The DOI matches its Crossref record; 29 of the 29 references it cites were found in a registry or an index.
Who's Afraid of Rap: Differential Reactions to Music Lyrics1
Abstract
This research examines the recent public outcry against violent rap songs. It was hypothesized that rap music receives more negative criticism than do other types of music, regardless of the actual content of the lyrics. Participants read a violent lyrical passage and were led to believe that it was either a rap song or a country song. They then responded to how offensive and dangerous they thought the song was. The results support the hypothesis. When a violent lyrical passage was represented as a rap song, reactions to the lyrics were significantly more negative. Age, whether or not the participants had children, and the participants’ music tastes and buying habits were all significantly related to whether or not this biased judgment occurred. The findings are briefly discussed in terms of various models of racism and stereotyping.
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Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
In the citing paper
“the police, prosecutors and judges translate drill music videos into incriminating evidence in ways that put an entire music genre on trial”
From Copping the blame: the role of YouTube videos in the criminalisation of UK drill music (2022) · cites this paper as Fried, 1999
In the citing paper
“The arguments that such cases are usually based on involve a matter-of-factly presentation of drill-related material - without adequately interrogating the artistic, literary or fictional nature of the 'evidence' that is brought before judges and jurors.”
From Copping the blame: the role of YouTube videos in the criminalisation of UK drill music (2022) · cites this paper as Fried, 1999
In the citing paper
“As such, what is fictional or literary is (mis)judged as factual or literal by legal penal professionals and jurors who are rarely conversant with the music's genre norms (Fried, 1999; Dunbar and Kubrin, 2018; Stoia et al ., 2018; Nielson and Dennis, 2019).”
From Copping the blame: the role of YouTube videos in the criminalisation of UK drill music (2022) · cites this paper as Fried, 1999
In the citing paper
“leading legal professionals (Garden Court), defence counsels, the expert witnesses they instruct, or social scientists, rap experts and legal scholars who insist that rap should be used with extreme caution in the courtroom, if at all”
From Copping the blame: the role of YouTube videos in the criminalisation of UK drill music (2022) · cites this paper as Fried, 1999
Citations
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Research works printed but not linked: 13
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- Cummins B., 1992, Newsweek critique gives rap a typical bad rap. (Media weren't listening), St. Louis Journalism Review, 22, 10
- Douglas S., 1995, Nightmares of depravity. (Bob Dole's attacks on media), The Progressive, 59, 18
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Cited by
Sorted by citations
Harm and Offence in Media Content: A Review of the Evidence
Hargrave, A. M., & Livingstone, S. (2006) · London School of Economics and Political Science Research Online (London School of Economics and Political Science) · Cited by 117
Venkatesh, V., Davis, F. D., & Zhu, Y. (2023) · International Journal of Information Management · doi:10.1016/j.ijinfomgt.2023.102644 · Cited by 99
Music genre as cognitive schema: extramusical associations with country and hip-hop music
Shevy, M. (2008) · Psychology of Music · doi:10.1177/0305735608089384 · Cited by 75
“Fried (1996, 1999) found that people were more critical of song lyrics when they were told the lyrics were from a rap song or black artist as opposed to a country song or white artist.”
BackgroundA Feminist Analysis of Popular Music
Bretthauer, B., Zimmerman, T. S., & Banning, J. H. (2007) · Journal of Feminist Family Therapy · doi:10.1300/j086v18n04_02 · Cited by 70
“Previous research on lyrics suggests that information regarding the genre of music significantly influences reactions to the lyrics (Fried, 1999).”
BackgroundBlame It on Hip-Hop: Anti-Rap Attitudes as a Proxy for Prejudice
Reyna, C., Brandt, M. J., & Viki, G. T. (2009) · Group Processes & Intergroup Relations · doi:10.1177/1368430209102848 · Cited by 50
“This strong association between stereotypes of rap and stereotypes of Blacks has led several social scientists to speculate that anti-rap attitudes are really anti-Black attitudes in disguise (e.g. Fried, 1999; Noe, 1995).”
Background
Metadata
- Authors
- Fried, C. B.
- Affiliations
- Indiana University South Bend (US)
- Corresponding author
- Fried, Carrie B.
- Venue
- Journal of Applied Social Psychology
- Publisher
- Wiley
- Published
- 1999-04
- Volume
- 29
- Issue
- 4
- Pages
- 705-721
- ISSN
- 0021-9029 (ISSN-L)
- 1559-1816
- OpenAlex
- W1987751494
- Cited by
- 49
- References
- 28
- Citations by year
- 2026: 2 · 2025: 1 · 2024: 3 · 2023: 3 · 2022: 3 · 2021: 5 · 2020: 2 · 2019: 3 · 2018: 4 · 2017: 2 · 2015: 2 · 2014: 1 · 2013: 3
- FWCI
- 9.84
- Type
- journal article
- Language
- en
- Open access
- closed
- Locations
- Journal of Applied Social Psychology (publishedVersion)
- Topics
- Social Sciences › Arts and Humanities › Music › Music History and Culture
- Social Sciences › Sociology and Political Science › Social and Intergroup Psychology
- Social Sciences › Sociology and Political Science › Crime, Deviance, and Social Control
- Keywords
- rap music, song lyrics, racial bias, stereotyping, music taste, age differences, having children
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