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Cited by 401

The DOI matches its Crossref record; 30 of the 30 references it cites were found in a registry or an index.

Social Differentiation in Musical Taste Patterns

van Eijck, K.·2001·Social Forces

Abstract

In this article, we investigate patterns of musical taste using a large sample from the Dutch population. It is found that members from higher-status groups tend to be more omnivorous (that is, they like more different musical genres) than those from lower-status groups, which is in line with Petersons (1992; Peterson & Simkus 1992) hypothesis. The actual difference is, however, rather small and occurs only with regard to the number of genres that respondents like at least “more or less” not with regard to their favorite genres. In order to discover the combinatorial logic by which musical genres are clustered into specific taste patterns, a factor model is estimated. The results indicate that musical genres can be structured on the basis of three basic “discourses” (highbrow, pop, folk). The so-called omnivores comprise a specific fraction of the higher-status groups known as the new middle class, whose tastes combine a set of genres related to all these discourses.

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Metadata

Authors
van Eijck, K.
Venue
Social Forces
Published
2001-03-01
Volume
79
Issue
3
Pages
1163-1185
ISSN
  • 0037-7732 (ISSN-L)
  • 1534-7605
OpenAlex
W2107265305
Cited by
401
References
30
FWCI
278.36
Type
journal article
Language
en
Open access
closed

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CoChat. (2026). Citation check: Social Differentiation in Musical Taste Patterns. https://app.cochat.ai/papers/10.1353/sof.2001.0017
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van Eijck, K. (2001). Social Differentiation in Musical Taste Patterns. Social Forces. https://doi.org/10.1353/sof.2001.0017

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Contains information from the Semantic Scholar Academic Graph Datasets, made available under the ODC Attribution License (ODC-BY 1.0).

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