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Visions of the Buddha: Creative Dimensions of Early Buddhist Scripture
Abstract
This book offers a new, groundbreaking approach to the nature of the early discourses of the Buddha, the most foundational scriptures of Buddhist religion. While commonly the early discourses are considered to be attempts to preserve the Buddha’s teachings, this book demonstrates that these texts are full of creativity, aiming to beautify the image of the wondrous Buddha, to tell good stories, to stir the imagination, and to move people emotionally. While the texts surely care for the early teachings and for the Buddha’s philosophy or his guidelines for meditation, and while at times they may relate real historical events, this is not necessarily their main interest. The early discourses are literary masterpieces, which employed a technique of composition defined here as the play of formulas. In the oral literature of early Buddhism, texts were composed of formulas, which are repeated again and again within and between texts. This work shows how new discourses could be created by connecting accepted formulas in new, innovative ways. The formulas, it is argued, are the real texts of Buddhism, and are primary to the full discourses. Shaping texts through the play of formulas resembles building with Legos or bricks—so long as one uses the right pieces, there are many available possibilities to express one’s vision.
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“Already a feature of Mainstream Buddhist texts-the suttas/su ¯tras of the Nika ¯yas and A ¯ gamas which furnish the objects of Shulman's analysis-and by no means absent from nonBuddhist literature in India, 42 in Maha ¯ya ¯na su ¯tras this play of formulas reaches new heights of development in a kind of baroque extravagance, mobilised particularly when comparisons are being drawn, especially those”
From Bending Minds and Winning Hearts: On the Rhetorical Uses of Complexity in Mahāyāna Sūtras (2022) · cites this paper as Shulman (2021)
In the citing paper
“Although the points being made in these three examples may be different, the vector or multi-vector structure used to make them is similar, and its deployment in these and many other texts indicates a definite passion among Buddhist composers for what Eviatar Shulman (2021) calls 'the play of formulas.'”
From Bending Minds and Winning Hearts: On the Rhetorical Uses of Complexity in Mahāyāna Sūtras (2022) · cites this paper as Shulman (2021)
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Metadata
- Authors
- Shulman, E.
- Affiliations
- Hebrew University of Jerusalem (IL)
- Corresponding author
- Shulman, Eviatar
- ORCID
- Shulman, Eviatar
- Publisher
- Oxford University PressNew York
- Published
- 2021-11-23
- OpenAlex
- W4226309495
- Cited by
- 9
- References
- 169
- Citations by year
- 2026: 1 · 2025: 2 · 2024: 1 · 2023: 1 · 2022: 3
- FWCI
- 5.71
- Type
- book
- Language
- en
- Open access
- closed
- Topics
- Social Sciences › Arts and Humanities › Religious studies › Indian and Buddhist Studies
- Social Sciences › Arts and Humanities › Religious studies › Biblical Studies and Interpretation
- Social Sciences › Arts and Humanities › Language and Linguistics › Classical Studies and Philology
- Keywords
- Pali canon, formulaic composition, literary creativity, oral literature, Buddha images, narrative technique
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