Establishing the importance of co-creation and self-efficacy in creative collaboration with artificial intelligence
Open accessAbstract
The emergence of generative AI technologies has led to an increasing number of people collaborating with AI to produce creative works. Across two experimental studies, in which we carefully designed and programmed state-of-the-art human-AI interfaces, we examine how the design of generative AI systems influences human creativity (poetry writing). First, we find that people were most creative when writing a poem on their own, compared to first receiving a poem generated by an AI system and using sophisticated tools to edit it (Study 1). Following this, we demonstrate that this creativity deficit dissipates when people co-create with-not edit-AI and establish creative self-efficacy as an important mechanism in this process (Study 2). Thus, our findings indicate that people must occupy the role of a co-creator, not an editor, to reap the benefits of generative AI in the production of creative works.
AI snapshot
Written from the paper’s full text.
TL;DR
Across two experiments, people were less creative when they edited an AI-generated poem than when writing alone, but this deficit disappeared when they co-created with AI line-by-line. Creative self-efficacy mediated the benefit of co-creation over editing.
Key findings
- Study 1: Expert poets rated poems from the human-only condition as more creative (M = 18.23, SD = 4.94) than poems from the human–AI editor condition (M = 12.55, SD = 4.32, p < 0.001) and the AI-only condition (M = 9.45, SD = 2.00, p < 0.001); human–AI editor poems were also rated more creative than AI-only poems (p < 0.001). Self-reported creativity was higher in the human condition (M = 23.88, SD = 8.40) than in the human–AI condition (M = 19.13, SD = 10.40, p = 0.016, Cohen’s D = 0.47).
- Study 2: Expert evaluations differed across conditions, F(2, 149) = 5.77, p = 0.004, partial η² = 0.07. Co-creator human–AI poems (M = 14.70, SD = 5.06) were rated significantly more creative than human–AI editor poems (M = 12.53, SD = 4.45, p = 0.026) and did not differ significantly from human-only poems (M = 15.74, SD = 4.98, p = 0.278).
- Creative self-efficacy differed across conditions, F(2, 149) = 7.01, p = 0.001, partial η² = 0.09: human (M = 4.71, SD = 1.45) and co-creator human–AI (M = 4.62, SD = 1.43) were higher than human–AI editor (M = 3.74, SD = 1.43; p = 0.001 and p = 0.003, respectively).
- Mediation: creative self-efficacy mediated the effect of co-creator vs. editor on expert evaluations of creativity, indirect effect B = 0.78, SE = 0.39, 95% CI [0.16, 1.68]. The indirect effect for co-creator vs. human was not significant, B = 0.09, SE = 0.29, 95% CI [−0.50, 0.78].
Methods
- Two randomized online experiments using poetry writing. Study 1 recruited 101 Prolific participants; 6 failed an attention check, leaving 96 participants in the human and human–AI conditions, plus 50 AI-only generated poems. Study 2 recruited 152 Prolific participants with no attention-check failures.
- Study 1 compared human-only writing, human–AI editing of an AI-generated poem, and AI-only poem generation. Study 2 compared human-only writing, human–AI editing, and a co-creator human–AI condition where participant and AI took turns writing one line each and the participant selected the poem’s topical words.
- Creativity was assessed by 10 professional poets per study using the Consensual Assessment Technique on a 1–40 scale. Study 2 also measured creative self-efficacy with a three-item scale (α = 0.92) and tested mediation using PROCESS Model 4 with 10,000 bootstrapped samples.
Limitations
- The paper states that the artificial experimental settings may limit generalizability to real-world creative processes, that long-term effects of co-creating vs. editing were not tested, that writer expertise was not examined as a boundary condition, and that more advanced generative AI systems were not tested.
- Evident from the text: both studies rely on online Prolific samples and a single creative domain, poetry, which may constrain generalizability beyond these samples and tasks.
Model-written summary. Check it against the paper before relying on it.
Integrity signals
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Cites
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Claims the paper makes
0 of 55 cited sources checked · 0 supported · 0 flagged
- Findingown data
In Study 2, the creativity deficit observed in Study 1 dissipates when people co-create with AI rather than edit AI-generated output.
“Following this, we demonstrate that this creativity deficit dissipates when people co-create with—not edit—AI and establish creative self-efficacy as an important mechanism in this process (Study 2).”
- Also stated in: § Introduction · plain
“we further find that this creativity deficit disappears when people are instead placed in the role of a co-creator and this effect is explained by greater reported levels of creative self-efficacy (Study 2).”
Quote in the paperSubstantial claim - Also stated in: § Introduction · plain
- Findingown data
In Study 1, participants in the human condition self-reported their poems as more creative than participants in the human-AI condition.
“Independent samples t-tests reveal that participants in the human condition were significantly more likely to self-report their poems as more creative (M = 23.88, SD = 8.40), when compared to participants in the human–AI condition (M = 19.13, SD = 10.40, p = 0.016, Cohen’s D = 0.47).”
Quote in the paperSubstantial claim - Findingown data
In Study 1, expert evaluations of creativity differed significantly across the three experimental groups.
“A one-way ANOVA revealed that the creativity of the poems differed significantly across the three experimental groups, F(2, 145) = 63.48, p < 0.001, partial η2 = 0.47 (see Table 1).”
Quote in the paperSubstantial claim - Findingown data
In Study 1, poems in the human-AI condition were regarded as more creative than poems in the AI condition.
“Poems in the human condition (M = 18.23, SD = 4.94) were regarded as more creative than poems in the human-AI condition (M = 12.55, SD = 4.32; p < 0.001) the AI condition (M = 9.45, SD = 2.00; p < 0.001)”
Quote in the paperSubstantial claim - Findingown data
In Study 1, poems in the human condition were regarded as more creative than poems in the AI condition.
“Poems in the human condition (M = 18.23, SD = 4.94) were regarded as more creative than poems in the human-AI condition (M = 12.55, SD = 4.32; p < 0.001) the AI condition (M = 9.45, SD = 2.00; p < 0.001)”
Quote in the paperSubstantial claim
- Findingown data
In Study 1, participants who wrote a poem unassisted were judged more creative by expert poets than participants who first received an AI-generated poem and edited it with sophisticated tools.
“First, we find that people were most creative when writing a poem on their own, compared to first receiving a poem generated by an AI system and using sophisticated tools to edit it (Study 1).”
- Also stated in: § Introduction · plain
“we find that people are less creative (as judged by professional poets) in a poetry writing task when they collaborate with a generative AI system and are placed in the role of an editor, relative to writing a poem on their own (Study 1).”
- Also stated in: § Study 1 · plain
“Poems in the human condition (M = 18.23, SD = 4.94) were regarded as more creative than poems in the human-AI condition (M = 12.55, SD = 4.32; p < 0.001)”
Quote in the paperSubstantial claim - Also stated in: § Introduction · plain
- Findingown data
In Study 2, participants in the human condition reported greater creative self-efficacy than participants in the human-AI condition.
“Participants in the human condition (M = 4.71, SD = 1.45) reported greater creative self-efficacy than participants in the human–AI condition (M = 3.74, SD = 1.43; p = 0.001).”
Quote in the paperSubstantial claim - Findingown data
In Study 2, participants' creative self-efficacy differed significantly across the three experimental conditions.
“A one-way ANOVA revealed that participants’ creative self-efficacy differed significantly across the three experimental conditions F(2, 149) = 7.01, p = 0.001, partial η2 = 0.09 (see Fig. 3).”
Quote in the paperSubstantial claim - Findingown data
In Study 2, creative self-efficacy reported by participants in the co-creator human-AI condition was significantly greater than creative self-efficacy reported in the human-AI condition.
“Creative self-efficacy reported by participants in the co-creator human–AI condition (M = 4.62, SD = 1.43) did not differ significantly from participants in the human condition (p = 0.755) but was significantly greater than creative self-efficacy reported in the human–AI condition (p = 0.003).”
Quote in the paperSubstantial claim - Findingown data
In Study 2, creative self-efficacy reported by participants in the co-creator human-AI condition did not differ significantly from participants in the human condition.
“Creative self-efficacy reported by participants in the co-creator human–AI condition (M = 4.62, SD = 1.43) did not differ significantly from participants in the human condition (p = 0.755) but was significantly greater than creative self-efficacy reported in the human–AI condition (p = 0.003).”
Quote in the paperSubstantial claim - Findingown data
Participants in the human condition reported greater self-reported creativity than participants in the human-AI condition (M = 23.29, SD = 9.24 vs. M = 16.96, SD = 9.56; p = 0.001).
“Participants in the human condition reported greater self-reported creativity than participants in the human-AI condition (M = 23.29, SD = 9.24 vs. M = 16.96, SD = 9.56; p = 0.001).”
Quote in the paperSubstantial claim - Findingown data
A significant indirect effect was observed from the dummy variable (human-AI = 0, co-creator = 1) to expert evaluations of creativity via creative self-efficacy: indirect effect, B = 0.78, SE = 0.39, 95% CI [0.16, 1.68].
“A significant indirect effect was observed from our dummy variable to expert evaluations of creativity via creative self-efficacy: indirect effect, B = 0.78, SE = 0.39, 95% CI [0.16, 1.68].”
Quote in the paperSubstantial claim - Findingown data
Expert evaluations of creativity received by participants in the co-creator human-AI condition were significantly greater than participants in the human-AI condition (p = 0.026).
“Expert evaluations of creativity received by participants in the co-creator human–AI condition (M = 14.70, SD = 5.06; p = 0.280) were significantly greater than participants in the human–AI condition (p = 0.026)”
Quote in the paperSubstantial claim - Findingown data
Self-reported creativity differed significantly across the three experimental conditions (F(2, 149) = 6.08, p = 0.003, partial η2 = 0.08).
“Next, a one-way ANOVA revealed that self-reported creativity differed significantly across the three experimental conditions F(2, 149) = 6.08, p = 0.003, partial η2 = 0.08.”
Quote in the paperSubstantial claim - Findingown data
Participants in the human condition received greater expert evaluations of creativity than participants in the human-AI condition (M = 15.74, SD = 9.24 vs. M = 12.53, SD = 4.45; p = 0.001).
“Participants in the human condition received greater expert evaluations of creativity than participants in the human–AI condition (M = 15.74, SD = 9.24 vs. M = 12.53, SD = 4.45; p = 0.001).”
Quote in the paperSubstantial claim - Findingown data
Creative self-efficacy was significantly higher in the co-creator human-AI condition and the human condition than in the human-AI condition.
“Creative self-efficacy | 3.74a (1.43) | 4.62b (1.43) | 4.71b (1.45)”
- Also stated in: § Study 2 · plain
“Within a row, values with different subscripts are significantly different (p < 0.05) based on t-tests and LSD tests.”
Quote in the paperSubstantial claim - Also stated in: § Study 2 · plain
- Findingown data
Expert evaluations of creativity differed significantly across the three experimental conditions (F(2, 149) = 5.77, p = 0.004, partial η2 = 0.07).
“A further one-way ANOVA revealed that expert evaluations of creativity differed significantly across the three experimental conditions F(2, 149) = 5.77, p = 0.004, partial η2 = 0.07 (see Fig. 4).”
Quote in the paperSubstantial claim - Findingown data
Self-reported creativity in the co-creator human-AI condition did not differ significantly from the human condition (p = 0.247).
“Self-reported creativity reported by participants in the co-creator human-AI condition (M = 21.16, SD = 9.03; p = 0.246) was also significantly higher than participants in the human-AI condition (p = 0.025), however, it did not differ significantly from participants in the human condition (p = 0.247).”
Quote in the paperSubstantial claim - Findingown data
Expert evaluations of creativity received by participants in the co-creator human-AI condition did not differ significantly from participants in the human condition (p = 0.278).
“Expert evaluations of creativity received by participants in the co-creator human–AI condition (M = 14.70, SD = 5.06; p = 0.280) were significantly greater than participants in the human–AI condition (p = 0.026), however, these evaluations did not differ significantly from participants in the human condition (p = 0.278).”
Quote in the paperSubstantial claim - Findingown data
For the model with co-creator = 0 and human = 1, the indirect effect from condition to expert evaluations of creativity via creative self-efficacy was not significant: B = 0.09, SE = 0.29, 95% CI [−0.50, 0.78].
“For this model, the indirect effect was not significant: indirect effect, B = 0.09, SE = 0.29, 95% CI [− 0.50, 0.78] (see Fig. 5).”
Quote in the paperNot a substantial claim - Findingown data
Self-reported creativity in the co-creator human-AI condition was significantly higher than in the human-AI condition (p = 0.025).
“Self-reported creativity reported by participants in the co-creator human-AI condition (M = 21.16, SD = 9.03; p = 0.246) was also significantly higher than participants in the human-AI condition (p = 0.025)”
Quote in the paperSubstantial claim - Interpretationown data
Creative self-efficacy is an important mechanism explaining the effect of co-creation (vs. editing) on creativity in human-AI collaboration.
“Following this, we demonstrate that this creativity deficit dissipates when people co-create with—not edit—AI and establish creative self-efficacy as an important mechanism in this process (Study 2).”
- Also stated in: § Introduction · plain
“we further find that this creativity deficit disappears when people are instead placed in the role of a co-creator and this effect is explained by greater reported levels of creative self-efficacy (Study 2).”
Quote in the paperSubstantial claim- The authors state this as an assumption: The way people view their role in creative collaborations has an influence on the outcome of their endeavours.
- Also stated in: § Introduction · plain
- Interpretationown data
People must occupy the role of a co-creator, not an editor, to reap the benefits of generative AI in the production of creative works.
“Thus, our findings indicate that people must occupy the role of a co-creator, not an editor, to reap the benefits of generative AI in the production of creative works.”
Quote in the paperSubstantial claim- The authors state this as an assumption: The way people view their role in creative collaborations has an influence on the outcome of their endeavours.
- Premisecitation
Generative AI has meaningful limitations in its production of creative work.
“First, we begin with the observation that generative AI has meaningful limitations in its production of creative work, which suggests that publicity surrounding its creative prowess may not yet map onto reality.”
Quote in the paperSubstantial claim0 of 3 sources checked- cites [11] Chakrabarty, T., Laban, P., Agarwal, D., Muresan, S. & Wu, C. S. Art or artifice? Large language models and the false promise of creativity. Preprint at http://arXiv.org/2309.14556 (2023). source
Not checked in the free run.
- cites [12] Padmakumar, V. & He, H. Does writing with language models reduce content diversity? Preprint at http://arXiv.org/2309.05196 (2023).
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- cites [13] Perez, E. et al. Discovering language model behaviors with model-written evaluations. Preprint at http://arXiv.org/2212.09251 (2022).
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- Premisecitation
Of the limited body of work that has researched the creativity of human-AI dyads, most lack the internal validity of controlled and robustly designed experiments.
“Finally, of the limited body of work that has researched the creativity of human–AI dyads (e.g.15), most lack the internal validity of controlled and robustly designed experiments.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [15] Doshi, A. R. & Hauser, O. Generative artificial intelligence enhances creativity. Available at SSRN (2023). source
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- Interpretationown data
The poetry generation system adopted for this research is state-of-the-art.
“This indicates the poetry generation system we have adopted for this research is state-of-the-art.”
Quote in the paperNot a substantial claim - Premisecitation
Providing participants with instructions on a set of prompts to provide GPT-4 and requesting that the creative output derivative of this process is inputted back into the experimental interface poses a clear threat to internal validity because the experimenter has little to no control over participant adherence to instructions.
“An illustrative example of a typical approach here is to provide participants with instructions on a set of prompts to provide GPT-4 and request that the creative output derivative of this process is inputted back into the experimental interface (e.g., Qualtrics). Such an approach, however, poses a clear threat to internal validity because the experimenter has little to no control over participant”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [19] Kenny, D. A. Enhancing validity in psychological research. Am. Psychol. 74(9), 1018 (2019). source
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- Premisecitation
Seasoned writers outperform current LLMs (e.g., Claude, GPT-4) by a large margin across a diverse range of creativity measures.
“For example, seasoned writers have been found to outperform (by a large margin) current LLMs (e.g., Claude, GPT-4) across a diverse range of creativity measures11.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [11] Chakrabarty, T., Laban, P., Agarwal, D., Muresan, S. & Wu, C. S. Art or artifice? Large language models and the false promise of creativity. Preprint at http://arXiv.org/2309.14556 (2023). source
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- Premisecitation
Opportunities for spontaneous improvisation are preserved when the creative product is developed iteratively because possibilities remain open.
“In addition, opportunities for spontaneous improvisation are preserved when the creative product is developed iteratively because possibilities remain open29.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [29] McCormack, J. et al. Design considerations for real-time collaboration with creative artificial intelligence. Org. Sound 25(1), 41–52 (2020). source
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- Premisecitation
Such constraints may also lead to insufficient editing because they undermine intrinsic motivation, an important antecedent to creative processes.
“Such constraints, whether consciously or unconsciously processed, may also lead to insufficient editing because they undermine intrinsic motivation, an important antecedent to creative processes26.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [26] Roskes, M. Constraints that help or hinder creative performance: A motivational approach. Creat. Innov. Manag. 24(2), 197–206 (2015). source
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- Premisecitation
When people are placed in the role of an editor, AI determines the initial direction of the creative process because it provides a default creative product that the editor must evaluate.
“When people are placed in the role of an editor, as is often the case by default in human-AI collaboration2,23, AI determines the initial direction of the creative process because it provides a default creative product that the editor must evaluate.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [2] Jo, A. The promise and peril of generative AI. Nature 614(1), 214–216 (2023).
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- cites [23] Noy, S. & Zhang, W. Experimental Evidence on the Productivity Effects of Generative Artificial Intelligence. Available at SSRN 4375283 (2023). source
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- Premisecitation
Placing people in the role of an editor will likely pose a threat to the editor's experience of self-efficacy because AI occupies the proactive role of generating a creative product and the editor occupies the reactive role of aiding with improving its work.
“This will likely pose a threat to the editor’s experience of self-efficacy because AI occupies the proactive role of generating a creative product and the editor occupies the reactive role of aiding with improving its work24,25.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [24] Mirbabaie, M., Brünker, F., Möllmann, N. R. & Stieglitz, S. The rise of artificial intelligence–understanding the AI identity threat at the workplace. Electron. Mark. 1, 1–27 (2022).
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- Premisecitation
A great deal of empirical research testing the creative capabilities of LLMs has not used expert evaluators, instead using lay evaluations.
“Specifically, a great deal of empirical research that has sought to test the creative capabilities of LLMs have not used “expert” evaluators (e.g., domain experts evaluate creative outcomes). Instead, this body of work has made use of “lay” evaluations of creativity (laypeople evaluate creative outcomes) to substantiate claims of creative generative AI7,8,15,16.”
Quote in the paperSubstantial claim0 of 3 sources checked- cites [7] Girotra, K., Meincke, L., Terwiesch, C. & Ulrich, K. T. Ideas are dimes a dozen: Large language models for idea generation in innovation. Available at SSRN 4526071 (2023). source
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- cites [8] Köbis, N. & Mossink, L. D. Artificial intelligence versus Maya Angelou: Experimental evidence that people cannot differentiate AI-generated from human-written poetry. Comput. Hum. Behav. 114, 106553 (2021). source
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- cites [15] Doshi, A. R. & Hauser, O. Generative artificial intelligence enhances creativity. Available at SSRN (2023). source
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- Premisecitation
When people are placed in the role of a co-creator, peoples' belief in their ability to produce creative outcomes is nurtured because they set the creative direction, rather than simply react to AI-generated output.
“When occupying this co-creator role, peoples’ belief in their ability to produce creative outcomes is nurtured because they set the creative direction, rather than simply react to AI-generated output28.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [28] Tierney, P. & Farmer, S. M. Creative self-efficacy: Its potential antecedents and relationship to creative performance. Acad. Manag. J. 45(6), 1137–1148 (2002). source
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- Premisecitation
Obtaining evaluations from experts is widely considered the "gold standard" when evaluating creative outcomes.
“This is important because obtaining evaluations from experts is widely considered the “gold standard” when evaluating creative outcomes17,18.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [17] Amabile, T. M. Social psychology of creativity: A consensual assessment technique. J. Person. Soc. Psychol. 43, 5 (1982). source
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- cites [18] Baer, J. The importance of domain-specific expertise in creativity. Roeper. Rev. 37(3), 165–178 (2015). source
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- Premisecitation
Placing people in the role of an editor can invoke an anchoring effect, where 'editors' are highly influenced by the default they are presented with and make insufficient edits as a consequence.
“Moreover, placing people in the role of an editor can invoke an anchoring effect, where ‘editors’ are highly influenced by the default they are presented with and make insufficient edits as a consequence15.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [15] Doshi, A. R. & Hauser, O. Generative artificial intelligence enhances creativity. Available at SSRN (2023). source
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- Premisecitation
According to role theory, occupying the role of an editor implicitly sets expectations about the behaviours the role entails.
“According to role theory47,48, occupying the role of an editor will also implicitly set expectations about the behaviours the role entails.”
Quote in the paperSubstantial claim0 of 2 sources checked - Interpretationown data
The effectiveness of creative collaboration with AI is accomplished through placing people in the role of a co-creator, rather than an editor.
“More specifically, we find that this is accomplished through placing people in the role of a co-creator, rather than an editor.”
Quote in the paperSubstantial claim- The authors state this as an assumption: Co-creating (vs. editing) should elicit positive effects for creative self-efficacy and outcomes irrespective of the AI system in question.
- Premisecitation
Assuming the role of a co-creator will give rise to expectations that one should fully express their ideas, experiment with different possibilities, and challenge themselves.
“Alternatively, assuming the role of a co-creator will give rise to expectations that one should fully express their ideas, experiment with different possibilities, and challenge themselves50,51.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [50] Farmer, S. M., Tierney, P. & Kung-McIntyre, K. Employee creativity in Taiwan: An application of role identity theory. Acad. Manag. J. 46(5), 618–630 (2003). source
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- Interpretationreasoning
The implicit assumption of a rigidly defined role will undermine self-efficacy as people will interpret their role as not requiring creative and explorative behaviours.
“Thus, the implicit assumption of a rigidly defined role will undermine self-efficacy as people will interpret their role as not requiring creative and explorative behaviours.”
Quote in the paperSubstantial claim - Interpretationreasoning
Our results run counter to recent suggestions and beliefs that generative AI can promote creativity by having AI generate outputs and people provide the final judgment on the quality of these outputs (i.e., the editor role).
“Our results run counter to recent suggestions and beliefs espoused by technology leaders and scholars that generative AI can promote creativity by having AI generate outputs and people provide the final judgment on the quality of these outputs41–43.”
Quote in the paperSubstantial claim0 of 3 sources checked- cites [41] Bai, H. X. et al. Artificial intelligence augmentation of radiologist performance in distinguishing COVID-19 from pneumonia of other origin at chest CT. Radiology 296(3), E156–E165 (2020). source
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- cites [43] Marr, B. Boost Your Productivity with Generative AI. Harvard Business Review. https://hbr.org/2023/06/boost-your-productivity-with-generative-ai (2023).
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- The authors state this as an assumption: Co-creating (vs. editing) should elicit positive effects for creative self-efficacy and outcomes irrespective of the AI system in question.
- Premisecitation
Preservation of autonomy is crucial for promoting peoples' beliefs about their ability to produce creative products.
“This is because preservation of autonomy is crucial for promoting peoples’ beliefs about their ability to produce creative products44,45.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [44] Hennessey, B. A. Self-determination theory and the social psychology of creativity. Psychol. Inq. 11(4), 293–298 (2000).
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- cites [45] Sheldon, K. M. Creativity and self-determination in personality. Creat. Res. J 8(1), 25–36 (1995). source
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- Interpretationreasoning
The roles given to people in creative collaboration with AI have a large influence on their self-efficacy and resulting creative contributions.
“Hence, the roles given to people in creative collaboration with AI has a large influence on their self-efficacy and resulting creative contributions.”
Quote in the paperSubstantial claim- The authors state this as an assumption: Co-creating (vs. editing) should elicit positive effects for creative self-efficacy and outcomes irrespective of the AI system in question.
- Premisecitation
When occupying the role of an editor, the presentation of a default body of text for editing restricts autonomy because people are unconsciously influenced by default effects.
“When occupying the role of an editor, the presentation of a default body of text for editing restricts autonomy because people are unconsciously influenced by default effects15,46.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [15] Doshi, A. R. & Hauser, O. Generative artificial intelligence enhances creativity. Available at SSRN (2023). source
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- cites [46] Jachimowicz, J. M., Duncan, S., Weber, E. U. & Johnson, E. J. When and why defaults influence decisions: A meta-analysis of default effects. Behav. Public Policy 3(2), 159–186 (2019). source
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- Premisecitation
Undermined self-efficacy inhibits cognitive flexibility and divergent thinking.
“In turn, this inhibits cognitive flexibility and divergent thinking49.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [49] Jiao, C., Richards, D. A. & Hackett, R. D. Organizational citizenship behavior and role breadth: A meta-analytic and cross-cultural analysis. Hum. Resour. Manag. 52(5), 697–714 (2013). source
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- Interpretationown data
Creative collaboration with AI is most effective when AI systems are designed to nurture end-users' beliefs in their abilities to produce creative outcomes.
“We find that creative collaboration with AI is most effective when AI systems are designed to nurture end-users’ beliefs in their abilities to produce creative outcomes.”
Quote in the paperSubstantial claim- The authors state this as an assumption: Co-creating (vs. editing) should elicit positive effects for creative self-efficacy and outcomes irrespective of the AI system in question.
- May combine two claims. 13
- Classified as probably not a substantial claim. 29
May combine two claims.
PremisecitationAlthough several studies have compared AI-generated creativity against a human benchmark, a surprisingly limited amount of work has examined the creative output of human-AI dyads and the collaborative processes that undergird this.
“Furthermore, although several studies have compared AI generated creativity against a human benchmark8,16, a surprisingly limited amount of work has examined the creative output of human-AI dyads and the collaborative processes that undergird this.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [8] Köbis, N. & Mossink, L. D. Artificial intelligence versus Maya Angelou: Experimental evidence that people cannot differentiate AI-generated from human-written poetry. Comput. Hum. Behav. 114, 106553 (2021). source
Not checked in the free run.
- cites [16] Boussioux, L., N Lane, J., Zhang, M., Jacimovic, V. & Lakhani, K. R. The Crowdless Future? How Generative AI is Shaping the Future of Human Crowdsourcing. The Crowdless Future. Available at SSRN (2023). source
Not checked in the free run.
May combine two claims.
PremisecitationAI-generated creative writing is repetitive, follows a homogenous form and writing style, and lacks originality and novelty.
“In addition, AI generated creative writing has been found to be repetitive, following a homogenous form and writing style12,13, further contributing to its lack of originality and novelty14.”
Quote in the paperSubstantial claim0 of 3 sources checked- cites [12] Padmakumar, V. & He, H. Does writing with language models reduce content diversity? Preprint at http://arXiv.org/2309.05196 (2023).
Not checked in the free run.
- cites [13] Perez, E. et al. Discovering language model behaviors with model-written evaluations. Preprint at http://arXiv.org/2212.09251 (2022).
Not checked in the free run.
- cites [14] Mukherjee, A. & Chang, H. Managing the creative frontier of generative AI: The novelty-usefulness tradeoff. Calif. Manag. Rev. 1, 1 (2023).
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductcitationIn Study 1, poets were given the poems in different, randomly generated orders.
“In line with creativity research that utilizes the CAT35–37, poets were given the poems in different, randomly generated orders and asked to rate the creativity of each poem on a 1 (lowest creativity score) to 40 (highest creativity score) scale.”
Quote in the paperNot a substantial claim0 of 3 sources checked- cites [35] Amabile, T. M. Motivation and creativity: Effects of motivational orientation on creative writers. J. Person. Soc. Psychol. 48(2), 393 (1985). source
Not checked in the free run.
- cites [36] Amabile, T. M., Hennessey, B. A. & Grossman, B. S. Social influences on creativity: The effects of contracted-for reward. J. Person. Soc. Psychol. 50(1), 14 (1986). source
Not checked in the free run.
- cites [37] Kaufman, J. C., Baer, J. & Cole, J. C. Expertise, domains, and the consensual assessment technique. J. Creat. Behav. 43(4), 223–233 (2009). source
Not checked in the free run.
Classified as probably not a substantial claim.
Study design and conductnone givenIn Study 1, poets were not provided any information about the authors behind the poems or the circumstances under which they were written.
“Importantly, poets were not provided any information about the authors behind the poems or the circumstances under which they were written.”
Quote in the paperSubstantial claimMay combine two claims.
PremisecitationThe poetry generation system used in Study 1 is a state-of-the-art, scientifically validated neural poetry generation system that has been shown to generate output comparable to human-written poetry.
“The algorithm used to generate novel poetry is a state of the art, scientifically validated, neural poetry generation system that has been shown to generate output comparable to human-written poetry33.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [33] Van de Cruys, T. Automatic poetry generation from prosaic text. In Proc. 58th Annual Meeting of the Association for Computational Linguistics 2471–2480 (2020). source
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductown dataIn Study 1, six participants failed to correctly answer an instrumental attention check and were removed from subsequent analyses.
“Six participants failed to correctly answer an instrumental attention check and were removed from subsequent analyses (see below).”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S2 (checkable). May combine two claims.
PremisecitationPoetry embodies the most prototypical expression of creativity-spanning centuries of human history-and enables testing the effect of being a co-creator vs. editor on creative outcomes.
“Finally, as poetry embodies the most prototypical expression of creativity—spanning centuries of human history31,32—and enables us to test the effect of being a co-creator vs. editor on creative outcomes, this research focuses on poetry writing as the medium of creative expression.”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites [31] Shelley, P. B. & Brett-Smith, H. F. B. A defence of Poetry 79 (Brodie, 1980).
Not checked in the free run.
- cites [32] Perkins, D. A history of Modern Poetry Vol. 1 (Harvard University Press, 1976).
Not checked in the free run.
Classified as probably not a substantial claim.
Study design and conductown dataIn Study 1, the study used the Consensual Assessment Technique (CAT) to evaluate creativity.
“To evaluate the creativity of participant’s poems, we utilized the Consensual Assessment Technique (CAT), one of the most highly regarded assessment tools in creativity research17.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [17] Amabile, T. M. Social psychology of creativity: A consensual assessment technique. J. Person. Soc. Psychol. 43, 5 (1982). source
Not checked in the free run.
May combine two claims.
Premiseown dataEvaluations of the quality of poems produced by this poetry generation system revealed that raters considered the poems to be comparable to works by well-established English poets and superior to previous poetry systems across dimensions of fluency, coherence, meaningfulness, and poeticism.
“Evaluations of the quality of poems produced by this poetry generation system revealed that raters considered the poems to be comparable to works by well-established English poets (W.H. Auden, E.E. Cummings, Philip Larkin, Sarojini Naidu, and Sylvia Plath), and superior to previous poetry systems (Hafez and Deep-speare) across dimensions of fluency, coherence, meaningfulness, and poeticism.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [33] Van de Cruys, T. Automatic poetry generation from prosaic text. In Proc. 58th Annual Meeting of the Association for Computational Linguistics 2471–2480 (2020). source
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Study design and conductnone givenAll conditions, measures and exclusions are reported; data are available at https://osf.io/3jqga/.
“All conditions, measures and exclusions are reported; data are available at https://osf.io/3jqga/.”
Quote in the paperNot a substantial claimMay combine two claims.
PremisecitationThe evolving nature of publicly available LLMs presents challenges because identical prompts at different points in time can produce very different results and changes to model specifications can lead to fluctuations in performance, even across short periods of time.
“Moreover, the evolving nature of publicly available LLMs presents further challenges because identical prompts at different points in time can produce very different results20 and changes to model specifications can lead to fluctuations in performance, even across short periods of time21.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [20] Aiyappa, R., An, J., Kwak, H., & Ahn, Y. Y. (2023). Can we trust the evaluation on ChatGPT? Preprint at http://arXiv.org/2303.12767. source
Not checked in the free run.
- cites [21] Chen, L., Zaharia, M. & Zou, J. How is ChatGPT's behavior changing over time? Preprint at http://arXiv.org/2307.09009 (2023).
Not checked in the free run.
May combine two claims.
PremisecitationSuch facets of co-creation will likely nurture intrinsic motivation, which is constructive for the development of self-efficacy.
“Such facets of co-creation will likely nurture intrinsic motivation26, which is constructive for the development of self-efficacy30.”
Quote in the paperSubstantial claim0 of 2 sources checked- cites [26] Roskes, M. Constraints that help or hinder creative performance: A motivational approach. Creat. Innov. Manag. 24(2), 197–206 (2015). source
Not checked in the free run.
- cites [30] Bandura, A. & Schunk, D. H. Cultivating competence, self-efficacy, and intrinsic interest through proximal self-motivation. J. Person. Soc. Psychol. 41(3), 586 (1981). source
Not checked in the free run.
Classified as probably not a substantial claim.
Study design and conductown dataIn Study 1, participants were randomly allocated to experimental condition groups.
“Participants were randomly allocated to one of two experimental condition groups.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenBoth experiments were approved for use with human subjects by an institutional review board.
“Both experiments were approved for use with human subjects by an institutional review board.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim. May combine two claims.
Study design and conductown dataIn Study 1, evaluations were obtained from 10 poets who are professional writers with published poems, and 6 possess a graduate degree in creative writing, English literature, or a related field.
“We obtained evaluations from 10 poets in exchange for USD40 each. All poets we obtained evaluations from are professional writers and have had their poems published in either their own poetry books or as part of a poetry anthology that contains works from different poets. In addition, 6 of the poets possess a graduate degree (MA, MFA, PhD) in creative writing, English literature, or a related”
Quote in the paperSubstantial claimClassified as probably not a substantial claim. May combine two claims.
Study design and conductnone givenCondition assignments were random in both studies, with randomization administered via front-end programming.
“Condition assignments were random in both studies, with randomization administered via front-end programming.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
InterpretationcitationThe controlled experimental conditions do not fully capture the complexities of real-world creative processes where additional factors such as task type and organizational climate can influence creativity.
“The controlled experimental conditions do not fully capture the complexities of real-world creative processes where additional factors such as task type and organizational climate62 can influence creativity.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [62] Mutonyi, B. R., Slåtten, T. & Lien, G. Organizational climate and creative performance in the public sector. Eur. Bus. Rev. 32(4), 615–631 (2020). source
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing).
InterpretationreasoningThe artificial settings of the experiments may affect the generalizability of the results to real-world environments.
“First, the artificial settings of the experiments may affect the generalizability of the results to real-world environments.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenOur research does not address whether using a more advanced generative AI system would unearth different results.
“Finally, our research does not address whether using a more advanced generative AI system would unearth different results.”
Quote in the paperNot a substantial claimMay combine two claims.
Interpretationown dataFor AI to successfully augment human creativity, it is a requirement that it promotes creative self-efficacy and places humans in the role of a co-creator, not an editor.
“Together, our findings suggest that for AI to successfully augment human creativity, it is a requirement that it promotes creative self-efficacy and places humans in the role of a co-creator, not an editor.”
Quote in the paperSubstantial claim- The authors state this as an assumption: Co-creating (vs. editing) should elicit positive effects for creative self-efficacy and outcomes irrespective of the AI system in question.
Classified as probably not a substantial claim.
Study design and conductown dataIn Study 2, participants were randomly allocated to one of three experimental condition groups.
“Participants were randomly allocated to one of three experimental condition groups.”
Quote in the paperSubstantial claimProbably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
PremisecitationProlific is an online platform explicitly designed for online participant recruitment by the scientific community and has been empirically demonstrated to provide higher quality data than alternative online platforms.
“ProA is an online platform explicitly designed for online participant recruitment by the scientific community65 and has been empirically demonstrated to provide higher quality data than alternative online platforms66.”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites [65] Palan, S. & Schitter, C. Prolific.ac—A subject pool for online experiments. J. Behav. Exp. Financ. 17, 22–27 (2018). source
Not checked in the free run.
- cites [66] Peer, E., Brandimarte, L., Samat, S. & Acquisti, A. Beyond the Turk: Alternative platforms for crowdsourcing behavioral research. J. Exp. Soc. Psychol. 70, 153–163 (2017). source
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing). May combine two claims.
Study design and conductown dataIn Study 2, the study used the Consensual Assessment Technique (CAT) to evaluate creativity, with ratings from 10 different poets.
“To evaluate the creativity of participant’s poems, we utilized the Consensual Assessment Technique (CAT), one of the most highly regarded assessment tools in creativity research17. As in Study 1, we obtained ratings from 10 (different) poets in exchange for USD40 each.”
Quote in the paperNot a substantial claim0 of 1 sources checked- cites [17] Amabile, T. M. Social psychology of creativity: A consensual assessment technique. J. Person. Soc. Psychol. 43, 5 (1982). source
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductown dataIn Study 2, no participants failed to correctly answer an instrumental attention check.
“No participants failed to correctly answer an instrumental attention check.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenData and syntax files are available on the Open Science Framework at https://osf.io/3jqga/.
“Data and syntax files are available on the Open Science Framework at https://osf.io/3jqga/.”
Quote in the paperNot a substantial claimClassified as probably not a substantial claim.
Study design and conductcitationIn Study 2, creative self-efficacy was measured using a three-item (α = 0.92) scale developed by Tierney and Farmer.
“To measure creative self-efficacy, we adopted a three-item (α = 0.92) creative self-efficacy scale developed by Tierney and Farmer28.”
Quote in the paperSubstantial claim0 of 1 sources checked- cites [28] Tierney, P. & Farmer, S. M. Creative self-efficacy: Its potential antecedents and relationship to creative performance. Acad. Manag. J. 45(6), 1137–1148 (2002). source
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductown dataOnly in Study 1 did any participants fail the attention check (n = 6).
“However, only in Study 1 did any participants fail this check (n = 6).”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenAll research studies received ethical approval from the Institutional Review Board (IRB) at the National University of Singapore (Ethical Approval Code: BIZ-MNO-20-0213).
“All research studies received ethical approval from the Institutional Review Board (IRB) at the National University of Singapore (Ethical Approval Code: BIZ-MNO-20-0213)”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenThe long-term impact of co-creating (vs. editing) is not tested in this research.
“A further methodological limitation of this research is the long-term impact of co-creating (vs. editing) is not tested.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenIn both studies, we utilized attention checks.
“Moreover, in both studies, we utilized attention checks”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductreasoningAll methods of the reported studies were performed in accordance with the ethical guidelines and regulations of the IRB committee.
“all methods of the reported studies were performed in accordance with the ethical guidelines and regulations of this committee”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenAll manipulations and measures are reported.
“All manipulations and measures are reported.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenThe expertise level of the human writer was not considered as a potential boundary condition in this research.
“Additionally, the expertise level of the human writer was not considered as a potential boundary condition in this research.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
PremisecitationAttention checks are an important method for enhancing data quality, particularly when utilizing online platforms such as Prolific.
“an important method for enhancing data quality67, particularly when utilizing online platforms such as Prolific66.”
Quote in the paperNot a substantial claim0 of 2 sources checked- cites [67] Oppenheimer, D. M., Meyvis, T. & Davidenko, N. Instructional manipulation checks: Detecting satisficing to increase statistical power. J. Exp. Soc. Psychol. 45(4), 867–872 (2009). source
Not checked in the free run.
- cites [66] Peer, E., Brandimarte, L., Samat, S. & Acquisti, A. Beyond the Turk: Alternative platforms for crowdsourcing behavioral research. J. Exp. Soc. Psychol. 70, 153–163 (2017). source
Not checked in the free run.
Probably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductcitationWe selected participants with an approval rating of at least 97%.
“Following prior research, we selected participants with an approval rating of at least 97%.”
Quote in the paperNot a substantial claimProbably not a substantial claim: may not pass S3 (load-bearing).
Study design and conductnone givenInformed consent was obtained for all participants.
“Informed consent was obtained for all participants.”
Quote in the paperNot a substantial claim
The authors state this as an assumption.
The way people view their role in creative collaborations has an influence on the outcome of their endeavours.
“We assume that the way people view their role in creative collaborations has an influence on the outcome of their endeavours22.”
The authors state this as an assumption.
Co-creating (vs. editing) should elicit positive effects for creative self-efficacy and outcomes irrespective of the AI system in question.
“Although we argue that co-creating (vs. editing) should elicit positive effects for creative self-efficacy and outcomes irrespective of the AI system in question, this assumption does warrant empirical validation.”
Claims other papers make about this one
Each is checked against this paper’s own text: does it say what the citing paper says it does?
Human collaboration still holds unique value in terms of emotional support, creative motivation, and shared sense of accomplishment.
“Although AI has demonstrated significant advantages in many areas, human collaboration still holds unique value in terms of emotional support, creative motivation, and shared sense of accomplishment (Tang et al., 2024; McGuire et al., 2024).”
From From humans to AI: understanding why AI is perceived as the preferred co-creation partner (2025) · cites this paper as McGuire et al., 2024
The Introduction (page unavailable) suggests that giving people a co-creator role in human–AI work may nurture intrinsic motivation, and the Discussion says that role supports creative self-efficacy. The paper does not establish that collaboration between humans has unique value over AI collaboration, or address emotional support or a shared sense of accomplishment. (LLM, conf=0.84)
Experimental — accuracy not yet measured
Statistics recomputed
Every reported test result, recomputed from its test statistic and degrees of freedom. A result shows as not adding up only once an independent check has confirmed it.
- ConsistentF(2, 145) = 63.48reported p < .001 · recomputed p < .001
“F(2, 145) = 63.48, p < .001”
- ConsistentF(2, 149) = 7.01reported p = .001 · recomputed p = .001
“F(2, 149) = 7.01, p = .001”
- ConsistentF(2, 149) = 6.08reported p = .003 · recomputed p = .003
“F(2, 149) = 6.08, p = .003”
- ConsistentF(2, 149) = 5.77reported p = .004 · recomputed p = .004
“F(2, 149) = 5.77, p = .004”
Self-check
Percentages, sums and reported differences re-computed from the paper’s own numbers.
Each contradiction between two passages listed here was confirmed by an independent check.
Study 2 human-condition expert-rating SD differs from Table 2
MinorThe results text gives an SD of 9.24 for the human condition's expert evaluations, whereas Table 2 gives 4.98 for the same measure and condition.
“Participants in the human condition received greater expert evaluations of creativity than participants in the human–AI condition (M = 15.74, SD = 9.24 vs. M = 12.53, SD = 4.45; p = 0.001).”
“| Expert evaluations of creativity | 12.53a (4.45) | 14.70b (5.06) | 15.74b (4.98) |”
The citation lists haven’t been fetched yet
References 56 · Cited by 150
Research works printed but not linked: 12
- Jo, A. The promise and peril of generative AI. Nature 614(1), 214–216 (2023).
- Gozalo-Brizuela, R. & Garrido-Merchan, E. C. ChatGPT is not all you need. A state of the art review of large generative AI models. Preprint at http://arXiv.org/2301.04655 (2023).
- Anantrasirichai, N. & Bull, D. Artificial intelligence in the creative industries: A review. Artif. Intell. Rev. 1, 1–68 (2022).
- Fui-Hoon Nah, F., Zheng, R., Cai, J., Siau, K. & Chen, L. Generative AI and ChatGPT: Applications, challenges, and AI-human collaboration. J. Inf. Technol. Case Appl. Res. 25(3), 277–304 (2023).
- Padmakumar, V. & He, H. Does writing with language models reduce content diversity? Preprint at http://arXiv.org/2309.05196 (2023).
- Mukherjee, A. & Chang, H. Managing the creative frontier of generative AI: The novelty-usefulness tradeoff. Calif. Manag. Rev. 1, 1 (2023).
- Chen, L., Zaharia, M. & Zou, J. How is ChatGPT's behavior changing over time? Preprint at http://arXiv.org/2307.09009 (2023).
- Mirbabaie, M., Brünker, F., Möllmann, N. R. & Stieglitz, S. The rise of artificial intelligence–understanding the AI identity threat at the workplace. Electron. Mark. 1, 1–27 (2022).
- Shelley, P. B. & Brett-Smith, H. F. B. A defence of Poetry 79 (Brodie, 1980).
- Perkins, D. A history of Modern Poetry Vol. 1 (Harvard University Press, 1976).
- Hennessey, B. A. Self-determination theory and the social psychology of creativity. Psychol. Inq. 11(4), 293–298 (2000).
- Lai, M. C. & Chen, Y. C. Self-efficacy, effort, job performance, job satisfaction, and turnover intention: The effect of personal characteristics on organization performance. Int. J. Innov. Manag. Technol. 3(4), 387 (2012).
- Authors
- McGuire, J., De Cremer, D., & Van de Cruys, T.
- Affiliations
- Northeastern University (US)
- Corresponding author
- McGuire, Jack
- ORCID
- McGuire, Jack
- Venue
- Scientific Reports
- Published
- 2024-08-09
- Volume
- 14
- Issue
- 1
- Pages
- 18525-18525
- ISSN
- 2045-2322 (ISSN-L)
- PMC
- PMC11316096
- OpenAlex
- W4401454503
- Cited by
- 150
- References
- 56
- Citations by year
- 2026: 90 · 2025: 54 · 2024: 6
- FWCI
- 61.03
- Type
- journal article
- Language
- en
- Open access
- gold
- doi.org
- Licence
- Locations
- Scientific Reports (publishedVersion, cc-by-nc-nd)
- PubMed Central (publishedVersion, cc-by-nc-nd)
- PubMed (publishedVersion)
- Lirias (KU Leuven) (submittedVersion, cc-by-nc-nd)
- DOAJ (DOAJ: Directory of Open Access Journals) (submittedVersion, cc-by-sa)
- Funders
- Ministry of Education - Singapore (11/2019/115)
- Topics
- Social Sciences › Psychology › Experimental and Cognitive Psychology › Creativity in Education and Neuroscience
- Physical Sciences › Computer Science › Human-Computer Interaction › Innovative Human-Technology Interaction
- Social Sciences › Arts and Humanities › Visual Arts and Performing Arts › Art, Technology, and Culture
- Keywords
- human-AI collaboration, co-creation, creative self-efficacy, generative AI, creativity, poetry writing, human-AI interface
- MeSH terms
- Adult, Artificial Intelligence, Cooperative Behavior, Creativity, Female, Humans, Male, Poetry as Topic, Self Efficacy, Young Adult
About these checks
Registry, retraction, Cites and statistics results are computed, not judged, with one exception: a printed reference that no index lists is read once by a model before it counts as a citation error. Claims are extracted by a model and kept only when their quote appears verbatim in the text; each cited source is then checked, with a model’s help, for whether it says what the claim relies on. Those verdicts can be wrong — read the claim’s quote and the cited source before relying on one.
Claims read by deepseek-v4.1-flash under definition version 3 (extract-v3) on 2026-10-09.
Classified by jev-1.13-20260917 (gold-guideline-v0.2) on 2026-10-09.
Statistics and arithmetic are recomputed, not judged.
Confidence bands are shown only for fields calibrated on our annotated test set. None is calibrated yet, so no band is shown.
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