Cited by 48Neuroscience and Music PerceptionNeurobiology of Language and BilingualismTactile and Sensory Interactions

The Neural Locus of Temporal Structure and Expectancies in Music: Evidence From Functional Neuroimaging At 3 Tesla

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Levitin, Daniel J., Menon, Vinod·2005·Music Perception

Abstract

The neuroanatomical correlates of temporal structure and expectancies in music were investigated using a unique stimulus manipulation involving scrambled music. The experiment compared brain responses (using functional magnetic resonance imaging) while participants listened to classical music and scrambled versions of that same music. The scrambled versions disrupted musical structure while holding low-level musical attributes constant, including such psychoacoustic parameters as pitch, loudness, and timbre. Comparing music to its scrambled counterpart, we found focal activation in the pars orbitalis region (Brodmann Area 47) of the left inferior frontal cortex, a region that has been previously closely associated with the processing of linguistic structure in spoken and signed language, and additional activation in the right hemisphere homologue of that area. We speculate that this particular region of inferior frontal cortex may be more generally responsible for processing fine-structured stimuli that evolve over time, not merely those that are linguistic.

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  • It is difficult to argue that the left inferior frontal gyrus supports general structural processing of complex stimuli that unfold over time.

    “making it difficult to argue that this region supports general structural processing of complex stimuli that unfold over time (9, 20, 21).”

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Research works printed but not linked: 3

  1. Levitin and Menon (2003), including new data, and is done so with permission of Elsevier, Inc.
  2. Evan Balaban, Caroline Drake, Rich Ivry, Mari Riess Jones, Björn Merker, Ani Patel, Michael Posner, Susan Rogers, and William Forde Thompson. We also thank Ben Krasnow and Anne Caclin for assistance with data acquisition, Caroline Traube and Malcolm Slaney for programming the scrambler, and Michael Brook for his assistance in preparing pilot stimuli. Portions of this work were presented at the meeting of the Society for Music Perception and Cognition, Las Vegas, NV, June 2003, the Biannual Rhythm Perception & Production Workshop, Isle de Tatihou, France, June 2003, and the Meeting on the Neural Representation and Processing of Temporal Patterns Meeting at Cold Spring Harbor Research Laboratory, Long Island, New York, December 2003.
  3. Langer, S. K. (1951). Philosophy in a new key (2nd ed.). New York: New American Library.

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Authors
Levitin, D. J., & Menon, V.
Affiliations
McGill University (CA)
Venue
Music Perception
Published
2005
Volume
22
Issue
3
Pages
563-575
ISSN
  • 0730-7829 (ISSN-L)
  • 1533-8312
OpenAlex
W2095313760
Cited by
48
References
46
Citations by year
2026: 1 · 2025: 1 · 2024: 1 · 2023: 1 · 2022: 2 · 2021: 2 · 2020: 2 · 2019: 2 · 2018: 1 · 2017: 1 · 2016: 3 · 2015: 1 · 2014: 5 · 2013: 4 · 2012: 1
FWCI
1.15
Type
journal article
Language
en
Open access
Locations
  • Music Perception An Interdisciplinary Journal (publishedVersion)
  • eScholarship@McGill (McGill) (submittedVersion)
Funders
  • National Institutes of Health
  • Natural Sciences and Engineering Research Council of Canada
Topics
  • Life Sciences › Neuroscience › Cognitive Neuroscience › Neuroscience and Music Perception
  • Life Sciences › Neuroscience › Cognitive Neuroscience › Neurobiology of Language and Bilingualism
  • Life Sciences › Neuroscience › Cognitive Neuroscience › Tactile and Sensory Interactions
Keywords
music perception, temporal structure of music, musical expectation, pars orbitalis, inferior frontal cortex, hemispheric lateralization, classical music

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