The DOI matches its Crossref record; 18 of the 18 references it cites were found in a registry or an index.
Music and Identity
Abstract
The academic study of popular music has been limited by the assumption that the sounds must somehow &s;reflect&s; or &s;represent&s; the people. The analytic problem has been to trace the connections back, from the work (the score, the song, the beat) to the social groups who produce and consume it. What&s;s been at issue is homology, some sort of structural relationship between material and musical forms. Hip-hop, in other words, with its cut-ups, its scratches, breaks and samples, is best understood as producing not new texts but new ways of performing texts, new ways of performing the making of meaning. Music constructs our sense of identity through the direct experiences it offers of the body, time and sociability, experiences which enable us to place ourselves in imaginative cultural narratives. Such a fusion of imaginative fantasy and bodily practice marks also the integration of aesthetics and ethics.
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Cites
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Cited by
Uses of music in everyday life.
North, A. C., Hargreaves, D. J., & Hargreaves, J. J. (2004) · Music Perception · doi:10.1525/mp.2004.22.1.41 · Cited by 663
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Uses and Perceptions of Music in Times of COVID-19: A Spanish Population Survey
Cabedo-Mas, A., Arriaga-Sanz, C., & Moliner-Miravet, L. (2021) · Frontiers in Psychology · doi:10.3389/fpsyg.2020.606180 · Cited by 135
Playing with Strangers: Which Shared Traits Attract Us Most to New People?
Launay, J., & Dunbar, R. I. M. (2015) · PLOS ONE · doi:10.1371/journal.pone.0129688 · Cited by 65
Metadata
- Venue
- Taking Popular Music Seriously
- Publisher
- Routledge
- Published
- 2017-07-05
- Pages
- 293-312
- OpenAlex
- W1629546470
- Cited by
- 354
- References
- 18
- FWCI
- 241.59
- Type
- book chapter
- Language
- en
- Open access
- closed
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