Co-Writing Screenplays and Theatre Scripts with Language Models: Evaluation by Industry Professionals
Open accessAbstract
Language models are increasingly attracting interest from writers. However, such models lack long-range semantic coherence, limiting their usefulness for longform creative writing. We address this limitation by applying language models hierarchically, in a system we call Dramatron. By building structural context via prompt chaining, Dramatron can generate coherent scripts and screenplays complete with title, characters, story beats, location descriptions, and dialogue. We illustrate Dramatron’s usefulness as an interactive co-creative system with a user study of 15 theatre and film industry professionals. Participants co-wrote theatre scripts and screenplays with Dramatron and engaged in open-ended interviews. We report reflections both from our interviewees and from independent reviewers who critiqued performances of several of the scripts to illustrate how both Dramatron and hierarchical text generation could be useful for human-machine co-creativity. Finally, we discuss the suitability of Dramatron for co-creativity, ethical considerations—including plagiarism and bias—and participatory models for the design and deployment of such tools.
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Claims the paper makes
20 of 32 cited sources checked · 8 supported · 2 flagged · accuracy not yet measured
- Premisereasoning
The current state-of-the-art method for longer text generation incorporates a human-in-the-loop who selects from various generations sampled from the model.
“Because these models do not achieve long-term semantic coherence, the current state-of-the-art method for longer text generation incorporates a human-in-the-loop who selects from various generations sampled from the model [10,67,75].”
Quote in the paperSubstantial claim2 of 3 sources checked- cites [10] 10. Boyd Branch, Piotr Mirowski, and Kory W Mathewson. 2021. Collaborative Storytelling with Human Actors and AI Narrators. Proceedings of the 12th International Conference on Computational Creativity (2021). https://arxiv.org/ abs/2109.14728 source
In “Interactive live AI narration on stage” (p. 2), the paper describes an operator choosing among three GPT-3-generated sets of sentences for a long-form storytelling performance. It supports the human-selection method as an example, but does not establish that this is the current state-of-the-art method for longer text generation generally. (LLM, conf=0.86)
Experimental — accuracy not yet measured - cites [67] 67. Kory Mathewson and Piotr Mirowski. 2018. Improbotics: Exploring the imitation game using machine intelligence in improvised theatre. In Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment, Vol. 14. source
Section 2.2 describes a human controller choosing among model-generated dialogue suggestions, and Section 4.3 says the resulting lines can still be narratively inconsistent. The paper does not establish that this is the state-of-the-art method for longer text generation; Section 4.5 describes its dialogue system as only one component of a larger story-generation system. Page numbers were not available in our copy. (LLM, conf=0.88)
Experimental — accuracy not yet measured - cites [75] 75. Piotr Mirowski and Kory Wallace Mathewson. 2019. Human improvised theatre augmented with artificial intelligence. In Proceedings of the 2019 on Creativity and Cognition. 527-530. source
- Premisecitation
The context window of state-of-the-art large language models is limited to at most 2048 tokens.
“This limitation stems from the context window of LLMs, which today is limited to at most 2048 tokens (i.e. about 1500 words) in state-of-the-art models [78,86].”
Quote in the paperSubstantial claim2 of 2 sources checked- cites [78] 78. OpenAI. 2021. Pricing. https://openai.com/api/pricing/ source
Section C, “Additional model details” (page not specified), says the paper’s own language models and RL policies have a context length of 2k tokens. It does not establish that all state-of-the-art LLMs are limited to at most 2048 tokens, or equate that length with about 1500 words. (LLM, conf=0.88)
Experimental — accuracy not yet measured - cites [86] 86. Jack W. Rae, Sebastian Borgeaud, Trevor Cai, Katie Millican, Jordan Hoff- mann, H. Francis Song, John Aslanides, Sarah Henderson, Roman Ring, Su- sannah Young, Eliza Rutherford, Tom Hennigan, Jacob Menick, Albin Cassirer, Richard Powell, George van den Driessche, Lisa Anne Hendricks, Maribeth Rauh, Po-Sen Huang, Amelia Glaese, Johannes Welbl, Sumanth Dathathri, Saf- fron Huang, Jonathan Uesato, John Mellor, Irina Higgins, Antonia Creswell, Nat McAleese, Amy Wu, Erich Elsen, Siddhant M. Jayakumar, Elena Buchatskaya, David Budden, Esme Sutherland, Karen Simonyan, Michela Paganini, Lau- rent source
The Training section (p. 6) says the authors trained their models with a 2048-token context window. That does not establish a 2048-token maximum for all state-of-the-art LLMs; D.6 (p. 62) also reports extending Gopher’s context length at evaluation time beyond its training boundary. (LLM, conf=0.88)
Experimental — accuracy not yet measured
- Premisecitation
Chinchilla 70B outperformed other large language models on a large collection of language tasks.
“We conducted our study using Chinchilla 70B because it outperformed other LLMs on a large collection of language tasks [50].”
Quote in the paperSubstantial claim1 of 1 sources checked- cites [50] 50. Jordan Hoffmann, Sebastian Borgeaud, Arthur Mensch, Elena Buchatskaya, Trevor Cai, Eliza Rutherford, Diego de Las Casas, Lisa Anne Hendricks, Johannes Welbl, Aidan Clark, et al. 2022. Training Compute-Optimal Large Language Models. arXiv preprint arXiv:2203.15556 (2022). source
- Findingown data
Many participants noticed gender biases and ageism in the system outputs.
“many participants noticed gender biases and ageism in the system outputs.”
Quote in the paperSubstantial claim - Findingown data
All participants found Dramatron useful for getting inspiration.
“All participants found Dramatron useful for getting inspiration”
Quote in the paperNot a substantial claim
- Findingown data
All participants noticed how the system could enter generation loops.
“All participants noticed how the system could enter generation loops”
Quote in the paperNot a substantial claim - Findingcitation
Hierarchical generation can produce an entire script, sometimes tens of thousands of words, from a single user-provided log line.
“Hierarchical generation of stories can produce an entire script-sometimes tens of thousands of words-from a single user-provided summary of the central dramatic conflict, called the log line [107].”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [107] 107. Josef Steiff. 2005. The complete idiot's guide to independent filmmaking. Penguin.
- Findingown data
By prompting the system, writers could indirectly search the language model for literary styles and elements.
“By prompting the system, writers could indirectly search the language model for literary styles and elements”
Quote in the paperNot a substantial claim - Findingown data
Models with 1B parameters or more succeeded in generating a valid list of characters at least 80% of the time.
“Models with 1B parameters or more (e.g., Chinchilla 1B and GPT-3 babbage) succeeded in generating a valid list of characters at least 80% of times.”
Quote in the paperNot a substantial claim - Findingown data
All participants except p4 and p5 were enthusiastic about Dramatron's interactive hierarchical generation.
“All participants but p4 and p5 (who preferred a nonlinear writing workflow) were enthusiastic about the interactive hierarchical generation.”
Quote in the paperNot a substantial claim - Findingreasoning
Dramatron applies language models hierarchically through prompt chaining to generate coherent scripts and screenplays with title, characters, story beats, location descriptions, and dialogue.
“We address this limitation by applying language models hierarchically, in a system we call Dramatron.By building structural context via prompt chaining, Dramatron can generate coherent scripts and screenplays complete with title, characters, story beats, location descriptions, and dialogue.”
- Also stated in: § 1 INTRODUCTION · plain
“From the input log line, Dramatron can generate an entire script with a title, list of characters, a plot (i.e. a list of scene summaries with settings and beats), location descriptions, and dialogue (see Fig. 1).”
Quote in the paperSubstantial claim - Also stated in: § 1 INTRODUCTION · plain
- Findingown data
Different large language models satisfy different needs from participants.
“Widely relevant feedback from the interviews included: participation of experts is critical in tool development, different use-cases demand iterative improvement and development, and different LLMs satisfy different needs from participants.”
Quote in the paperNot a substantial claim - Findingown data
Dramatron was described as a tool that indirectly stimulates the playwright's creativity.
“Dramatron was described as a tool that indirectly stimulates the playwright's creativity”
Quote in the paperNot a substantial claim - Findingown data
Participants p1, p6, and p3 noted that hierarchical generation helped with dialogue.
“Participants p1, p6 and p3 further noted how such hierarchical generation helped with dialogue”
Quote in the paperNot a substantial claim - Findingnone given
Five scripts co-written with Dramatron were staged in public performances in August 2022.
“Five scripts co-written with Dramatron were staged in public performances in August 2022.”
Quote in the paperSubstantial claim - Findingreasoning
With just few-shot prompts and a user input log line, trained large language models can generate complete scripts and screenplays.
“As described above, with just few-shot (i.e., 1-4) prompts and the user input log line, we leverage trained LLMs to generate complete scripts and screenplays.”
Quote in the paperSubstantial claim - Findingown data
The subgroup of respondents with a film or TV background gave the highest scores for surprise, enjoyment, collaboration, helpfulness, expression, ease, and ownership questions.
“We noticed that the subgroup of respondents with a film or TV background gave the highest scores for the surprise, enjoyment, collaboration, helpful, expression, ease and ownership questions.”
Quote in the paperNot a substantial claim - Findingown data
There was no significant difference between the repetition scores for chosen Dramatron output against alternative seed outputs (W = 57, p = 0.467).
“After computing a one-sided Wilcox signed-rank test, we found no significant difference between the repetition scores for chosen Dramatron output against alternative seed outputs (W = 57, p = 0.467).”
Quote in the paperNot a substantial claim - Findingown data
The prevailing feedback from the creative team was that participating in the production was fun.
“Finally, the prevailing feedback from the creative team was that participating in the production was fun!”
Quote in the paperNot a substantial claim - Findingown data
There is a strong trend in the opposite direction.
“In fact, there is a strong trend in the opposite direction.”
Quote in the paperSubstantial claim - Findingown data
More than half of respondents felt they did not own the result of the AI system.
“More than half of respondents felt they did not own the result of the AI system.”
Quote in the paperSubstantial claim - Findingown data
The plot outline was the part of the script that participants edited the least.
“We also notice that the plot outline was the least edited part of the script.”
Quote in the paperNot a substantial claim - Findingown data
When participants made multiple generations for a scene description, they generally did not choose outputs with greatest Jaccard similarity.
“We found that when participants made multiple generations for a scene description, they generally did not choose outputs with greatest Jaccard similarity.”
Quote in the paperSubstantial claim - Findingown data
Respondents with theatre background judged enjoyment, collaboration, helpfulness, creative expression, ease, pride, and ownership the least.
“Respondents with theatre background judged enjoyment, collaboration, helpful, creative, expression, ease, proud and ownership the least.”
Quote in the paperSubstantial claim - Findingown data
In the post-interview surveys, most participants felt they did not own the final output.
“in the post-interview surveys, most of the participants felt they did not own the final output (see Sec. 6.1.5)”
Quote in the paperSubstantial claim - Findingown data
The beats for chosen generations are not more similar to the log line when compared to the beats for generations not chosen (W = 28, p = 0.926).
“We found that the beats for chosen generations are not more similar to the log line when compared to the beats for generations not chosen (W = 28, p = 0.926).”
Quote in the paperSubstantial claim - Interpretationreasoning
Crowdsourcing is not an effective approach to evaluating screenplays and theatre scripts co-written with language models.
“Given those issues, we believe that crowdsourcing are not an effective approach to evaluating screenplays and theatre scripts co-written with language models.”
Quote in the paperSubstantial claim - Study design and conductown data
Feedback from expert participants directly led to iterative improvements of Dramatron.
“Our inclusive research methodology invited participation from experts during the creative design and development process: their feedback directly led to iterative improvements of the system.”
- Also stated in: § 3.6 Interactive Writing with Dramatron · hedged
“While we did not codesign the tool with experts, whenever possible during the study we iterated and improved Dramatron based on their implementable suggestions and feedback (see Table 1).”
Quote in the paperNot a substantial claim - Also stated in: § 3.6 Interactive Writing with Dramatron · hedged
- Interpretationreasoning
Hierarchical generation produces greater story coherence than flat sequential text generation.
“This process results in greater story coherence than”
Quote in the paperNot a substantial claim - Interpretationreasoning
The enthusiasm and reflections from the creative team reflect the usefulness of co-written scripts for theatre production and collaboration.
“This enthusiasm and these motivating reflections from the creative team reflect the usefulness of co-written scripts for theatre production and collaboration.”
Quote in the paperSubstantial claim - Interpretationnone given
Using hierarchical generation with explicit narrative structures and characters improves coherence, especially for long texts such as theatre scripts and screenplays.
“Hierarchical story generation with explicit narrative structures and characters helps to generate more coherent text, especially when generating text as long as theatre scripts and screenplays.”
Quote in the paperSubstantial claim - Premisereasoning
These prior methods have not focused on synthesising coherent stories by generating scenes and dialogue, as our work does.
“These methods have not focused on synthesising coherent stories by generating scenes and dialogue, as we do in our work.”
Quote in the paperSubstantial claim - Interpretationreasoning
Dramatron can serve as a co-creative writing tool that lets human authors write screenplays and theatre scripts alongside LLMs.
“In summary, Dramatron could be used as a co-creative writing tool, allowing human authors to write screenplays and theatre scripts alongside LLMs”
Quote in the paperSubstantial claim - Interpretationown data
These responses suggest a fruitful interaction between a writer and an interactive AI writing tool, particularly for ideation.
“suggest a fruitful interaction between a writer and an interactive AI writing tool, in particular for ideation, through multiple choices, twists to the narrative, or specific details.”
Quote in the paperSubstantial claim - Premisereasoning
Many of these methods rely on human reading comprehension and preference-based evaluation rather than producing the final script.
“Many of these methods lean on human reading comprehension and preference-based evaluation as opposed to production of the final script.”
Quote in the paperNot a substantial claim - Interpretationown data
Word overlap is not predictive of which output generation is selected.
“This suggests that word overlap is not predictive of which output generation is selected.”
Quote in the paperSubstantial claim
- Classified as probably not a substantial claim. 85
- May combine two claims. 34
- The quote only partly states this claim. 2
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
InterpretationcitationThe study does not evaluate Dramatron outputs for grammatical correctness because the few errors made by the LLM can be fixed by the human co-writer.
“We do not evaluate Dramatron outputs for grammatical correctness as [80], as the few errors made by the LLM can be fixed by the human co-writer.”
Quote in the paperNot a substantial claim1 of 1 sources checked- cites [80] 80. Vishakh Padmakumar and He He. 2022. Machine-in-the-Loop Rewriting for Creative Image Captioning. In Proceedings of the 20th Annual Conference of the North American Chapter of the Association for Computational Linguistics (NAACL). source
Section 5.1, “User Evaluation of Suggestion Quality,” explicitly asks users how grammatically correct the model suggestions were; the Results report grammaticality ratings. The source therefore does evaluate grammatical correctness, contrary to the practice the citing sentence attributes to it. Its study concerns creative image captions, not Dramatron, and the cited passages do not give human correction of a few errors as a reason to omit evaluation. (LLM, conf=0.90)
Checked by a reasoning model — may be wrong.
Experimental — accuracy not yet measured
- Rests on an assumption: The few grammatical errors made by the LLM can be fixed by the human co-writer.
Probably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationThe first mention and use of hierarchical generation for a theatre play was in [93,95] for THEaiTRE's 2021 production AI: Can a Robot Write a Play? in Prague.
“Hierarchical generation of a theatre play was first mentioned and used in [93,95] for the production of AI: Can a Robot Write a Play? by company THEaiTRE in 2021 in Prague 9 .”
Quote in the paperNot a substantial claim1 of 2 sources checked- cites [93] 93. Rudolf Rosa, Ondřej Dušek, Tom Kocmi, David Mareček, Tomáš Musil, Patrícia Schmidtová, Dominik Jurko, Ondřej Bojar, Daniel Hrbek, David Košt'ák, et al. 2020. THEaiTRE: Artificial intelligence to write a theatre play. arXiv preprint arXiv:2006.14668 (2020). source
The paper mentions hierarchical generation in “Unresolved issues and future plans” (p. 3), but says the authors intended to use it in a future version—not that they used it for the 2021 play. The Introduction (p. 1) instead says they generated individual scenes and a dramaturge joined them into a full play. The copy does not establish that this was the first mention of hierarchical theatre-play generation. (LLM, conf=0.88)
Checked by a reasoning model — may be wrong.
Experimental — accuracy not yet measured - cites [95] 95. Rudolf Rosa, Patrícia Schmidtová, Ondřej Dušek, Tomáš Musil, David Mareček, Saad Obaid, Marie Nováková, Klára Vosecká, and Josef Doležal. 2022. GPT-2- based Human-in-the-loop Theatre Play Script Generation. In Proceedings of the 4th Workshop of Narrative Understanding (WNU2022). 29-37. source
May combine two claims.
FindingcitationCharacters, plot, and location descriptions all meet the specification in the log line, in addition to causal dependencies, enabled by prompt chaining.
“Characters, plot, and location descriptions all meet the specification in the log line, in addition to causal dependencies, enabled by prompt chaining [121] and explained on the diagram of Figure 1.”
Quote in the paperSubstantial claim1 of 1 sources checked- cites [121] 121. Jeff Wu, Long Ouyang, Daniel M. Ziegler, Nissan Stiennon, Ryan Lowe, Jan Leike, and Paul Christiano. 2021. Recursively Summarizing Books with Human Feedback. arXiv:2109.10862 [cs.CL] source
The Framework (p. 2) describes a sequence of connected steps that generates each story sentence and then repeats using the expanded context. It does not describe this as prompt chaining or show that characters, plot, and location descriptions meet a log-line specification or preserve causal dependencies. Future Work (p. 8) also treats structure-level control as a potential direction rather than an established result. (LLM, conf=0.82)
Experimental — accuracy not yet measured
Probably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataSeveral participants requested conversational agents to help them rewrite text.
“Several participants requested conversational agents to help them rewrite text-which was prescient of recently published language agents trained from human feedback [44,79].”
Quote in the paperNot a substantial claim2 of 2 sources checked- cites [44] 44. Amelia Glaese, Nat McAleese, Maja Trębacz, John Aslanides, Vlad Firoiu, Timo Ewalds, Maribeth Rauh, Laura Weidinger, Martin Chadwick, Phoebe Thacker, et al. 2022. Improving alignment of dialogue agents via targeted human judge- ments. arXiv preprint arXiv:2209.14375 (2022). source
- cites [79] 79. Long Ouyang, Jeff Wu, Xu Jiang, Diogo Almeida, Carroll L Wainwright, Pamela Mishkin, Chong Zhang, Sandhini Agarwal, Katarina Slama, Alex Ray, et al. 2022. Training language models to follow instructions with human feedback. arXiv preprint arXiv:2203.02155 (2022). source
Classified as probably not a substantial claim.
PremisecitationCrowdworkers' personal opinions, demographic characteristics, and cognitive biases can affect the quality of crowdsourced annotations in fact-checking or subjective assessments.
“it has been shown that crowdworkers' personal opinions, demographic characteristics and cognitive biases [36] can affect the quality of crowdsourced annotations in fact-checking [30] or in tasks involving subjective assessments [53].”
Quote in the paperSubstantial claim1 of 3 sources checked- cites [36] 36. Carsten Eickhoff. 2018. Cognitive biases in crowdsourcing. In Proceedings of the eleventh ACM international conference on web search and data mining. 162-170. source
- cites [30] 30. Tim Draws, David La Barbera, Michael Soprano, Kevin Roitero, Davide Ceolin, Alessandro Checco, and Stefano Mizzaro. 2022. The Effects of Crowd Worker Bi- ases in Fact-Checking Tasks. In 2022 ACM Conference on Fairness, Accountability, and Transparency. 2114-2124. source
- cites [53] 53. Christoph Hube, Besnik Fetahu, and Ujwal Gadiraju. 2019. Understanding and mitigating worker biases in the crowdsourced collection of subjective judgments. In Proceedings of the 2019 CHI Conference on Human Factors in Computing Systems. 1-12. source
Probably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenThe survey questions were slightly adapted from Yuan et al. [125] and Stevenson et al. [108].
“These questions are slightly adapted from Yuan et al. [125] and Stevenson et al. [108]”
Quote in the paperNot a substantial claim1 of 2 sources checked- cites Yuan et al. [125]
Couldn’t be matched to a paper in Crossref, so it can’t be checked.
- cites Stevenson et al. [108] 108. Claire Stevenson, Iris Smal, Matthijs Baas, Raoul Grasman, and Han van der Maas. 2022. Putting GPT-3's Creativity to the (Alternative Uses) Test. (2022). source
The Alternative Uses Task sections (p. 2) provide a question posed to GPT-3 and instructions given to human participants, so the paper contains wording that could be adapted into questions. Our copy does not show the citing document’s survey questions, however, and cannot establish that they were only slightly adapted from this wording. (LLM, conf=0.76)
Experimental — accuracy not yet measured
Probably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationSimilar risks from LLMs have been noted before.
“Similar LLM risks have been previously mentioned in [119].”
Quote in the paperNot a substantial claim1 of 1 sources checked- cites [119] 119. Jason Wei, Xuezhi Wang, Dale Schuurmans, Maarten Bosma, Ed Chi, Quoc Le, and Denny Zhou. 2022. Chain of thought prompting elicits reasoning in large language models. arXiv preprint arXiv:2201.11903 (2022). source
Probably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationThe rules are currently unclear for machine learning systems trained on copyright-protected material.
“Currently, the rules are unclear for machine learning-based systems trained on copyright-protected material [9].”
Quote in the paperNot a substantial claim1 of 1 sources checked- cites [9] 9. Rishi Bommasani, Drew A Hudson, Ehsan Adeli, Russ Altman, Simran Arora, Sydney von Arx, Michael S Bernstein, Jeannette Bohg, Antoine Bosselut, Emma Brunskill, et al. 2021. On the opportunities and risks of foundation models. arXiv preprint arXiv:2108.07258 (2021). https://arXiv.org/abs/2108.07258 source
The Data overview (p. 18) mentions legal regulation of training data, but does not say that copyright rules for training machine-learning systems are unclear. Searches for copyright, intellectual property, fair use, and copyrighted training data found no passage addressing that point in our copy; the copy is also marked as truncated. (LLM, conf=0.70)
Experimental — accuracy not yet measured
Probably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationPrior work has argued for involving subject matter experts, literary scholars, and industry professionals in developing machine learning models.
“Previous work has argued for engagement with subject matter experts, literary scholars, and industry professionals in the development of machine learning models [112].”
Quote in the paperNot a substantial claim1 of 1 sources checked- cites [112] 112. Imke Van Heerden and Anil Bas. 2021. AI as Author-Bridging the Gap Between Machine Learning and Literary Theory. Journal of Artificial Intelligence Research 71 (2021), 175-189. source
The Introduction explicitly argues for involving literary scholars in developing machine-learning models, supporting engagement with those subject-matter experts. Section 5 discusses how scholars and professionals might respond to changes in the literary industry, but does not argue that industry professionals should participate in model development. Page numbers are unavailable in our copy. (LLM, conf=0.88)
Experimental — accuracy not yet measured
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
InterpretationcitationDecomposing a log line into a synopsis can be viewed as a narrative analogue of Chain of Thought prompting, and it uses the idea of feeding LLM output as the prompt for the next generation stage, also known as prompt chaining or language engineering.
“Our work of decomposing a log line into a synopsis can be seen as a narrative equivalent of Chain of Thought prompting for reasoning tasks [118], and uses the idea of using LLM output as prompt for the next stage of the generation-also called prompt chaining [121] or language engineering [24].”
Quote in the paperNot a substantial claim3 of 3 sources checked- cites [118] 118. Stephen G Ware and Robert Michael Young. 2011. CPOCL: A Narrative Planner Supporting Conflict.. In AIIDE. source
Split into 2 atoms — 0 confirmed, 0 partially supported, 0 disputed, 0 misattributed, 2 unverifiable. Expand the claim to see per-atom verdicts.
Experimental — accuracy not yet measured - cites [121] 121. Jeff Wu, Long Ouyang, Daniel M. Ziegler, Nissan Stiennon, Ryan Lowe, Jan Leike, and Paul Christiano. 2021. Recursively Summarizing Books with Human Feedback. arXiv:2109.10862 [cs.CL] source
Split into 2 atoms — 1 confirmed, 1 partially supported, 0 disputed, 0 misattributed, 0 unverifiable. Expand the claim to see per-atom verdicts.
Experimental — accuracy not yet measured - cites [24] 24. Antonia Creswell and Murray Shanahan. 2022. Faithful Reasoning Using Large Language Models. arXiv preprint arXiv:2208.14271 (2022). source
Probably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationA short plot has been written using prompt engineering from two characters, a genre, and a theme.
“Prompt engineering has been used to write a short plot from two characters, a genre and a theme in [54].”
Quote in the paperNot a substantial claim1 of 1 sources checked- cites [54] 54. Yiping Jin, Vishakha Kadam, and Dittaya Wanvarie. 2022. Plot Writing From Pre-Trained Language Models. arXiv preprint arXiv:2206.03021 (2022). https: //arXiv.org/abs/2206.03021 source
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationLee et al. distinguish verbatim, paraphrase, and idea plagiarism and propose automatically evaluating verbatim plagiarism using BM25-based retrieval of queries in a large reference document set along with a text alignment tool.
“Lee et al. [61] distinguish between verbatim, paraphrase, and idea plagiarism and suggest to automatically evaluate the first one using BM25-based retrieval of queries in large set of reference documents, along with a text alignment tool.”
Quote in the paperNot a substantial claim1 of 1 sources checked- cites [61] 61. Jooyoung Lee, Thai Le, Jinghui Chen, and Dongwon Lee. 2022. Do Language Models Plagiarize? arXiv e-prints (2022), arXiv-2203. source
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataMost participants were able to co-write a full script and complete the open discussion interview within the allotted two hours.
“Most were able to co-write a full script and the open discussion interview in the allotted 2-hours.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataThe show's run was titled Plays By Bots and ran 7 performances over two weeks.
“The show's run was titled Plays By Bots and ran 7 performances over two weeks”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). The quote only partly states this claim.
Findingown dataAll 15 participants had prior exposure to AI writing tools.
“All participants had prior exposure to AI writing tools.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataMore than providing a creative spark, the model can be employed to populate the universe of the story.
“More than merely providing a creative spark for the main story, the model can be employed to populate the universe of the story”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataParticipant p10 stated that iterative rewriting was a desired workflow.
“As p10 reiterates, iterative rewriting was a desired workflow”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataParticipant 12 found it difficult to come up with a log line, and the process seemed precious.
“For participant 12, it was difficult to come up with a log line, and the process seemed precious.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataSeveral participants wanted to be able to query and dialogue with the writing model.
“Several participants wanted to be able to query and dialogue with the writing model”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataSome participants suggested the tool could be employed in a TV writers' room to help with writing formulaic scripts.
“Some participants suggested this tool could be employed in a TV writers' room, to help with writing formulaic scripts.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThe problem of bias raised the issue of coping strategies or cultural appropriation.
“This problem raised the issue of coping strategies or cultural appropriation”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable).
Findingown dataParticipation of experts is critical in tool development.
“Widely relevant feedback from the interviews included: participation of experts is critical in tool development, different use-cases demand iterative improvement and development, and different LLMs satisfy different needs from participants.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataParticipant p1 tried three modes of script generation: interactive co-authorship, modifying output from one fully automated generation, and curating and modifying outputs from 3-4 generations.
“Participant p1 tried and discussed three different modes of script generation: 1) interactive co-authorship, 2) modifying the output from one fully automated generation, and 3) curating and modifying outputs from 3-4 generations.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataLearning could also happen by analyzing how to improve Dramatron's outputs.
“Learning could also happen by analysing how to improve Dramatron's outputs”
Quote in the paperNot a substantial claimMay combine two claims.
FindingreasoningThe method makes it possible for elements in the final scene to provide dramatic closure on elements introduced in the opening scene, and for generated stories to follow narrative arcs.
“Our method makes it possible for elements in the final scene to provide dramatic closure on elements introduced in the opening scene 6 , and for generated stories to follow narrative arcs (see Section 3.3).”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing).
Findingown dataDifferent use-cases demand iterative improvement and development.
“Widely relevant feedback from the interviews included: participation of experts is critical in tool development, different use-cases demand iterative improvement and development, and different LLMs satisfy different needs from participants.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThree participants (p8, p13, p15) suggested fitting a narrative arc within each scene.
“three participants (p8, p13, p15) suggested fitting a narrative arc within each scene.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Findingown dataThe scripts were performed by a cast of 4-6 experienced improvisers and actors.
“The scripts were brought to life by a cast of 4-6 experienced improvisers and actors.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingnone givenThere were two reviews written about the production of Plays By Bots at the festival.
“There were two reviews written about the production of Plays By Bots at the festival.”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataSeveral participants were interested by the co-writing potential of Dramatron and thought it could provide them with material.
“Beyond inspiration, several participants were interested by the co-writing potential of Dramatron, and thought it could provide them with material.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataGlitches and language model limitations can be subverted for inspiration, particularly when the script is staged.
“Glitches and language model limitations can be subverted for inspiration, in particular when the script is staged”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
FindingreasoningThe co-writing approach allows both human and Dramatron to contribute to authorship of a script.
“This co-writing approach allows the human and Dramatron to both contribute to the authorship of a script.”
Quote in the paperSubstantial claimMay combine two claims.
Findingown dataThe participants were engaged and provided constructive feedback about Dramatron.
“As detailed in Section 5.7, the participants were engaged and provided constructive feedback about Dramatron.”
Quote in the paperNot a substantial claimMay combine two claims.
FindingreasoningThe system positively benefited and evolved over the course of the participant study.
“In this way, the system positively benefited and evolved over the course of the participant study.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataParticipant p13 liked the user experience of interactive, step-by-step generation of title, characters, and plot.
“Participant p13 liked the user experience of interactive, step-by-step generation of title, characters and plot”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataSeveral participants (p6, p9, p11, p13, p15) highlighted the potential for the script to be staged after editing.
“Several participants (p6, p9, p11, p13, p15) highlighted the potential for the script to be staged after editing”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Findingnone givenDramatron was designed for interactive co-writing as an augmentative tool for human writers.
“That said, we designed Dramatron for interactive co-writing, as an augmentative tool for human writers.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataParticipant p1 staged several scripts generated with Dramatron.
“Participant p1 staged several scripts generated with Dramatron (see Section 5.9).”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataModeling characters and their relationships was a recurrent theme in suggested improvements.
“Modeling characters and their relationships was a recurrent theme”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataOne participant had 22.5 hours of interaction over 5 sessions and co-wrote 5 scripts that were later staged.
“Another participant had 22.5 hours of interaction in total, split over 5 sessions and spread over two months, where they co-wrote 5 scripts that were later staged.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataFour scripts, co-written by a human playwright and Dramatron, were staged and shown at a large theatre festival.
“These 4 were produced and and presented at a large theatre festival, as described in Section 5.9.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThe reviewer expressed surprise at the ability of the system to create a play that hangs together and creates a world.
“The reviewer also expressed surprise at the ability of the system to create a play that hangs together and creates a world.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataParticipants 4 and 5 argued against Dramatron's constrained top-down hierarchy.
“In fact, they argued against Dramatron's constrained top-down hierarchy:”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataFour key themes emerged from post-show discussions with the creative team.
“Four key themes emerged through these discussions which echo the themes presented earlier in Section 5.”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataIn co-authorship, participants often removed longer location descriptions and portions of dialogue, particularly loops, and rewrote character descriptions.
“During co-authorship we observed that participants tended to delete longer location descriptions and parts of dialogue (especially loops), and rewrite the character descriptions.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataThe system has a distinct glitch style, and generated text can be repetitive and fun to work with.
“Specifically, the system has a distinct glitch style, generated text can be repetitive and fun to work with.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataOne participant commented that the generated script was only a starting point provided by the AI and that the writer still needed to create their own script.
“One participant commented that the generated script was only a starting point provided by the AI and that the writer still needed to create their own script.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThe reviewer complimented the abilities of Dramatron.
“With a hint of incredulity, the reviewer complimented the abilities of Dramatron.”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataParticipants would skim the text and remark on specific inspiring lines, but were less focused on the overall coherence of the discourse.
“We observed that participants would skim the text and remark on specific inspiring lines, but were less focused on the overall coherence of the discourse.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThe answers about ease of use and pride were highly correlated (r = 0.9).
“We note that these two answers were highly correlated (𝑟 = 0.9)”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThe majority of performers reported that participating in the production was fun.
“Finally, the prevailing feedback from the majority of performers was that participating in the production was fun.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim. May combine two claims.
Findingown dataParticipants 4 and 5, who identified as playwrights for the stage, reported that they would never start a work with a story already in mind and might instead take an investigative approach centered on a theme.
“Participants 4 and 5, who self-identified as playwrights for the stage,”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataSome lines from Dramatron were so funny they were reprised later in the show once the human actors were improvising.
“They further noted that some lines from Dramatron are so funny they were reprised later in the show once the human actors were improvising.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataOf the total 15 study participants, 13 provided responses on the postsession feedback form.
“Of the total 15 study participants, 13 provided responses on our postsession feedback form.”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataFour participants tended to add material to Dramatron's generated outputs, while eight participants tended to remove and curate the outputs.
“We notice that four participants tended to add to generated outputs (three of them, p6, p13, and p15 expressed interest in staging the resulting scripts) while eight others tended to remove from and curate the outputs (including p1 who staged productions).”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataParticipants were split about the ease of use of the tool (61% agreed) and whether they felt proud about the output (46% agreed), with one participant strongly disagreeing.
“Participants were more split about the ease of use of the tool (61% agreed) and whether they felt proud about the output of the system (46% agreed), with one participant strongly disagreeing.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingnone givenGenerated text is sometimes repetitive.
“Secondly, the generated text can sometimes be repetitive.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataSeveral questions had a relatively strong correlation (r ≥ 0.66): helpful, collaboration, ease, enjoyment, expression, and ease.
“and that several questions had a relatively strong correlation (𝑟 ≥ 0.66): helpful, collaboration, ease, enjoyment, expression and ease.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Findingown dataDramatron's output has a distinctive glitch aesthetic that can be nonsensical, vague, or passive at times.
“First, the system has a distinct glitch style that can sometimes be nonsensical, vague, or passive.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataParticipants noticed some biases in the LLM outputs, particularly around gender.
“some biases-in particular around gender-were noticed by the participants in the LLM outputs.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataSome participants raised a third concern about the potential impact of generative tools on creative economies.
“The third concern raised by some of the participants was about the potential impact of generative tools on creative economies:”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataThe statements that received the strongest positive response were surprise (92% agreed, 46% strongly agreed), enjoyment (77% agreed, 69% strongly agreed), and uniqueness (69% agreed, 46% strongly agreed).
“The statements that received the strongest positive response were I was surprised by the responses from the AI system (92% participants agreed, 46% strongly agreed) followed by I enjoyed writing with the AI system (77% agreed, 69% strongly agreed) and The script(s) written with the AI system feel unique (69% agreed, 46% strongly agreed)”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThis expert expressed enthusiasm to write alongside Dramatron again for future productions.
“This expert also expressed enthusiasm to write alongside Dramatron again for future productions.”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataParticipants did notice if the dialogue of a scene was unrelated to that scene's beat or log line, and most noticed when the generation had excessive repetition.
“That said, participants did notice if the dialogue of a scene was unrelated to that scene's beat or log line, and most noticed when the generation had excessive repetition.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Findingown dataSeveral participants observed that Dramatron's top-down hierarchical writing style is somewhat more aligned with screenwriting than with playwriting.
“several participants noted that this style of writing is somewhat more aligned with screenwriting than playwriting.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataStudy participants raised concerns about where the dataset used to train the system came from.
“Our study participants raised concerns the source of the dataset:”
Quote in the paperNot a substantial claimMay combine two claims.
Findingown dataThe survey responses for collaboration, helpfulness, and expression of creative goals were 77% agreed (54% strongly), 84% agreed (38% strongly), and 77% agreed (23% strongly), respectively.
“Positive responses to statements I felt like I was collaborating with the AI system, (77% agreed, 54% strongly agreed), I found the AI system helpful (84% agreed, 38% strongly agreed) and I was able to express my creative goals with the AI system (77% agreed, 23% strongly agreed)”
Quote in the paperSubstantial claimClassified as probably not a substantial claim.
Findingnone givenDramatron is an interactive co-writing tool that allows writers to generate scripts from a provided log line.
“We present Dramatron: an interactive co-writing tool which allows writers to generate scripts from a provided log line.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThe reviewer noted that the success of the performance was due to both the Dramatron system and the human actors.
“The reviewer also noted that the success of the performance was due to both the Dramatron system and the human actors”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Findingown dataPlaywrights often discover what a play is about only after finishing it, so the log line can be seen as a post-hoc summary.
“The log line itself could be seen as a post-hoc summary, as”
Quote in the paperSubstantial claimMay combine two claims.
Findingown dataThe creative team attributed agency to the system and had expectations of its capabilities.
“As well, the team attributed agency to the system, and had expectations of the systems capabilities.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Findingown dataThe second review was also positive.
“The second review was also positive.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationLog lines typically contain setting, protagonist, antagonist, conflict or goal, and sometimes inciting incident.
“Log lines typically contain the setting, protagonist, antagonist, a conflict or goal, and sometimes the inciting incident [8]”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [8] 8. Lane Shefter Bishop. 2016. Sell Your Story in A Single Sentence: Advice from the Front Lines of Hollywood. The Countryman Press.
Not checked in the free run.
May combine two claims.
PremisereasoningLarge language models are limited in modeling long-range dependencies, which restricts their usefulness for longform creative writing.
“However, such models lack long-range semantic coherence, limiting their usefulness for longform creative writing.”
- Also stated in: § 1 INTRODUCTION · plain
“This is a difficult task for LLMs because the narrative of a script or screenplay must exhibit long-term coherence and reincorporation, and LLMs are limited in their ability to model long-range dependencies (e.g., to reincorporate information from many pages ago).”
Quote in the paperSubstantial claim- Also stated in: § 1 INTRODUCTION · plain
May combine two claims.
Study design and conductown dataThe study engaged 15 theatre and film industry professionals in two-hour sessions to co-write scripts with Dramatron.
“we engaged 15-experts in two-hour long user study sessions to co-write a script alongside Dramatron.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenThe hierarchical prompt structure and few-shot examples were engineered through iterative prompting and testing.
“We engineered the hierarchical prompt structure and the few-shot examples through iterative prompting and testing.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Study design and conductnone givenThe study design and data collection process was validated by an ethical review board external to DeepMind.
“Our study design and data collection process was validated by an ethical review board external to DeepMind.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
PremisecitationThe log line is a common seed of narrative inspiration for screenplays and theatre scripts.
“Oftentimes the seed of narrative inspiration for a screenplay or theatre script is a log line [101].”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [101] 101. Industrial Scripts. 2019. How to write outstanding TV & movie loglines: The ultimate guide. https://industrialscripts.com/loglines-guide/
Not checked in the free run.
May combine two claims.
InterpretationreasoningThe incorporation of the middle layer allows the entire plot to fit within the language model's context window, overcoming prior limitations on long-term semantic coherence.
“The incorporation of the middle layer, where the plot is summarised as a sequence of abstract scene descriptions, allows the entire plot to fit within the language models' context window.This overcomes prior limitations on long-term semantic coherence.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Interpretationnone givenThis work represents the largest expert user study conducted on co-creative authorship to date.
“To the best of our knowledge, this work represents the largest expert user study conducted on co-creative authorship to date.”
Quote in the paperNot a substantial claimMay combine two claims.
PremisecitationLarge language models can give the impression of coherence within and between paragraphs but have difficulty with long-term semantic coherence due to restricted context windows.
“LLMs can give the impression of coherence within and between paragraphs [7], but have difficulty with long-term semantic coherence due to the restricted size of their context windows.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [7] 7. Emily M Bender, Timnit Gebru, Angelina McMillan-Major, and Shmargaret Shmitchell. 2021. On the Dangers of Stochastic Parrots: Can Language Models Be Too Big? (2021), 610-623. source
Probably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductown dataThe study and data collection process received validation and approval from HuBREC, an ethics committee at DeepMind with external academic members and chair.
“Our study and data collection process was validated and approved by HuBREC (Human Behavioral Research Ethics Committee), which is a research ethics committee run within Deepmind which includes and is chaired by academics from outside the company.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Study design and conductown dataInterview feedback was first analyzed separately by two investigators to extract themes, and their analyses were then merged and jointly summarized into seven major themes.
“Feedback was analysed first separately by two investigators to extract different themes, then their respective analyses were merged and jointly summarised into seven major themes.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductown dataOver the course of the interviews, the authors incorporated feedback by making small, incremental changes to the prompt prefix sets of Dramatron.
“Over the course of the interviews, we incorporate the feedback we could by making small, incremental changes to the prompt prefix sets of Dramatron.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenPrompts were chosen and reworded so that LLM outputs could be parsed into components with high probability of success.
“We chose and reworded the prompts so that the outputs of the LLM could be parsed into various components (title, character description, etc.) with high probability of success.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationChung et al. discuss how AI-based creativity support tools augment and automate parts of an artist's support network.
“Along similar lines, Chung et al. [20] discuss how AI-based creativity support tools augment and automate portions of an artist's support network.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [20] 20. John Joon Young Chung, Shiqing He, and Eytan Adar. 2022. Artist Support Networks: Implications for Future Creativity Support Tools. Proceedings of Designing Interactive Systems: DIS'22 (2022). source
Probably not a substantial claim: may not pass S3 (load-bearing).
Interpretationown dataThis reinforces the observations during interviews about criticism of log line-based conditioning for generating theatre scripts.
“This reinforces our observations during interviews (see the criticism of log line-based conditioning for generating theatre scripts in Section 5.6).”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
InterpretationreasoningThe usefulness of LLMs as writing tools grows as they produce more coherent outputs.
“their utility as writing tools increases as they generate more coherent outputs.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Interpretationown dataThis finding aligns with observations in the interactive sessions where participants tended to delete degenerate repetitions.
“This finding aligns with our observations in the interactive sessions where participants tended to delete degenerate repetitions”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Interpretationnone givenOur distance measures are treated as signs of how much participants engaged with Dramatron.
“We interpret our distance measures as indicators of engagement with Dramatron.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationThe Tale Brush graphical tool introduced story arc generation, drawing on Kurt Vonnegut's theory about the protagonist's fortune over the course of a story.
“Story arc generation was introduced in the Tale Brush graphical tool [21], using Kurt Vonnegut's theory about the fortune of the protagonist as the story progresses.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [21] 21. John Joon Young Chung, Wooseok Kim, Kang Min Yoo, Hwaran Lee, Eytan Adar, and Minsuk Chang. 2022. TaleBrush: Sketching Stories with Generative Pretrained Language Models. In CHI Conference on Human Factors in Computing Systems. 1-19. source
Probably not a substantial claim: may not pass S3 (load-bearing).
Interpretationown dataThe sentiment partially modulates how generalizable the findings are over longer term engagements.
“While this sentiment partially modulates how generalizable the findings are over longer term engagements”
Quote in the paperNot a substantial claim- The authors state this as an assumption: A single engagement of co-writing alongside Dramatron might exhibit novelty effects.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationCommon sense and logical consistency remain elusive goals for LLMs.
“While common sense and logical consistency is an elusive goal for LLMs [7]”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [7] 7. Emily M Bender, Timnit Gebru, Angelina McMillan-Major, and Shmargaret Shmitchell. 2021. On the Dangers of Stochastic Parrots: Can Language Models Be Too Big? (2021), 610-623. source
May combine two claims.
PremisecitationUnlike our approach, that work did not generate characters alongside a synopsis and started flat dialogue generation from manually input two-line exchanges between characters.
“In contrast to our approach, they did not generate characters alongside synopsis and would start the”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim. May combine two claims. The quote only partly states this claim.
InterpretationreasoningPositive relative Levenshtein distance scores indicate active writing with Dramatron, while negative scores indicate passive acceptance of Dramatron.
“Positive scores for relative Levenshtein distance indicate one aspect of active writing with Dramatron, while negative scores for relative Levenshtein distance indicate one aspect of passive acceptance of Dramatron (choosing among generated text seeds is another aspect of interaction not accounted for with this metric).”
Quote in the paperSubstantial claimClassified as probably not a substantial claim.
InterpretationreasoningThe creative team's reflections indicate that co-written scripts are useful.
“These reflections discussed by the creative team reflect the usefulness of co-written scripts.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationThat work only served the production of one specific theatrical play and was not evaluated within a diverse community of writers.
“Their work also only served the production of a specific theatrical play rather than being evaluated within a diverse community of writers.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing), S4 (based).
Interpretationnone givenThe distance measures are interpreted as indicators of engagement with Dramatron.
“We interpret our distance measures as indicators of engagement with Dramatron.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
InterpretationreasoningThe co-creativity of a system like Dramatron extends beyond the playwright and the system to include the performer on stage who works with the generated and edited text.
“The co-creativity of a system such as Dramatron extends beyond the playwright and Dramatron, and to the performer on the stage working with the generated and edited text.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
InterpretationreasoningOne interpretation is that Dramatron is seen by industry experts not as a full script writing tool but rather as a learning tool to practice writing and a source of inspiration.
“One interpretation is that Dramatron is seen by the industry experts not as much as a full script writing tool but rather as a learning tool to practice writing and a source of inspiration”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing), S4 (based).
InterpretationreasoningHierarchical generation can be used in various ways to improve the long-range coherence of long texts.
“Hierarchical generation can be leveraged in various ways to improve the long-range coherence of long texts.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable), S3 (load-bearing).
InterpretationcitationAI-based creativity support tools may need to match artists' expectations of collaboration, similar to their interactions with human collaborators, such as sub-contracting, co-creation, or inspiration.
“These tools may need to conform to the artists' expectations of collaboration, similarly to the types of interactions they have with human collaborators: for example, sub-contracting, co-creation, or inspiration.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Interpretationown dataCultural and economic factors contribute to differences between writing screenplays and writing theatre scripts.
“Cultural and economic factors also lead to differences in the writing of screenplays and theatre scripts:”
Quote in the paperNot a substantial claim
The paper relies on this without support.
The few grammatical errors made by the LLM can be fixed by the human co-writer.
“We do not evaluate Dramatron outputs for grammatical correctness as [80], as the few errors made by the LLM can be fixed by the human co-writer.”
The authors state this as an assumption.
A single engagement of co-writing alongside Dramatron might exhibit novelty effects.
“One potentially confounding factor is that a single engagement of co-writing alongside Dramatron might exhibit some sort of novelty effects.”
The paper relies on this without support.
Creative writing for theatre is fundamentally interactive between storytellers and the audience.
“Creative writing for theatre is fundamentally interactive: not just between collaborating storytellers, but between storytellers and the audience.”
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
Pride in the outcome was lower for wr-AI-ter (46%) than for Dramatron.
“However, pride of outcome was lower for wr-AI-ter (46%) compared to Dramatron.”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1.4 assigns the 46% pride figure to participants evaluating Dramatron, not wr-AI-ter. The paper does not make the claimed comparison between the two tools. (LLM, conf=0.90)
Checked by a reasoning model — may be wrong.
Experimental — accuracy not yet measuredUniqueness was reported by 14% of wr-AI-ter users and 69% of Dramatron users.
“The perception of uniqueness presents a signifcant divergence, with Dramatron's outputs being considered unique by 69% of participants, in contrast to wr-AI-ter's 14%.”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1.1 reports that 69% of Dramatron survey respondents agreed the scripts felt unique. Our copy does not report a 14% uniqueness rating for wr-AI-ter or a comparison between the two tools (searched: “wr-AI-ter 14% uniqueness” and “unique 69% 14% comparison”). No page number was available in the indexed passages. (LLM, conf=0.86)
Experimental — accuracy not yet measuredHelpfulness approval was 71% for wr-AI-ter and 84% for Dramatron.
“Both tools were seen as helpful, with Dramatron receiving an 84% approval rating in this regard, compared to wr-AI-ter's substantial 71%.”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1.2 reports that 84% of respondents agreed Dramatron was helpful. The cited paper's survey results do not provide the claimed 71% helpfulness rating for wr-AI-ter, so only the Dramatron part is supported. (LLM, conf=0.88)
Experimental — accuracy not yet measuredwr-AI-ter produced a higher sense of ownership (57%) than Dramatron.
“Our results showed a higher sense of ownership (57%) for the results generated by wr-AI-ter”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1.5 reports low ownership of scripts co-written with Dramatron: more than half of respondents felt they did not own the result. The paper does not evaluate wr-AI-ter or report its 57% figure, which the citing sentence presents as the citing authors’ own result. It supports the Dramatron side of the comparison, but not the full comparative claim. (LLM, conf=0.86)
Experimental — accuracy not yet measuredEase-of-use agreement was lower for wr-AI-ter (48%) than for Dramatron (61%).
“Ease of use was a split opinion for Dramatron (61% agreement), while wr-AI-ter experienced a lower agreement (48%).”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1.4 reports that opinion on Dramatron’s ease of use was split, with 61% agreeing. The cited paper’s survey concerns Dramatron; it does not report the claimed 48% agreement for wr-AI-ter or establish the comparison. (LLM, conf=0.88)
Experimental — accuracy not yet measured
Surprise was 35% for wr-AI-ter and 92% for Dramatron.
“The diference in the element of surprise between wr-AI-ter and Dramatron (35% vs. 92%)”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1.1 reports that 92% of Dramatron survey respondents agreed they were surprised by the AI system’s responses. Our copy does not report a 35% surprise figure for wr-AI-ter or compare the two systems on that measure (searched: “wr-AI-ter” and “35%”). No page number was available for the passage. (LLM, conf=0.87)
Experimental — accuracy not yet measuredThe surprise question (Q9) is no longer comparable with the Dramatron survey because LLMs were less well known at that time.
“Therefore, Q9 is no longer comparable with the answers of the participants in the Dramatron survey, as LLMs were even less well known at that time.”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1 confirms that the Dramatron survey asked whether participants were surprised by the AI system’s responses, and §6.1.6 raises novelty as a possible confounding factor. The paper does not say that the citing paper’s Q9 is no longer comparable with its survey or that LLMs were less well known at the time; those parts of the claim are unsupported by our copy. (LLM, conf=0.82)
Experimental — accuracy not yet measuredEnjoyment was 71% for wr-AI-ter and 77% for Dramatron.
“The enjoyment levels (71% for wr-AI-ter) remain high, albeit slightly lower than Dramatron's 77%”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Section 6.1.1 reports that 77% of Dramatron survey respondents agreed they enjoyed writing with the AI system. The paper does not report a 71% enjoyment figure for wr-AI-ter, so it supports only the Dramatron side of the comparison. (LLM, conf=0.88)
Experimental — accuracy not yet measuredEmpirical studies describing how users evaluate LLMs are still a minority and difficult to generalise due to variation of participants, methods, systems, and disciplinary perspectives.
“Empirical studies describing how users evaluate LLMs are still a minority and difficult to generalise due to a variation of participants, methods, systems, and disciplinary perspectives [13,27,28,38,47].”
From Playwriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes (2024) · cites this paper as [38]
The Introduction and Evaluation Methods describe an empirical study of how 15 industry professionals used and evaluated Dramatron. The paper therefore provides an example of user evaluation, but the cited passages do not establish that such studies are a minority or that variation across participants, methods, systems, and disciplines makes their findings difficult to generalise. (LLM, conf=0.82)
Experimental — accuracy not yet measuredLLMs are often described as biased, perpetuate stereotypes, and jeopardise trust in generated content.
“The models are often described as biased.They perpetuate stereotypes and jeopardise trust in the generated content [27,38].”
From Playwriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes (2024) · cites this paper as [38]
Section 5.3.2 describes generated outputs as biased and stereotypical, and Section 7.3.1 reports that participants noticed biases, particularly around gender. The paper does not establish that these outputs jeopardise trust in generated content. (LLM, conf=0.86)
Experimental — accuracy not yet measuredA final barrier to LLMs for creative writing is the politics embedded in LLMs.
“A final barrier was identified in the politics embedded in LLMs.”
From Playwriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes (2024) · cites this paper as [38]
Section 5.3.2 reports that participants found gender bias, ageism, and stereotypical content in LLM outputs, and Section 7.3.1 identifies these as ethical concerns. Those findings support a concern about social biases in creative-writing tools, but the paper does not identify a general barrier it calls the “politics embedded in LLMs.” (LLM, conf=0.77)
Experimental — accuracy not yet measuredPrior participants reported utility of LLMs for editorial tasks and acknowledged potential for idea generation.
“Not only did the participants report utility for editorial tasks [27,42,47], but they also acknowledge potential for idea generation [13,38,42].”
From Playwriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes (2024) · cites this paper as [38]
Section 5.2.1 reports that participants found Dramatron useful for inspiration, including getting ideas when stuck. Section 5.7 records requests for AI-assisted rewriting and refinement, but does not report that participants found the LLM useful for editorial tasks; the editing described in Sections 3.6 and 6.2 was done by the human writers. (LLM, conf=0.84)
Experimental — accuracy not yet measuredPast research involving media artists with a long history of experimenting with generative AI highlighted a more positive evaluation and stronger acceptance.
“Indeed, past research involving media artists with a long history of experimenting with generative AI highlighted a more positive evaluation and stronger acceptance [38].”
From Playwriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes (2024) · cites this paper as [38]
Sections 6.1.1–6.1.2 report positive evaluations of co-writing with Dramatron by screenwriters and playwrights. The participant-survey section distinguishes prior experience with AI writing tools, but the cited passages do not establish a long history of experimentation among these artists or show that they had stronger acceptance than another group. (LLM, conf=0.86)
Experimental — accuracy not yet measuredAI can disrupt creative economies, which may face user objections.
“Key risks include potential job displacement via automation [191], generating inappropriate or harmful content [199], and disrupting creative economies, which may face user objections [122].”
From Exploring Collaboration Patterns and Strategies in Human-AI Co-creation through the Lens of Agency: A Scoping Review of the Top-tier HCI Literature (2025) · cites this paper as [122]
Expression of creative goals was affirmed by 21% of wr-AI-ter users, compared with 77% of Dramatron users.
“Dramatron's capacity for expressing creative goals was afrmed by 77% of its users, a contrast to the 21% in our study.”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
More than half of Dramatron's respondents did not feel ownership of AI-generated scripts.
“After realizing that more than half of Dramatron's respondents did not feel ownership of the scripts generated by the AI”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Collaboration agreement was 43% for wr-AI-ter and 77% for Dramatron.
“the sense of collaboration with the AI system was more pronounced in Dramatron's evaluation (77% agreement) compared to our fndings (43% agreement)”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
The study used 5-point Likert-type scales and adapted the same questions as Dramatron to ensure comparability.
“To ensure optimal comparability with the Dramatron framework, our methodology adapted the same questions highlighted in [25,35], employing 5-point Likert-type scales.”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Dramatron is seen not as a professional scriptwriting tool but as a learning tool or resource.
“One interpretation was that Dramatron is not seen as a professional scriptwriting tool, but rather as a learning tool to practice writing or as a resource [25].”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
The wr-AI-ter results compare favorably to Dramatron but are slightly less positive than Wordcraft.
“Additionally, our results compare favorably to those from Dramatron but are slightly less positive when compared to Wordcraft.”
From wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing (2024) · cites this paper as [25]
Just a fraction of user studies on professional writers' perception and use of AI systems focused on theatre.
“of which just a fraction focused on theatre [36,38,40].”
From Playwriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes (2024) · cites this paper as [38]
Many technical limitations hamper the application of LLMs to creative writing, including short memory, lack of semantic coherence, and common-sense and contextual awareness.
“However, many technical limitations hamper the application of LLMs to creative writing.They include short memory [36,40], lack of semantic coherence [28,40], and common-sense and contextual awareness [36,38].”
From Playwriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes (2024) · cites this paper as [38]
AI has the potential to support a variety of creative writing activities and aspects of the creative writing process.
“Such research has demonstrated that AI has the potential to support a variety of creative writing activities and aspects of the creative writing process.”
From Where Do I 'Add the Egg'?: Exploring Agency and Ownership in AI Creative Co-Writing Systems (2026) · cites this paper as [42]
The Dramatron system explores integration of LLMs into screenwriting but focuses solely on LLMs, neglecting impact of AI-generated images and videos.
“a recent work closely related to ours is the Dramatron system [70], which explores the integration of LLMs into screenwriting. However, it focuses solely on LLMs, neglecting the impact of AI-generated images and videos.”
From Understanding Screenwriters' Practices, Attitudes, and Future Expectations in Human-AI Co-Creation (2025) · cites this paper as [70]
Recent studies on LLM-assisted playwriting and Dramatron focus solely on LLMs, neglecting advancements in AI-generated images and videos.
“However, these studies focus solely on LLMs, neglecting advancements in AI-generated images and videos.”
From Understanding Screenwriters' Practices, Attitudes, and Future Expectations in Human-AI Co-Creation (2025) · cites this paper as [70]
Advanced LLMs can potentially reduce the workload of generating text variations.
“Advanced Large Language Models (LLMs) such as ChatGPT [68], GPT-4 [69], PaLM 2 [32], LLaMA 2 [90], and Gemini [73] can enable writers to generate multiple variations of text via natural language prompting [8,15,26,66], potentially reducing the workload of generating text variations.”
From ABScribe: Rapid Exploration & Organization of Multiple Writing Variations in Human-AI Co-Writing Tasks using Large Language Models (2024) · cites this paper as [66]
Advanced LLMs can enable writers to generate multiple variations of text via natural language prompting.
“Advanced Large Language Models (LLMs) such as ChatGPT [68], GPT-4 [69], PaLM 2 [32], LLaMA 2 [90], and Gemini [73] can enable writers to generate multiple variations of text via natural language prompting [8,15,26,66], potentially reducing the workload of generating text variations.”
From ABScribe: Rapid Exploration & Organization of Multiple Writing Variations in Human-AI Co-Writing Tasks using Large Language Models (2024) · cites this paper as [66]
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
Each contradiction between two passages listed here was confirmed by an independent check.
Jaccard calculation reverses the stated meaning of similarity
MinorIntersection divided by union measures similarity, not distance. Subtracting that ratio from 1 would make identical sets score 0 and disjoint sets score 1, the reverse of the paper's stated interpretation; read literally as subtracting the distance by 1, the result could also be negative.
“To calculate Jaccard similarity, we first calculate the Jaccard distance, which is calculated by dividing the cardinality of the intersection of two sets and by the cardinality of their union.By subtracting Jaccard distance by 1, we obtain the Jaccard similarity.”
“Jaccard metrics are scaled between 0 and 1, with 0 representing zero set similarity and 1 representing total set similarity.”
Ethics committee described as both external and internal
MinorThe paper first calls the reviewing board external to DeepMind, but later says the approving committee is run within DeepMind. Having external academics on an internal committee does not make the committee external.
“Our study design and data collection process was validated by an ethical review board external to DeepMind.”
“Our study and data collection process was validated and approved by HuBREC (Human Behavioral Research Ethics Committee), which is a research ethics committee run within Deepmind which includes and is chaired by academics from outside the company.”
Relative edit distance cannot have negative scores
MinorThe defined metric divides a nonnegative edit distance by a text length, so it cannot be negative. The later interpretation of negative relative-distance scores conflicts with that definition.
“To do this, we calculate a relative Levenshtein distance as the ratio of the raw Levenshtein distance between edited and non-edited (Dramatron) output text to the length of original Dramatron output.”
“Positive scores for relative Levenshtein distance indicate one aspect of active writing with Dramatron, while negative scores for relative Levenshtein distance indicate one aspect of passive acceptance of Dramatron”
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PlotMachines: Outline-Conditioned Generation with Dynamic Plot State TrackingPreprint
Rashkin, H., Çelikyılmaz, A., Choi, Y., et al. (2020) · arXiv (Cornell University) · doi:10.48550/arxiv.2004.14967 · Cited by 44 · see citing works
Schmitt, O., & Buschek, D. (2021) · Creativity and Cognition · doi:10.1145/3450741.3465253 · Cited by 41 · see citing works
Faithful Reasoning Using Large Language Models
Creswell, A., & Shanahan, M. (2022) · arXiv · doi:10.48550/arxiv.2208.14271 · Cited by 37 · see citing works
PLANET: Dynamic Content Planning in Autoregressive Transformers for Long-form Text Generation
Hu, Z., Chan, H. P., Liu, J., Xiao, X., Wu, H., & Huang, L. (2022) · Proceedings of the conference - Association for Computational Linguistics. Meeting · doi:10.18653/v1/2022.acl-long.163 · Cited by 33 · see citing works
Edgar, D. (2010) · doi:10.5860/choice.48-0756 · Cited by 32
Computational Modeling of Narrative
Mani, I. (2012) · Synthesis lectures on human language technologies · doi:10.2200/s00459ed1v01y201212hlt018 · Cited by 31 · cited 1× · see citing works
“The finding that narratives in many societies and in various languages make use of large, modular elements has inspired the use of models of narrative in automated storytelling, as can be seen in fields such as computational narratology [55, 65].”
BackgroundImprovised Theatre Alongside Artificial Intelligences
Mathewson, K., & Mirowski, P. (2017) · Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment · doi:10.1609/aiide.v13i1.12926 · Cited by 31 · see citing works
Self-citationproScript: Partially Ordered Scripts Generation
Sakaguchi, K., Bhagavatula, C., Bras, R. J. L., Tandon, N., Clark, P. E., & Choi, Y. (2021) · Findings of the Association for Computational Linguistics: EMNLP (Findings of EMNLP) · doi:10.18653/v1/2021.findings-emnlp.184 · Cited by 30 · cited 2× · see citing works
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BackgroundMethodViewpoint: AI as Author – Bridging the Gap Between Machine Learning and Literary Theory
Van Heerden, I., & Bas, A. (2021) · Journal of Artificial Intelligence Research · doi:10.1613/jair.1.12593 · Cited by 29 · see citing works
The Effects of Crowd Worker Biases in Fact-Checking Tasks
Draws, T., La Barbera, D., Soprano, M., Roitero, K., Ceolin, D., Checco, A., & Mizzaro, S. (2022) · 2022 ACM Conference on Fairness Accountability and Transparency · doi:10.1145/3531146.3534629 · Cited by 23 · see citing works
Mapping the Design Space of Human-AI Interaction in Text Summarization
Cheng, R., Smith, A., Zhang, K., Tetreault, J., & Jaimes-Larrarte, A. (2022) · Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies (NAACL-HLT) · doi:10.18653/v1/2022.naacl-main.33 · Cited by 22 · see citing works
Read, Revise, Repeat: A System Demonstration for Human-in-the-loop Iterative Text Revision
Du, W., Kim, Z. M., Raheja, V., Kumar, D., & Kang, D. (2022) · Workshop on Intelligent and Interactive Writing Assistants (In2Writing) · doi:10.18653/v1/2022.in2writing-1.14 · Cited by 22 · cited 3× · see citing works
“Some studies consulted with expert linguists [31], university students in the sciences [42] or humanities [123], and amateur writers [2, 21, 62, 100, 125].”
BackgroundWardrip–Fruin, N. (2018) · Routledge eBooks · doi:10.4324/9781315730479-47 · Cited by 20 · see citing works
THE THIRTY-SIX DRAMATIC SITUATIONS:
(2017) · Utah State University Press eBooks · doi:10.2307/j.ctt4cgmsf.37 · Cited by 20 · see citing works
Improbotics: Exploring the Imitation Game Using Machine Intelligence in Improvised Theatre
Mathewson, K., & Mirowski, P. (2018) · Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment · doi:10.1609/aiide.v14i1.13030 · Cited by 18 · cited 2× · see citing works
“Examples of such creative uses of LLMs include the generation of the script of short film Sunspring (2016) [76], It’s No Game (2017) or Sollicitors (2020) [1], improvisational theatre alongside robots by company Improbotics (2016) [10, 67, 69, 70], collaborative script writing for theatre play AI [109], and THEaiTRE c…”
BackgroundSelf-citationImprovised Comedy as a Turing TestPreprint
Mathewson, K. W., & Mirowski, P. (2017) · arXiv (Cornell University) · doi:10.48550/arxiv.1711.08819 · Cited by 17 · see citing works
Self-citationStrategies for Structuring Story GenerationPreprint
Fan, A., Lewis, M., & Dauphin, Y. (2019) · arXiv (Cornell University) · doi:10.48550/arxiv.1902.01109 · Cited by 17 · see citing works
Story Realization: Expanding Plot Events into Sentences
Ammanabrolu, P., Tien, E., Cheung, W., Luo, Z., Ma, W., Martin, L. J., & Riedl, M. O. (2020) · Proceedings of the AAAI Conference on Artificial Intelligence · doi:10.1609/aaai.v34i05.6232 · Cited by 16 · cited 2× · see citing works
“[4] Prithviraj Ammanabrolu, Ethan Tien, Wesley Cheung, Zhaochen Luo, William Ma, Lara J Martin, and Mark O Riedl.”
BackgroundMethodRumelhart, D. E. (1980) · Cognitive Science · doi:10.1016/s0364-0213(80)80007-3 · Cited by 15 · see citing works
Linguistic Features of Helpfulness in Automated Support for Creative Writing
Roemmele, M., & Gordon, A. S. (2018) · Workshop on Storytelling (StoryNLP) · doi:10.18653/v1/w18-1502 · Cited by 13 · cited 3× · see citing works
“[91] Melissa Roemmele and Andrew Gordon.”
BackgroundMethod(2005) · Medical Entomology and Zoology · Cited by 13 · see citing works
Plot-guided Adversarial Example Construction for Evaluating Open-domain Story Generation
Ghazarian, S., Liu, Z., Akash, S., Weischedel, R., Galstyan, A., & Peng, N. (2021) · Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies (NAACL-HLT) · doi:10.18653/v1/2021.naacl-main.343 · Cited by 12 · cited 3× · see citing works
“4, automated and machine-learned metrics typically calculate 1) the similarity between generated and “ground truth” stories [38, 39, 88, 105], the 2) consistency between generated stories and their writing prompts [92, 102], or 3) the diversity of language in the generated output [43, 45, 46, 88, 127].”
BackgroundMethodXu, P., Patwary, M., Shoeybi, M., Puri, R., Fung, P., Anandkumar, A., & Catanzaro, B. (2020) · arXiv · doi:10.48550/arxiv.2010.00840 · Cited by 12 · see citing works
Collaborative Storytelling with Human Actors and AI Narrators
Branch, B., Mirowski, P., & Mathewson, K. W. (2021) · arXiv · doi:10.48550/arxiv.2109.14728 · Cited by 11 · see citing works
Self-citationShaping the Narrative Arc: An Information-Theoretic Approach to Collaborative DialoguePreprint
Mathewson, K. W., Castro, P. S., Cherry, C. A., Foster, G. F., & Bellemare, M. G. (2019) · arXiv (Cornell University) · doi:10.48550/arxiv.1901.11528 · Cited by 10 · see citing works
Self-citationAutomatic Story Generation: Challenges and AttemptsPreprint
Alabdulkarim, A., Li, S., & Peng, X. (2021) · arXiv (Cornell University) · doi:10.48550/arxiv.2102.12634 · Cited by 7 · cited 3× · see citing works
“While their use is primarily limited to assisting in natural language processing tasks [28, 114], these models show particular promise for automatic story generation [3, 89] as an augmentative tool for human writers.”
BackgroundMachine-in-the-Loop Rewriting for Creative Image Captioning
Padmakumar, V., & He, H. (2022) · Proceedings of the 2022 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies · doi:10.18653/v1/2022.naacl-main.42 · Cited by 7 · cited 3× · see citing works
“Each question was answered on a 5-point Likert-type scale, using questions adapted from [22, 58, 80, 108, 125].”
BackgroundMethodHuman Improvised Theatre Augmented with Artificial Intelligence
Mirowski, P., & Mathewson, K. W. (2019) · Proceedings of the 2019 on Creativity and Cognition · doi:10.1145/3325480.3326547 · Cited by 6 · cited 3× · see citing works
“Automatic generation of stories with dialogue has been used to populate digital worlds in video games, interactive narratives, entertainment, virtual worlds [82], artistic performances [48], improvised theatre [10, 70, 75], short film scripts like Sunspring in 2016, song music lyrics for musical Beyond the Fence in 20…”
BackgroundMethodSelf-citationGenre-Controllable Story Generation via Supervised Contrastive Learning
Cho, J.-U., Jeong, M.-S., Bak, J., & Cheong, Y.-G. (2022) · International World Wide Web Conference (WWW) · doi:10.1145/3485447.3512004 · Cited by 6 · cited 2× · see citing works
“[19] trained genre-controlled short story generators.”
BackgrounddAIrector: Automatic Story Beat Generation through Knowledge SynthesisPreprint
Eger, M., & Mathewson, K. W. (2018) · arXiv (Cornell University) · doi:10.48550/arxiv.1811.03423 · Cited by 6 · see citing works
Self-citationAssessing Open-Ended Human-Computer Collaboration Systems: Applying a Hallmarks Approach
Kozierok, R., Aberdeen, J. S., Clark, C., Garay, C. D., Goodman, B. A., Korves, T. M., Hirschman, L., McDermott, P. L., & Peterson, M. (2021) · Frontiers in Artificial Intelligence · doi:10.3389/frai.2021.670009 · Cited by 6 · see citing works
Feature-rich continuous language models for speech recognition
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“[74] Piotr Mirowski, Sumit Chopra, Suhrid Balakrishnan, and Srinivas Bangalore.”
BackgroundMethodSelf-citationA Recipe For Arbitrary Text Style Transfer with Large Language ModelsPreprint
Reif, E., Ippolito, D., Yuan, A., et al. (2021) · arXiv (Cornell University) · doi:10.48550/arxiv.2109.03910 · Cited by 5 · see citing works
Sparks: Inspiration for Science Writing using Language Models
Gero, K. I., Liu, V., & Chilton, L. B. (2022) · Workshop on Intelligent and Interactive Writing Assistants (In2Writing) · doi:10.18653/v1/2022.in2writing-1.12 · Cited by 5 · see citing works
The Human Nature of Playwriting
Pettet, E. B., & Raphaelson, S. (1950) · Educational Theatre Journal · doi:10.2307/3204295 · Cited by 4 · cited 1× · see citing works
“That said, previous works have attempted to distill common patterns and lessons for writing theatre scripts [33, 87] and screenplays [106].”
BackgroundGPT-2-based Human-in-the-loop Theatre Play Script Generation
Rosa, R., Schmidtová, P., Dušek, O., Musil, T., Mareček, D., Islam, S. O. U., Novàkovâ, M., Vosecká, K., & Doležal, J. (2022) · doi:10.18653/v1/2022.wnu-1.4 · Cited by 4 · cited 5× · see citing works
“Hierarchical generation of a theatre play was first mentioned and used in [93, 95] for the production of AI: Can a Robot Write a Play? by company THEaiTRE in 2021 in Prague 9 .”
BackgroundMethodInfluentialMapping the Design Space of Human-AI Interaction in Text Summarization
Cheng, R., Smith-Renner, A., Zhang, K., Tetreault, J. R., & Jaimes, A. (2022) · arXiv · doi:10.48550/arxiv.2206.14863 · Cited by 4 · see citing works
THEaiTRE: Artificial Intelligence to Write a Theatre PlayPreprint
Rosa, R., Dušek, O., Kocmi, T., Mareček, D., Musil, T., Schmidtová, P., Jurko, D., Bojar, O., Hrbek, D., Košťák, D., et al. (2020) · arXiv (Cornell University) · doi:10.48550/arxiv.2006.14668 · Cited by 4 · see citing works
Narrative Plan Generation with Self-Supervised Learning
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“Recently, research has explored open-story generation using machine learning techniques which leverage large datasets, massive deep learning models, increased compute capacity, and large language model prompt engineering [11, 14, 38, 83, 89, 102].”
BackgroundTHEaiTRE 1.0: Interactive generation of theatre play scripts
Rosa, R., Musil, T., Dušek, O., Jurko, D., Schmidtová, P., Mareček, D., Bojar, O., Kocmi, T., Hrbek, D., Košťák, D., et al. (2021) · arXiv · doi:10.48550/arxiv.2102.08892 · Cited by 3 · see citing works
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Plot Writing From Pre-Trained Language Models
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Controlled Cue Generation for Play ScriptsPreprint
Dirik, A., Dönmez, H., & Yanardag, P. (2021) · arXiv (Cornell University) · doi:10.48550/arxiv.2112.06953
DialogueScript: Using Dialogue Agents to Produce a ScriptPreprint
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BERT: Pre-training of Deep Bidirectional Transformers for Language Understanding
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Do Massively Pretrained Language Models Make Better Storytellers?
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Evaluating Coherence in Dialogue Systems using Entailment
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Self-citationEvent Representations for Automated Story Generation with Deep Neural Nets
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Plotter: Operationalizing the Master Book of All Plots
Eger, M., Potts, C., Barot, C., et al. (2015) · Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment · doi:10.1609/aiide.v11i4.12835
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Cited by
Sorted by citations
When combinations of humans and AI are useful: A systematic review and meta-analysis
Vaccaro, M., Almaatouq, A., & Malone, T. (2024) · Nature Human Behaviour · doi:10.1038/s41562-024-02024-1 · Cited by 570 · see citing works
“Much of the recent work on generative AI with human participants, however, tends to focus on attitudes towards the tool 44,45 , interviews or think-alouds with participants 46–48 , or user experience instead of task performance 49–51 .”
Lau, S., & Guo, P. (2023) · Proceedings of the 2023 ACM Conference on International Computing Education Research V.1 · doi:10.1145/3568813.3600138 · Cited by 241 · see citing works
“, creative writing [77]), and broader societal implications of LLMs [17].”
BackgroundHomogenization Effects of Large Language Models on Human Creative Ideation
Anderson, B. R., Shah, J. H., & Kreminski, M. (2024) · Creativity and Cognition · doi:10.1145/3635636.3656204 · Cited by 188 · see citing works
A Design Space for Intelligent and Interactive Writing Assistants
Lee, M., Gero, K. I., Chung, J. J. Y., Shum, S. B., Raheja, V., Shen, H., Venugopalan, S., Wambsganss, T., Zhou, D., Alghamdi, E. A., et al. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642697 · Cited by 136 · see citing works
“The most common mechanism is to use text formatting such”
InfluentialArt or Artifice? Large Language Models and the False Promise of Creativity
Chakrabarty, T., Laban, P., Agarwal, D., Muresan, S., & Wu, C.-S. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642731 · Cited by 135 · see citing works
“Despite focusing on short stories, TTCW also critiques story closure in TTCW Fluency4, contrasting with plays that seek non-cathartic endings for specific impacts, as seen in the Brechtian tradition.”
BackgroundMethodInfluentialOn the creativity of large language models
Franceschelli, G., & Musolesi, M. (2025) · AI & SOCIETY · doi:10.1007/s00146-024-02127-3 · Cited by 113 · see citing works
Han, Y., Qiu, Z., Cheng, J., & Lc, R. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642133 · Cited by 110 · see citing works
“The tasks include comprehension and creative writing [7, 21, 42, 62], mixed-initiative storytelling [58], artistic visual creation [5, 8, 25, 47], audio production [37, 48, 56], video generation [20], etc.”
BackgroundMethodShaping Human-AI Collaboration: Varied Scaffolding Levels in Co-writing with Language Models
Dhillon, P. S., Molaei, S., Li, J., Golub, M., Zheng, S., & Robert, L. P. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642134 · Cited by 111 · see citing works
“These adaptable models support specialized tasks such as journalistic ideation [55], visual storyboarding [18], screenplay co-creation [46], emotional composition [52], crafting help requests [36], and generating scientific paper ideas [30].”
BackgroundAI Suggestions Homogenize Writing Toward Western Styles and Diminish Cultural Nuances
Agarwal, D., Naaman, M., & Vashistha, A. (2024) · arXiv · doi:10.48550/arxiv.2409.11360 · Cited by 99
LLM for SoC Security: A Paradigm Shift
Saha, D., Tarek, S., Yahyaei, K., Saha, S. K., Zhou, J., Tehranipoor, M. M., & Farahmandi, F. (2024) · IEEE Access · doi:10.1109/access.2024.3427369 · Cited by 113 · see citing works
“In addition, because of zero-shot and few-shot learning capabilities, these models could be applied in a wide range of applications: healthcare [15], legal professions [16], creative works [17], and robotics [10].”
BackgroundAI Suggestions Homogenize Writing Toward Western Styles and Diminish Cultural Nuances
Agarwal, D., Naaman, M., & Vashistha, A. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713564 · Cited by 132 · see citing works
“Beyond creative writing, HCI researchers have also proposed tools for argumentative writing, including jour-nalism [65], scientific writing [30], email writing [46], and crafting self-introductions for networking [41].”
Qin, H. X., Jin, S., Gao, Z., Fan, M., & Hui, P. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642105 · Cited by 82 · see citing works
“…and eye color), psychological (e.g., personality traits and ambitions), social (e.g., profession and social status), and story (i.e., both the character’s backstory [108, 116, 119, 131] and their role in the current story [35, 85, 119]) dimensions [11, 16, 27–29, 33, 50, 92, 108, 116, 119, 131].”
BackgroundThe Value, Benefits, and Concerns of Generative AI-Powered Assistance in Writing
Li, Z., Liang, C., Peng, J., & Yin, M. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642625 · Cited by 81 · see citing works
“This assistance could also tailor to diverse writing tasks including stories [12, 13, 29, 41, 43, 45, 46], slogans [13], argumentative essays [29], emails [9, 19], and script writing [33].”
BackgroundKumaran, V., Rowe, J., Mott, B., & Lester, J. (2023) · Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment · doi:10.1609/aiide.v19i1.27504 · Cited by 78 · see citing works
“Recent advances in pretrained LLMs have shown great promise for use by professional writers as co-authors for screenplays and scripts (Mirowski et al. 2023).”
BackgroundA User-centered Framework for Human-AI Co-creativity
Moruzzi, C., & Margarido, S. (2024) · Extended Abstracts of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613905.3650929 · Cited by 68 · see citing works
How Beginning Programmers and Code LLMs (Mis)read Each Other
Nguyen, S., Babe, H. M., Zi, Y., Guha, A., Anderson, C. J., & Feldman, M. Q. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642706 · Cited by 81 · see citing works
Exploring the Design of Generative AI in Supporting Music-based Reminiscence for Older Adults
Jin, Y., Cai, W., Chen, L., Zhang, Y., Doherty, G. J., & Jiang, T. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642800 · Cited by 67 · see citing works
“Mirowski et al. designed a system based on LLMs for collaborative script writing by generating coherent theatre scripts and screenplays [54].”
BackgroundLAVE: LLM-Powered Agent Assistance and Language Augmentation for Video Editing
Wang, B. K., Li, Y., Lv, Z., Xia, H., Xu, Y., & Sodhi, R. (2024) · ACM International Conference on Intelligent User Interfaces (IUI) · doi:10.1145/3640543.3645143 · Cited by 72 · see citing works
“Building upon previous work that integrates natural language with video editing, we propose to instrument video editing with LLM’s versatile linguistic capabilities, e.g., storytelling and reasoning, which have proven useful in assisting various creative tasks [15, 20, 41–43, 50, 75, 82].”
BackgroundMethodInfluentialLiu, Y., Chen, S., Cheng, H., Yu, M., Ran, X., Mo, A., Tang, Y., & Huang, Y. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642698 · Cited by 61 · see citing works
“Meanwhile, the thriving of generative AI technologies has also been widely used in various fields to promote creativity [14, 48, 87].”
BackgroundChakrabarty, T., Padmakumar, V., Brahman, F., & Muresan, S. (2024) · Creativity and Cognition · doi:10.1145/3635636.3656201 · Cited by 61 · see citing works
A Confederacy of Models: a Comprehensive Evaluation of LLMs on Creative Writing
Gómez‐Rodríguez, C., & Williams, P. A. (2023) · Findings of the Association for Computational Linguistics: EMNLP (Findings of EMNLP) · doi:10.18653/v1/2023.findings-emnlp.966 · Cited by 81 · see citing works
A Taxonomy for Human-LLM Interaction Modes: An Initial Exploration
Gao, J., Gebreegziabher, S. A., Choo, K. T. W., Li, T. J.-J., Perrault, S. T., & Malone, T. W. (2024) · Extended Abstracts of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613905.3650786 · Cited by 57 · see citing works
“…LLM’s capability to discern user intent and generate or modify outputs accordingly, researchers have proposed augmenting LLMs with enhanced reasoning abilities to expand their problem-solving capacity beyond basic inquiries such as mathematical problem-solving [42] and argumentative writing [48].”
Reza, M., Laundry, N. M., Musabirov, I., Dushniku, P., Yu, Z. Y. “., Mittal, K., Grossman, T., Liut, M., Kuzminykh, A., & Williams, J. J. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3641899 · Cited by 52 · see citing works
“Recent HCI studies on LLM-based tool design have mainly focused on prompt engineering [6, 16, 46, 55, 94, 98] and exploring the generative capabilities of LLMs [50, 58, 63, 67, 97].”
Pang, R. Y., Schroeder, H., Smith, K. S., Barocas, S., Xiao, Z., Tseng, E., & Bragg, D. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713726 · Cited by 68 · see citing works
Evaluating language models for mathematics through interactions
Collins, K. M., Jiang, A. Q., Frieder, S., Wong, L., Zilka, M., Bhatt, U., Lukasiewicz, T., Wu, Y.-H., Tenenbaum, J., Hart, W., et al. (2023) · Proceedings of the National Academy of Sciences of the United States of America · doi:10.1073/pnas.2318124121 · Cited by 130 · see citing works
DATATALES: Investigating the use of Large Language Models for Authoring Data-Driven Articles
Sultanum, N., & Srinivasan, A. (2023) · 2023 IEEE Visualization and Visual Analytics (VIS) · doi:10.1109/vis54172.2023.00055 · Cited by 52 · see citing works
“These include creative writing support tools such as plot suggestions [30], journalistic angle ideation [24] and co-writing of theater scripts [21]; as well as technical writing support such as argumentative writing [41], scientific writing [9], and reverse outlining for manuscript revision [4].”
BackgroundGenQuery: Supporting Expressive Visual Search with Generative Models
Son, K., Choi, D., Kim, T. S., Kim, Y., & Kim, J. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642847 · Cited by 53 · see citing works
“For screen-play writing, Dramatron [38] generates characters, descriptions, and actions based on a writer’s outline to help them ideate on how to further progress and develop their screenplay.”
BackgroundHoque, M. N., Mashiat, T., Ghai, B., Shelton, C. D., Chevalier, F., Kraus, K., & Elmqvist, N. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3641895 · Cited by 48 · see citing works
DesignFusion: Integrating Generative Models for Conceptual Design Enrichment
Chen, L., Jing, Q., Tsang, Y., Wang, Q., Sun, L., & Luo, J. (2024) · Journal of Mechanical Design · doi:10.1115/1.4065487 · Cited by 53 · see citing works
ReelFramer: Human-AI Co-Creation for News-to-Video Translation
Wang, S., Menon, S., Long, T., Henderson, K., Li, D., Crowston, K., Hansen, M., Nickerson, J. V., & Chilton, L. B. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642868 · Cited by 70 · see citing works
“There is obvious potential to generate scripts and screenplays, which has been explored before [27].”
BackgroundMethodSketchar: Supporting Character Design and Illustration Prototyping Using Generative AI
Ling, L., Chen, X., Wen, R., Li, T. J.-J., & LC, R. (2024) · Proceedings of the ACM on Human-Computer Interaction · doi:10.1145/3677102 · Cited by 52 · see citing works
“Recent research has employed GenAI to aid users in expressing their ideas [17, 25, 53].”
The Silicon Ceiling: Auditing GPT’s Race and Gender Biases in Hiring
Armstrong, L., Liu, A., MacNeil, S., & Metaxa, D. (2024) · ACM Conference on Equity and Access in Algorithms, Mechanisms, and Optimization (EAAMO) · doi:10.1145/3689904.3694699 · Cited by 59 · see citing works
“Their promise of increased efficiency has led to numerous new LLM-powered systems for tasks including writing [38, 52, 63, 94], software engineering [28, 65], and design [30, 32, 43].”
Help me write a poem: Instruction Tuning as a Vehicle for Collaborative Poetry Writing
Chakrabarty, T., Padmakumar, V., & He, H. (2022) · Conference on Empirical Methods in Natural Language Processing (EMNLP) · doi:10.18653/v1/2022.emnlp-main.460 · Cited by 56 · see citing works
Large language models meet user interfaces: The case of provisioning feedback
Pozdniakov, S., Brazil, J., Abdi, S., Bakharia, A., Sadiq, S., Gašević, D., Denny, P., & Khosravi, H. (2024) · Computers and Education: Artificial Intelligence · doi:10.1016/j.caeai.2024.100289 · Cited by 43 · see citing works
FigurA11y: AI Assistance for Writing Scientific Alt Text
Singh, N., Wang, L. L., & Bragg, J. (2024) · Proceedings of the 29th International Conference on Intelligent User Interfaces · doi:10.1145/3640543.3645212 · Cited by 42 · see citing works
“A common application is to open-ended tasks such as creative writing, which allow for wide-ranging suggestions useful for inspiration [32, 42, 53].”
BackgroundJeon, J., Kim, L., & Park, J. (2025) · Technology in Society · doi:10.1016/j.techsoc.2025.102836 · Cited by 41 · see citing works
Alvero, A. J., Lee, J., Regla-Vargas, A., Kizilcec, R. F., Joachims, T., & Antonio, A. L. (2024) · Journal of Big Data · doi:10.1186/s40537-024-00986-7 · Cited by 48 · see citing works
“Concurrently, others are employing LLMs to create tools that are capable of generating personalized feedback from open-ended responses for students [58] and even collaborate with writers to co-author screenplays and scripts [60].”
BackgroundTowards a Diffractive Analysis of Prompt-Based Generative AI
Rajcic, N., Llano Rodriguez, M. T., & McCormack, J. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3641971 · Cited by 37 · see citing works
'It was 80% me, 20% AI': Seeking Authenticity in Co-Writing with Large Language Models
Hwang, A. H.-C., Liao, Q. V., Blodgett, S. L., Olteanu, A., & Trischler, A. (2025) · Proceedings of the ACM on Human-Computer Interaction · doi:10.1145/3711020 · Cited by 42 · see citing works
Metacognition meets <scp>AI</scp> : Empowering reflective writing with large language models
Neshaei, S. P., Mejia‐Domenzain, P., Davis, R. L., & Käser, T. (2025) · British Journal of Educational Technology · doi:10.1111/bjet.13601 · Cited by 39 · see citing works
Fan, H., Chen, G., Wang, X., & Peng, Z. (2024) · ACM Symposium on User Interface Software and Technology (UIST) · doi:10.1145/3654777.3676390 · Cited by 38 · see citing works
“Specifically, many HCI researchers have embedded LLMs in their systems to support co-writing tasks [33, 35, 40, 44, 52], which is similar to our setting of co-writing a lesson plan with LLMs.”
BackgroundMirowski, P., Love, J., Mathewson, K., & Mohamed, S. (2024) · The 2024 ACM Conference on Fairness Accountability and Transparency · doi:10.1145/3630106.3658993 · Cited by 37 · see citing works
“Similar to previous empirical studies on the use of LLMs for creative writing [19, 21–23, 37, 49, 53, 71, 83, 114], we asked the artists about their motivations and processes for using LLMs.”
BackgroundMethodResultInfluentialSelf-citationAshkinaze, J., Mendelsohn, J., Qiwei, L., Budak, C., & Gilbert, E. (2025) · Proceedings of the ACM Collective Intelligence Conference · doi:10.1145/3715928.3737481 · Cited by 33 · see citing works
Lc, R., & Tang, Y. (2023) · International Conference on Digital and Interactive Arts (ARTECH) · doi:10.1145/3632776.3632827 · Cited by 32 · see citing works
“…Dramatron assists professionals in generating coherent scripts and screenplays, emphasizing the synergy between human creativity and AI assistance [29] In the design domain, GenAI is applied to product design [6], [14], [27] and fashion design [15], [46], providing designers with inspiration.”
BackgroundFrom Pen to Prompt: How Creative Writers Integrate AI into their Writing Practice
Guo, A., Sathyanarayanan, S., Wang, L., Heer, J., & Zhang, A. X. (2025) · Creativity and Cognition · doi:10.1145/3698061.3726910 · Cited by 38 · see citing works
Zhang, S., Wang, H., & Yi, X. (2025) · Proceedings of the ACM on Human-Computer Interaction · doi:10.1145/3757594 · Cited by 36 · see citing works
Beyond the Chat: Executable and Verifiable Text-Editing with LLMs
Laban, P., Vig, J., Hearst, M., Xiong, C., & Wu, C.-S. (2024) · Proceedings of the 37th Annual ACM Symposium on User Interface Software and Technology · doi:10.1145/3654777.3676419 · Cited by 31 · see citing works
“Modern tools support attributing change authorship, tracking changes over time, recording actions taken, and specifying the location and content of changes [101].”
BackgroundNot Just Novelty: A Longitudinal Study on Utility and Customization of an AI Workflow
Long, T., Gero, K. I., & Chilton, L. B. (2024) · Designing Interactive Systems Conference · doi:10.1145/3643834.3661587 · Cited by 33 · see citing works
Patchview: LLM-powered Worldbuilding with Generative Dust and Magnet Visualization
Chung, J. J. Y., & Kreminski, M. (2024) · ACM Symposium on User Interface Software and Technology (UIST) · doi:10.1145/3654777.3676352 · Cited by 30 · see citing works
Co-Writing with AI, on Human Terms: Aligning Research with User Demands Across the Writing Process
Reza, M., Thomas-Mitchell, J., Dushniku, P., Laundry, N., Williams, J. J., & Kuzminykh, A. (2025) · Proceedings of the ACM on Human-Computer Interaction · doi:10.1145/3757566 · Cited by 37 · see citing works
“Their model identifies four primary processes: planning (i.e., constructing internal representations of knowledge through generating ideas, organizing ideas, and goal-setting), translating (i.e., transforming structured information into linear prose), reviewing (i.e., evaluating and revising text…”
Christiansen, F. R., Hollensberg, L. N., Jensen, N. B., Julsgaard, K., Jespersen, K. N., & Nikolov, I. A. (2024) · ACM Symposium on Virtual Reality Software and Technology (VRST) · doi:10.1145/3641825.3687716 · Cited by 29 · see citing works
“In three of the eight articles, AI was used as a collaboration tool, where AI and humans collaborated to create narrative dialogue for a screenplay [38, 68, 69].”
An Evaluation of Situational Autonomy for Human-AI Collaboration in a Shared Workspace Setting
Salikutluk, V., Schöpper, J., Herbert, F., Scheuermann, K., Frodl, E., Balfanz, D., Jäkel, F., & Koert, D. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642564 · Cited by 27 · see citing works
The Infinite Index: Information Retrieval on Generative Text-To-Image Models
Deckers, N., Fröbe, M., Kiesel, J., Pandolfo, G., Schröder, C., Stein, B., & Potthast, M. (2023) · Conference on Human Information Interaction and Retrieval · doi:10.1145/3576840.3578327 · Cited by 30 · see citing works
“Although prompt engineering has been the method of choice in a similar recent setup where screenplays and theatre scripts are co-written by a writer and a large language model [50],it is not a good interface for text-to-image scenarios.”
MethodStoryfier: Exploring Vocabulary Learning Support with Text Generation Models
Peng, Z., Wang, X., Han, Q., Zhu, J., Ma, X., & Qu, H. (2023) · ACM Symposium on User Interface Software and Technology (UIST) · doi:10.1145/3586183.3606786 · Cited by 29 · see citing works
“Recent intelligent systems have explored the usage of text generation techniques in a variety of scenarios, such as creative writing [45, 57], AI-mediated communication [18], and health intervention [34].”
BackgroundPublic attitudes toward chatgpt on twitter: sentiments, topics, and occupations
Koonchanok, R., Pan, Y., & Jang, H. (2024) · Social Network Analysis and Mining · doi:10.1007/s13278-024-01260-7 · Cited by 25 · see citing works
“It has captured people’s imagination about a revolutionized future of programming (Chen et al. 2021; Li et al. 2022), writing (Mirowski et al. 2022; Lee et al. 2022), and many more (Kocoń et al. 2023; Fatouros et al. 2023).”
The Role of Inclusion, Control, and Ownership in Workplace AI-Mediated Communication
Kadoma, K., Aubin Le Quere, M., Fu, X. J., Munsch, C., Metaxa, D., & Naaman, M. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642650 · Cited by 24 · see citing works
“There is a growing interest in viewing writing assistants powered by large language models as co-authors and studying the interaction between users and these systems [18, 23].”
BackgroundWang, Y., Zhou, Q., & Ledo, D. (2024) · International Conference on the Foundations of Digital Games (FDG) · doi:10.1145/3649921.3656987 · Cited by 29 · see citing works
“Like other work utilizing LLMs for story generation, the quality of the generated plots is limited by the LLMs’ known challenge of preserving long-term dependency and coherence [10].”
MethodAI-Assisted Causal Pathway Diagram for Human-Centered Design
Zhong, R., Shin, D.-H., Meza, R. D., Klasnja, P., Colusso, L. F., & Hsieh, G. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642179 · Cited by 24 · see citing works
“Recently, the advance of large language models (LLMs) has opened up new opportunities to address this space [39, 49, 50, 54, 56, 60, 74, 79, 94, 101, 104].”
Zhong, S., Huang, Z., Gao, S., Wen, W., Lin, L., Žitnik, M., & Zhou, P. (2024) · IEEE Computer Society Conference on Computer Vision and Pattern Recognition/Proceedings - IEEE Computer Society Conference on Computer Vision and Pattern Recognition/Proceedings · doi:10.1109/cvpr52733.2024.01258 · Cited by 30 · see citing works
"Ronaldo's a poser!": How the Use of Generative AI Shapes Debates in Online Forums
Zeng, Y., Shi, Y., Huang, X., Nah, F. F., & Lc, R. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713829 · Cited by 23 · see citing works
“…human-AI co-writing is widely adopted in specific use cases such as fiction writing [89, 95], poetry writing [36], the-ater script writing [54], science and scientific writing [18, 32, 67], etc. Prior research has also highlighted the promising future of human-AI co-writing across various…”
Authors' Values and Attitudes Towards AI-bridged Scalable Personalization of Creative Language Arts
Kim, T., Han, H., Adar, E., Kay, M., & Chung, J. J. Y. (2024) · Proceedings of the CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642529 · Cited by 20 · see citing works
Beyond Productivity: Rethinking the Impact of Creativity Support Tools
Cox, S. R., Djernæs, H. B., & van Berkel, N. (2025) · Creativity and Cognition · doi:10.1145/3698061.3726924 · Cited by 23 · see citing works
“While we acknowledge that measures of more user-centric benefits may be present in more exploratory studies, we provoke that the paucity of such measures as predefined outcomes highlights a growing need of focus for the HCI and creativity community.”
InfluentialGenerative AI for Film Creation: A Survey of Recent Advances
Zhang, R., Yu, B., Min, J., Xin, Y., Wei, Z., Shi, J. N., Huang, M., Kong, X., Xin, N. L., Jiang, S., et al. (2025) · IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW) · doi:10.1109/cvprw67362.2025.00623 · Cited by 43 · see citing works
Dango: A Mixed-Initiative Data Wrangling System using Large Language Model
Chen, W., Tong, W., Case, A., & Zhang, T. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3714135 · Cited by 20 · see citing works
“In parallel, HCI researchers have also infused LLM into their system designs, revolutionizing fields in writing [26, 77, 109], education [57, 71], video editing [102], programming [74, 79], health [67], AR/VR [25, 73], visualization [101, 103], data science [36, 37, 106], among others.”
Qin, P., Yang, C.-L., Li, J., Wen, J., & Lee, Y. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713146 · Cited by 26 · see citing works
“With the development of LLMs, AI has been used to support various types of creative tasks, including writing [9, 26, 39, 54, 68], drawing [44, 62, 69], or making songs with AI [24].”
Writing with AI Lowers Psychological Ownership, but Longer Prompts Can Help
Joshi, N., & Vogel, D. (2025) · ACM Conference on Conversational User Interfaces (CUI) · doi:10.1145/3719160.3736608 · Cited by 21 · see citing works
“Metapho-ria [15] suggests metaphors while writing poems, but writers felt less psychological ownership when using it, especially when “the suggestions were particularly good.””
Kotturi, Y., Anderson, A., Ford, G. J., Skirpan, M. W., & Bigham, J. P. (2024) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3613904.3642191 · Cited by 21 · see citing works
“Whether it’s brainstorming with ChatGPT to generate new product ideas or marketing plans, local entrepreneurs can leverage generative AI technologies to overcome creative blocks and catalyze the everyday momentum required for success [58, 85].”
BackgroundCox, S. R., & Ooi, W. T. (2024) · Lecture notes in computer science · doi:10.1007/978-3-031-54975-5_10 · Cited by 20 · see citing works
“Furthermore, (although not evidenced in our analysis) designers should be conscious of the potential for biased dialogue being generated via LLMs, and ensure that harmful cultural stereotypes are not introduced [22].”
BackgroundSiddiqui, M. N., Pea, R. D., & Subramonyam, H. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3714119 · Cited by 19 · see citing works
“Several LLM co-writing systems have emerged to bridge this gap [8, 12, 15, 16, 26–29, 44, 47, 50, 56, 69, 71].”
Reviewriter: AI-Generated Instructions For Peer Review Writing
Su, X., Wambsganß, T., Rietsche, R., Neshaei, S. P., & Kser, T. (2023) · Workshop on Innovative Use of NLP for Building Educational Applications · doi:10.18653/v1/2023.bea-1.5 · Cited by 19 · see citing works
“There are LLM-based collaborative writing tools to provide support for various writing tasks, including story writing (Yang et al., 2022), science writing (Gero et al., 2022), and screenwriting (Mirowski et al., 2022).”
BackgroundOpen-world story generation with structured knowledge enhancement: A comprehensive survey
Wang, Y., Lin, J., Yu, Z., Hu, W. P., & Karlsson, B. F. (2023) · Neurocomputing · doi:10.1016/j.neucom.2023.126792 · Cited by 18 · see citing works
Collage is the New Writing: Exploring the Fragmentation of Text and User Interfaces in AI Tools
Buschek, D. (2024) · Designing Interactive Systems Conference · doi:10.1145/3643834.3660681 · Cited by 20 · see citing works
“…composition: writing high-level intentions (e.g. log line [65]); drawing lines for story arcs [21]; engaging in a conversation with the AI about the text [82] or within the narrative world [12]; or (re-)ordering text pieces, which may imply rewriting tasks that are delegated to the AI [23, 61].”
BackgroundInfluentialLu, Z., Zhou, Q., & Wang, Y. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713363 · Cited by 20 · see citing works
“Similarly to “loglines” [53], it specifically describes the general structure of the narrative with a sequence of high-level events - e.g., “A small creature runs into an accident.”
InfluentialYang, W., Lee, H., Wu, R., Zhang, R., & Pan, Y. (2023) · Electronics · doi:10.3390/electronics12234813 · Cited by 22 · see citing works
Understanding Screenwriters' Practices, Attitudes, and Future Expectations in Human-AI Co-Creation
Tang, Y., Li, H., Lan, M., Ma, X., & Qu, H. (2025) · Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3714120 · Cited by 18 · see citing works
“These findings provide insights to guide the development of future AI tools for screenwriting.”
Varanasi, R. A., Wiesenfeld, B. M., & Nov, O. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3714035 · Cited by 18 · see citing works
“Mirowski et al. [75] conducted an experimental study with screenwriters that revealed tensions between the writers’ creative instincts and GAI’s functionalities, highlighting the limitations of decontextualized evaluations of such systems and underscoring the need for a deeper understanding of GAI…”
AI-mediated social support: the prospect of human–AI collaboration
Meng, J., Zhang, R., Qin, J., Lee, Y.-J., & Lee, Y. (2025) · Journal of Computer-Mediated Communication · doi:10.1093/jcmc/zmaf013 · Cited by 24 · see citing works
There and Back Again: Extracting Formal Domains for Controllable Neurosymbolic Story Authoring
Kelly, J., Calderwood, A., Wardrip–Fruin, N., & Mateas, M. (2023) · Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment · doi:10.1609/aiide.v19i1.27502 · Cited by 17 · see citing works
Public Attitudes Toward ChatGPT on Twitter: Sentiments, Topics, and OccupationsPreprint
Koonchanok, R., Pan, Y., & Jang, H. (2024) · Research Square · doi:10.21203/rs.3.rs-3945065/v1 · Cited by 16 · see citing works
Creative Writers' Attitudes on Writing as Training Data for Large Language Models
Gero, K. I., Desai, M., Schnitzler, C., Eom, N., Cushman, J., & Glassman, E. L. (2025) · Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713287 · Cited by 16 · see citing works
From Text to Trust: Empowering AI-assisted Decision Making with Adaptive LLM-powered Analysis
Li, Z., Zhu, H., Lu, Z., Xiao, Z., & Yin, M. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713133 · Cited by 18 · see citing works
“For example, Mirowski et al. [63] presented the framework leveraging LLMs to create coherent scripts and screenplays with humans in the loop.”
Salikutluk, V., Koert, D., & Jäkel, F. (2023) · Frontiers in artificial intelligence and applications · doi:10.3233/faia230081 · Cited by 15 · see citing works
TaleStream: Supporting Story Ideation with Trope Knowledge
Chou, J.-P., Siu, A. F., Lipka, N., Rossi, R. A., Dernoncourt, F., & Agrawala, M. (2023) · ACM Symposium on User Interface Software and Technology (UIST) · doi:10.1145/3586183.3606807 · Cited by 15 · see citing works
“Efforts in developing writing support systems have focused on continuing stories by producing text blocks to add and edit [56, 65].”
BackgroundGlassMail: Towards Personalised Wearable Assistant for On-the-Go Email Creation on Smart Glasses
Zhou, C., Yan, Z., Ram, A., Gu, Y. S., Xiang, Y., Liu, C., Huang, Y., Ooi, W. T., & Zhao, S. (2024) · Designing Interactive Systems Conference · doi:10.1145/3643834.3660683 · Cited by 15 · see citing works
“LLMs have sig-nifcantly simplifed tasks such as writing, summarizing, and text generation [35, 40, 68, 68, 74].”
When Are Combinations of Humans and AI Useful?Preprint
Vaccaro, M. A., Almaatouq, A., & Malone, T. W. (2024) · doi:10.31234/osf.io/mk46p · Cited by 16 · see citing works
Chakrabarty, T., Laban, P., & Wu, C.-S. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713559 · Cited by 28 · see citing works
Pan, S., Schmucker, R., Bueno, B. G. B., Llanes, S. A., Alarcón, F. A., Zhu, H., Teo, A., & Xia, M. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713589 · Cited by 17 · see citing works
“Inspired by prior work on LLMs for creating and extending logically coherent stories and scripts [27, 50, 60], we introduced the BigPicture Agent to manage the sequence of interactions between students and tutors.”
Challenges and Opportunities of LLM-Based Synthetic Personae and Data in HCI
Prpa, M., Troiano, G. M., Wood, M., & Coady, Y. (2024) · CHI Conference Extended Abstracts on Human Factors in Computing Systems (CHI EA) · doi:10.1145/3613905.3636293 · Cited by 16 · see citing works
“These include using LLMs for software engineering [11], writing stories and screen-plays [18, 39], public health interventions [14], summarizing medical records [30], and LLM-powered creativity support tools [4].”
MethodPlaywriting with Large Language Models: Perceived Features, Interaction Strategies and Outcomes
Grigis, P., & De Angeli, A. (2024) · Proceedings of the 2024 International Conference on Advanced Visual Interfaces · doi:10.1145/3656650.3656688 · Cited by 13 · see citing works
wr-AI-ter: Enhancing Ownership Perception in AI-Driven Script Writing
Weber, C. J., Burgkart, S., & Rothe, S. (2024) · ACM International Conference on Interactive Media Experiences · doi:10.1145/3639701.3656325 · Cited by 13 · see citing works
“Freytag’s fve-act structure is methodically outlined as follows: Figure 1: Illustration of Gustav Freytag’s pyramid, upon which our wr-AI-ter app is based [14, 25].”
BackgroundMethodResultInfluentialVideoDiff: Human-AI Video Co-Creation with Alternatives
Huh, M., Li, D., Pimmel, K., Shin, H. V., Pavel, A., & Dontcheva, M. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713417 · Cited by 15 · see citing works
“Prior research has shown that AI tools can speed up multiple stages of video authoring including script writing [53], storyboarding [78], asembling clips into rough cuts [20, 69], identifying low-quality footage [29, 37], and adding B-roll [35].”
Qin, H. X., Zhu, G., Fan, M., & Hui, P. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713569 · Cited by 16 · see citing works
“…domains [15, 24, 44, 57, 66, 111, 123, 127], evaluation of underlying meanings [27, 35, 57, 75, 131, 132], generation of new story content [23, 27, 88, 101, 149], impersonation [18, 50, 82, 108], and summary generation [28, 29, 71, 107, 132], which depends on the ability to extract underlying…”
Do LLMs Meet the Needs of Software Tutorial Writers? Opportunities and Design Implications
Bhat, A., Shrivastava, D., & Guo, J. (2024) · Designing Interactive Systems Conference · doi:10.1145/3643834.3660692 · Cited by 13 · see citing works
“Human-LLM interactions for text generation have been studied across several dimensions, such as needs and values of users [7, 18, 27, 31, 53], writing domains [9, 43, 58], and writing stages [17].”
BackgroundRist, T. (2024) · IEEE Conference on Games (CoG) · doi:10.1109/cog60054.2024.10645583 · Cited by 13 · see citing works
“Dramatron [16] is an interactive tool for co-writing theater scripts and screenplays.”
MethodAdvances in artificial intelligence: a review for the creative industries
Anantrasirichai, N., Zhang, F., & Bull, D. (2026) · Artificial Intelligence Review · doi:10.1007/s10462-026-11494-w · Cited by 49 · see citing works
Cox, S. R., Abdul, A., & Ooi, W. T. (2023) · International Conference on Human-Agent Interaction (HAI) · doi:10.1145/3623809.3623931 · Cited by 21 · see citing works
“Additionally, (while one could prompt a LLM to incorporate different conversational styles or sociocultural perspectives), attention is needed to ensure that it does not produce harmful cultural stereotypes [10, 11, 21].”
BackgroundQadri, R., Mirowski, P., & Denton, R. (2025) · Proceedings of the 2025 CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3714049 · Cited by 12 · see citing works
“…[13, 22, 61, 84, 90, 98, 100, 107, 114], examining how how artists integrate AI tools into their creative practice [11, 24, 53, 55, 61, 76, 78, 90, 98, 114], the usefulness of these tools as creativity support tools [27, 101], as well as exploring artists’ conceptualizations AI tools…”
Self-citationToyteller: AI-powered Visual Storytelling Through Toy-Playing with Character Symbols
Chung, J. J. Y., Roemmele, M., & Kreminski, M. (2025) · CHI Conference on Human Factors in Computing Systems · doi:10.1145/3706598.3713435 · Cited by 12 · see citing works
The use of ChatGPT in creative writing assistance
Фіялка, С. Б., Kornieva, Z., & Гончарук, Т. Г. (2024) · XLinguae · doi:10.18355/xl.2024.17.01.01 · Cited by 11 · see citing works
Bopp, C., Foerst, A., & Kellogg, B. (2024) · Proceedings of the 55th ACM Technical Symposium on Computer Science Education V. 1 · doi:10.1145/3626252.3630941 · Cited by 11 · see citing works
- Authors
- Mirowski, P., Mathewson, K. W., Pittman, J., & Evans, R.
- Affiliations
- Google DeepMind (United Kingdom) (GB)
- DeepMind, Canada
- Venue
- Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems
- Publisher
- ACM
- Published
- 2023-04-19
- Pages
- 1-34
- OpenAlex
- W4366547384
- Semantic Scholar
- f9b16559282e5bea0bb072f9e260a4f0af697f4a
- Cited by
- 240
- References
- 57
- Citations by year
- 2026: 58 · 2025: 77 · 2024: 82 · 2023: 22 · 2022: 1
- FWCI
- 42.24
- Type
- conference paper
- Language
- en
- Open access
- hybrid
- doi.org
- Licence
- public-domain
- creativecommons.org/licenses/by/4.0/ (vor)
- Locations
- CHI Conference on Human Factors in Computing Systems (publishedVersion, public-domain)
- Topics
- Physical Sciences › Computer Science › Artificial Intelligence › Artificial Intelligence in Games
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Artistic and Creative Research
- Physical Sciences › Computer Science › Computer Graphics and Computer-Aided Design › Digital Media and Visual Art
- Keywords
- language models, screenwriting, theatre scripts, prompt chaining, semantic coherence, creative writing, industry professionals, plagiarism, algorithmic bias, participatory design
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Claims read by deepseek-v4.1-flash under definition version 3 (extract-v3) on 2026-09-30.
Classified by jev-1.13-20260917 (gold-guideline-v0.2) on 2026-09-30.
Cited sources are checked by gpt-6-sol.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
What counts as a claim ›How we measure confidence ›How we check this ›
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