Economics and Political Science Research Online (London School of Economics and Political Science) · doi:10.18574/9780814739372 · Cited by 697
The Megaphone Effect: Taste and Audience in Fashion Blogging
McQuarrie, E. F., Miller, J., & Phillips, B. J. (2013) · Journal of Consumer Research · doi:10.1086/669042 · Cited by 537
(2010) · Griffith Research Online · Cited by 524
Research works printed but not linked: 12
- Banet-Weiser S., 2012, Authentic
- Banet-Weiser S., 2012, Media authorship, 163
- 10.1177/09500170122118814 · doi:10.1177/09500170122118814 · Paper page
- Deuze M., 2007, Media work
- Gill R., 2010, Managing media work, 249
- 10.1177/13675494030064003 · DOI
- Lazzarato M., 1996, Radical thought it Italy: A potential politics, 133
- Marwick A., 2013, Status update: Celebrity, publicity, and self-branding in web 2.0
- Marwick A., 2013, Presented at the International Conference on Web and Social Media
- MBO Partners, 2013, The state of independence in America
- Pooley J., 2010, Blowing up the brand, 71
- Shepherd T., 2014, The Routledge companion to media and gender, 157
Cited by
Authenticity under threat: When social media influencers need to go beyond self-presentation
Audrezet, A., de Kerviler, G., & Guidry Moulard, J. (2020) · Journal of Business Research · doi:10.1016/j.jbusres.2018.07.008 · Cited by 1,452
Playing the visibility game: How digital influencers and algorithms negotiate influence on Instagram
Cotter, K. (2019) · New Media & Society · doi:10.1177/1461444818815684 · Cited by 1,025
Instafamous and social media influencer marketing
Jin, S. V., Muqaddam, A., & Ryu, E. (2019) · Marketing Intelligence & Planning · doi:10.1108/mip-09-2018-0375 · Cited by 1,020
Jiménez-Castillo, D., & Sánchez-Fernández, R. (2019) · International Journal of Information Management · doi:10.1016/j.ijinfomgt.2019.07.009 · Cited by 528
The ethnographer and the algorithm: beyond the black box
Christin, A. (2020) · Theory and Society · doi:10.1007/s11186-020-09411-3 · Cited by 327
Metadata
- Authors
- Duffy, B. E., & Hund, E.
- Venue
- Social Media + Society
- Publisher
- SAGE Publications
- Published
- 2015-07-01
- Volume
- 1
- Issue
- 2
- ISSN
- 2056-3051 (ISSN-L)
- OpenAlex
- W2262504108
- Cited by
- 593
- References
- 41
- FWCI
- 49.70
- Type
- journal article
- Language
- en
- Open access
- gold
- Licence
- journals.sagepub.com/page/policies/text-and-data-mining-license (tdm)
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
Are you an author, or do you see a problem with this page? Request a review
How to cite
Cite CoChat for the checks on this page, and the paper for its own findings.
- This page
- CoChat. (2026). Citation check: “Having it All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers. https://app.cochat.ai/papers/10.1177/2056305115604337
- The paper
- Duffy, B. E., & Hund, E. (2015). “Having it All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers. Social Media + Society. https://doi.org/10.1177/2056305115604337
Data sources
Bibliographic data: Semantic Scholar, OpenAlex, Crossref.
Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).
Semantic Scholar’s data is described in: Kinney, R., et al. (2023). The Semantic Scholar Open Data Platform. arXiv:2301.10140.